When Liz Phair shook things up with her musical debut, Exile in Guyville - making her as much a cultural figure as a feminist pioneer and rock star - her raw candor, uncompromising authenticity, and deft storytelling inspired a legion of critics, songwriters, musicians, and fans alike. Now, like a Gen X Patti Smith, Liz Phair reflects on the path she has taken in these piercing essays that reveal the indelible memories that have stayed with her.

An insider biography of the Black Crowes by drummer and cofounder Steve Gorman. In his first-person history of the Black Crowes, Hard To Handle - the first ever account of this great American rock band's beginning, middle, and end - Gorman makes it clear just how impossible that job was. Fortunately, Gorman tells the tale with great insight, candor, and humor. They don't make bands like the Black Crowes anymore: crazy, brilliant, self-destructive, inspiring, and, ultimately, not built to last. But, man, what a ride it was while it lasted. 

Iconic bassist and co-founder of the immortal Red Hot Chili Peppers finally tells his fascinating life story, complete with all the dizzying highs and the gutter lows you'd expect from an LA street rat turned world-famous rock star.  

At 21, Kathy Valentine was at the Whisky in Los Angeles when she met a guitarist from a fledgling band called the Go-Go's - and the band needed a bassist. The Go-Go's became the first multi-platinum-selling, all-female band to play instruments themselves, write their own songs, and have a number one album. But for Valentine, the band's success was the fulfillment of a lifelong dream - but it's only part of her story. All I Ever Wanted traces the path that took her from her childhood in Texas - where she all but raised herself - to the height of rock n' roll stardom.

Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monumental album Frampton Comes Alive! spawned three top-20 singles and sold eight million copies the year it was released (more than 17 million to date), and it was inducted into the Grammy Hall of Fame in January 2020. 

In Remain in Love, Frantz writes about the beginnings of Talking Heads - their days as art students in Providence, moving to the sparse Chrystie Street loft Frantz, Weymouth, and Byrne shared where the music that defined an era was written. With immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn - and reveals the mechanics of a long and complicated working relationship with a mercurial frontman.

In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life, from his roller-coaster lifestyle as shown in the film Rocketman, to becoming a living legend.  

Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs - including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the Year of the Monkey."

Gold Dust Woman gives "the gold standard of rock biographers" (the Boston Globe) his ideal topic: Nicks' work and life are equally sexy and interesting, and Davis delves deeply into each, unearthing fresh details from new, intimate interviews and interpreting them to present a rich new portrait of the star. Just as Nicks (and Lindsay Buckingham) gave Fleetwood Mac the "shot of adrenaline" they needed to become real rock stars - according to Christine McVie - Gold Dust Woman is vibrant with stories and with a life lived large and hard.

Kim Gordon, founding member of Sonic Youth, fashion icon, and role model for a generation of women, now tells her story - a memoir of life as an artist, of music, marriage, motherhood, independence, and as one of the first women of rock and roll, written with the lyricism and haunting beauty of Patti Smith's Just Kids.

18 and Life on Skid Row tells the story of a boy who spent his childhood moving from Freeport, Bahamas, to California and finally to Canada and who, at the age of eight, discovered the gift that would change his life. Throughout his career, Sebastian Bach has sold over 20 million records both as the lead singer of Skid Row and as a solo artist.

Gates Foster lost his daughter, Lucy, 17 years ago. He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth. Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.

From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians and industry insiders who lived it.

In this intimate, haunting, literary memoir read by the author, an American icon tells her story for the first time, in her own gorgeous words - about a challenging and lonely childhood, the craft that helped her find her voice, and a powerful emotional legacy that shaped her journey as a daughter and a mother. 

In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than 40 years on.