Fire & Blood (HBO Tie-in Edition)
300 Years Before A Game of Thrones
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Narrateur(s):
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Simon Vance
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Auteur(s):
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George R. R. Martin
À propos de cet audio
“The thrill of Fire & Blood is the thrill of all Martin’s fantasy work: familiar myths debunked, the whole trope table flipped.”—Entertainment Weekly
Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire & Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart.
What really happened during the Dance of the Dragons? Why was it so deadly to visit Valyria after the Doom? What were Maegor the Cruel’s worst crimes? What was it like in Westeros when dragons ruled the skies? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty all-new black-and-white illustrations by artist Doug Wheatley—including five all-new illustrations exclusive to this edition. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed.
With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire & Blood is the the first volume of the definitive two-part history of the Targaryens, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros.
Includes a bonus PDF of illustrations from the book
Praise for Fire & Blood
“A masterpiece of popular historical fiction.”—The Sunday Times
“The saga is a rich and dark one, full of both the title’s promised elements. . . . It’s hard not to thrill to the descriptions of dragons engaging in airborne combat, or the dilemma of whether defeated rulers should ‘bend the knee,’ ‘take the black’ and join the Night’s Watch, or simply meet an inventive and horrible end.”—The Guardian
Ce que les critiques en disent
“I love it so much. Fire & Blood is Martin Unbound . . . and I couldn’t put it down. . . . There’s an addictive quality to the prose that’s outright gossipy. . . . The obvious comparison here is J.R.R. Tolkien’s The Silmarillion. . . . Writing centuries after the events he’s describing, the Gyldayn voice complicates this game of thrones with a clash of perspectives and a storm of debatable facts. . . . Heavy stuff, but Fire & Blood flies.”—Entertainment Weekly
“A brilliant book . . . vivid, memorable and personal.”—The Times
“Lean and efficient and slyly seductive and instructive . . . The text is filled with such a wealth of incident and so many colorful characters.”—Locus
“The overall narrative of the book is wonderfully fluid. . . . Fire & Blood was a great surprise to me. I found myself becoming deeply emotionally invested in the Targaryens, thrilling when they achieved great victories and lamenting when they succumbed to their more idiotic desires. (And they have a lot of idiotic desires.) This book feels like A Song of Ice and Fire. And you know how I know? Because I want the next book right away.” —Tordotcom
“An absolutely irresistible, dragon-filled delight.”—Bustle
“[There are] treasures hidden in this new Targaryen history.”—Vanity Fair
“The world of ice and fire only gets more fascinating the more we learn about it.”—Mashable
“Martin is still a powerfully gifted, inventive writer. . . . [Fire & Blood] has hundreds of fascinating anecdotes, ranging from the cruel fate of a jester named Tom Turnip to a dragon that, tellingly, refuses to venture beyond the Wall. . . . Fire & Blood is a lavish object, with charts, family trees, and stunning illustrations by comic book artist Doug Wheatley. . . . In this sense it fits into a venerable tradition, from J.R.R. Tolkien in his Silmarillion to Diana Gabaldon in her companion to the Outlander series.”—USA Today
“[Fire & Blood] explores the dragon-fueled secrets upon which the current saga is built.”—The Hollywood Reporter
“Martin has done it again. . . . [Fire & Blood is] a beautiful weaving of the wars, marriages, deaths, dragons, and politics that shape the world Martin has created, leaving the reader feeling like this is a true history rather than a piece of fantasy. This is a masterpiece of world-building. . . . Beyond Martin’s legions of fans, anyone with a taste for richly, even obsessively detailed historical fiction or fantasy about royalty will enjoy this extraordinary work.”—Booklist (starred review)
“A brilliant book . . . vivid, memorable and personal.”—The Times
“Lean and efficient and slyly seductive and instructive . . . The text is filled with such a wealth of incident and so many colorful characters.”—Locus
“The overall narrative of the book is wonderfully fluid. . . . Fire & Blood was a great surprise to me. I found myself becoming deeply emotionally invested in the Targaryens, thrilling when they achieved great victories and lamenting when they succumbed to their more idiotic desires. (And they have a lot of idiotic desires.) This book feels like A Song of Ice and Fire. And you know how I know? Because I want the next book right away.” —Tordotcom
“An absolutely irresistible, dragon-filled delight.”—Bustle
“[There are] treasures hidden in this new Targaryen history.”—Vanity Fair
“The world of ice and fire only gets more fascinating the more we learn about it.”—Mashable
“Martin is still a powerfully gifted, inventive writer. . . . [Fire & Blood] has hundreds of fascinating anecdotes, ranging from the cruel fate of a jester named Tom Turnip to a dragon that, tellingly, refuses to venture beyond the Wall. . . . Fire & Blood is a lavish object, with charts, family trees, and stunning illustrations by comic book artist Doug Wheatley. . . . In this sense it fits into a venerable tradition, from J.R.R. Tolkien in his Silmarillion to Diana Gabaldon in her companion to the Outlander series.”—USA Today
“[Fire & Blood] explores the dragon-fueled secrets upon which the current saga is built.”—The Hollywood Reporter
“Martin has done it again. . . . [Fire & Blood is] a beautiful weaving of the wars, marriages, deaths, dragons, and politics that shape the world Martin has created, leaving the reader feeling like this is a true history rather than a piece of fantasy. This is a masterpiece of world-building. . . . Beyond Martin’s legions of fans, anyone with a taste for richly, even obsessively detailed historical fiction or fantasy about royalty will enjoy this extraordinary work.”—Booklist (starred review)
It's worth the slow start
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Amazing
Absolutely Fantastic
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I am eagerly awaiting volume 2!
fantastic!
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written like an anthology, it still reads like a story
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I miss Dotrice, though Vance is excellent. This book rates 7.5 stars out of 10.
Quite good history of the Targaryens
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Some may not enjoy this one as much as the other George R. R. Martin GoT books because it's written like a history book rather than a novel, but I found it to be all the more interesting for it!
Simon Vance gave a wonderful performance as the maester who is supposed to have written all the historical events in the book and really made me feel like I was studying some incredibly magical and frankly bloody violent history, postmarked with magic and betrayal.
Are we maesters now?!
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Really enjoyable
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Fascinating
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Tons of action and drama that covers before and after HOD. Only hard part is to follow the many characters of each succession. Targaryens all use the same names for their children.
Wish it continued or there was a second novel that leads up to the mad king. I want to learn more about their history!
Great book for HOD fans
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Buyer beware, this book is NOT a mainline ASOIAF novel, it is not billed as such, nor advertised as such. Other reviews mention they found this “boring”, and it is in large part due to wrong expectations. This has always been billed as a “fake history” book, and in that, it succeeds in spades, being both entertaining and informative on the lore of the world.
Simon Vance nails it
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