Welcome to Tiankawi - shining pearl of human civilization and a safe haven for those fleeing civil unrest. Or at least, that's how it first appears. But in the semi-flooded city, humans are, quite literally, on top: peering down from shining towers and aerial walkways on the fathomfolk - sirens, seawitches, kelpies and kappas - who live in the polluted waters below. For half-siren Mira, promotion to captain of the border guard means an opportunity to help her downtrodden people. When extremists sabotage the annual boat race, violence erupts, as does the clampdown on fathomfolk rights.

As the threat of a common enemy closes in, Ferren finds solace in the commander. While working together in the hope of saving their people, they forge a profound connection that tethers them in unexpected ways. Ferren must decide if she can go back to the stoic existence she once led when he has shown her a taste of the life she deserves.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister Mari is kidnapped by The Fridge, a shadowy syndicate that holds people hostage in cryostasis, Eva must undergo a series of unpleasant, dangerous missions to pay the ransom.

Exiled by her despotic brother, princess Malini spends her days dreaming of vengeance while imprisoned in the Hirana: an ancient cliffside temple that was once the revered source of the magical deathless waters but is now little more than a decaying ruin. The secrets of the Hirana call to Priya. But in order to keep the truth of her past safely hidden, she works as a servant in the loathed regent’s household, biting her tongue and cleaning Malini’s chambers.

Without an academic endorsement to make him valuable to the high fey, Saffron will be sent back through the veil to the human world. The place he was traded from as a changeling-baby, and a place he is terrified of. And while getting an endorsement shouldn't be impossible, it's hindered by the fact his literacy is self-taught, using books stolen off of Morrígan Academy's campus of high fey students.

It has been 20 years since the end of the war. The dictatorial Augurs, once thought of almost as gods, were overthrown and wiped out during the conflict, their much-feared powers mysteriously failing them. Those who had ruled under them, men and women with a lesser ability known as the Gift, avoided the Augurs' fate only by submitting themselves to the rebellion's Four Tenets.

In the country called One, dollmakers are vital members of the community. An artisan’s doll is the height of society’s accomplishments, while a guard’s doll is the only thing standing between the people of One and the Shod: vicious, cobbled monstrosities that will tear apart any structure—living or dead, inanimate or otherwise—to add to their horde. Apprentice Shean of Pearl is a brilliant dollmaker. With her clever dolls, she intends to outsmart and destroy the Shod, once and for all—a destiny she’s worked her whole life toward accomplishing.

The emperor's reign has lasted for decades, his mastery of bone shard magic powering the animal-like constructs that maintain law and order. But now his rule is failing, and revolution is sweeping across the Empire's many islands. Lin is the emperor's daughter and spends her days trapped in a palace of locked doors and dark secrets. When her father refuses to recognise her as heir to the throne, she vows to prove her worth by mastering the forbidden art of bone shard magic.

Farleigh is just an orphanage–at least, that's what the church would have the people believe. But beautiful orphans Nox and fae-touched Amaris know better. They are commodities for sale, available for purchase by the highest bidder. So when the madame of a notorious brothel in a far-off city offers a king's ransom to purchase Amaris, Nox ends up taking her place—while Amaris is drawn away to the mountains, home of mysterious assassins.

The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon.

In a place known as the Ledge, a civilization is trapped by a vast chasm and sheer mountain face. There is no way for anyone to escape the frozen wasteland without befalling a deathly drop. They know nothing of the outside world except that it is where the Glacians reside—mystical and vicious winged creatures who bring meager rations in exchange for a periodic human sacrifice.

In a mortal world colonized by the gods and ruled over by their cruel offspring, the Descended, Diem Bellator yearns to escape the insular life of her poor village. Her mother's sudden disappearance—and the discovery of a dangerous secret about her past—offer Diem an unexpected opportunity to enter the dark world of Descended royalty and unlock the web of mysteries her mother left behind.

The adopted human daughter of the Nightborn vampire king, Oraya carved her place in a world designed to kill her. Her only chance to become something more than prey is entering the Kejari: a legendary tournament held by the goddess of death herself. But winning won’t be easy amongst the most vicious warriors from all three vampire houses. To survive, Oraya is forced to make an alliance with a mysterious rival.

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can’t be killed. Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her, and hers towards him. And now, well, Sara might still be able to save the world, but in order to do so, she'll have to sacrifice her heart in the process.