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Publisher's Summary

For the 30th anniversary of its premiere comes the vivid and immersive history behind Martin Scorsese’s signature film Goodfellas, hailed by critics as the greatest mob movie ever made.

When Goodfellas first hit the theaters in 1990, a classic was born. Few could anticipate the unparalleled influence it would have on pop culture, one that would inspire future filmmakers and redefine the gangster picture as we know it today. From the rush of grotesque violence in the opening scene to the iconic hilarity of Joe Pesci’s endlessly quoted “Funny how?” shtick, it’s little wonder the film is widely regarded as a mainstay in contemporary cinema. 

In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced America to the real modern gangster - brutal, ruthless, yet darkly appealing, the villain we can’t get enough of. 

Featuring interviews with the film’s major players, including Martin Scorsese and Robert De Niro, Made Men shines a light on the lives and stories wrapped up in the Goodfellas universe, and why its enduring legacy is still essential to charting the trajectory of American culture 30 years later. 

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2020 Glenn Kenny (P)2020 Harlequin Enterprises, Limited

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  • Overall
    2 out of 5 stars
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    2 out of 5 stars
  • Buretto
  • 2020-09-26

Mostly script-reading and pedantic film criticism

There are three main parts of this book. First, the scene-by-scene telling of Goodfellas (the chapters are actually titled "scene-by-scene". I suppose if you've never seen the film, it may be informative. But presumably, anyone buying the book has seen it and might consider such an exercise redundant and boring. And it is, as the author recounts the movie, line by precious line. That's 6 hours of the book, over half the running time. If anybody remembers the kid in school who insisted on reciting the entire Dead Parrot sketch of Monty Python, ad nauseam, you start to get the picture. Secondly, is the grand sweep of Scorsese's career. Mildly interesting, but not on point with why I bought the book, and seemed more than a little like filler to extend the length of the book (must have run out of dialogue to reprint). And lastly, is where the author feels most at home, bloviating about film, and comparing many with only the most tenuous of threads tying them together. I had thought the author's writing was merely amateurish, only to find his primary career was as a film critic, the wasteland for wannabe writers. These parts were excruciating in their cloying verbosity (<--he's fond of using that kind of language), making me long for the mundanity of the verbatim reading of the script. He lost me when he misidentified the 1955 version of We're No Angels, with Humphrey Bogart, Aldo Ray and Peter Ustinov as having escaped convicts posing as priests. No, that was the 1989 DeNiro/Penn version. Film critic, indeed. Scattered along the way are a few tidbits about extras, supporting actor's impressions of their roles, Scorsese's frantic rambling, and reactions of real life mobsters, which may have made decent material, but here was so scant as to be inconsequential.

2 people found this helpful

  • Overall
    5 out of 5 stars
  • Utilisateur anonyme
  • 2021-01-01

very. very good and accurate stories.

great narration and excellent backstories which are all true. excellent production. now I'll watch the movie again.

  • Overall
    4 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    4 out of 5 stars
  • Oscar A. de los Santos
  • 2020-11-24

Made for the Martin Scorsese fans

It was a bit hard to follow at times, the structure of the writing made it hard to follow in a linear fashion, that said it very informative and the speaker was fantastic.

  • Overall
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    3 out of 5 stars
  • launicaangelina
  • 2020-10-20

Interesting but Tedious

It was okay. I love Goodfellas but you also need to have a huge interest in movie making too. Some of it was interesting but it gets extremely tedious overall. I decided to skip the entire music chapter because it was just too much.