Thirteen bodies are found in a Louisville restaurant. When the police can find no suspect or motive, the family of one of the victims seeks the services of the enigmatic and solitary specialist Roy Prescott, known for his ability to find people who don't want to be found.

Jane Whitefield is a name to be whispered like a prayer - a shadow woman who rescues the helpless and the hunted when their enemies leave them no place to hide. Now, with the bone-deep cunning of her Native American forebears, she arranges a vanishing act for Pete Hatcher, a Las Vegas gambling executive. It should be a piece of cake, but she doesn't yet know about Earl and Linda - professional destroyers who will cash in if Hatcher dies, killers who love to kill...slowly.

Jane Whitefield, legendary half-Indian shadow guide who spirits hunted people away from certain death, has never had a client like Dr. Richard Dahlman. A famous plastic surgeon who has dedicated his life to healing, the good doctor hasn't a clue why stalkers are out for his blood. But he knows Jane Whitefield's name---and that she is his only hope.

Nick Heller is at the top of his game when he receives some devastating news: His old army buddy, Sean, has died of an overdose. Sean, who once saved Nick’s life, got addicted to opioids after returning home wounded from war. Then, at Sean’s funeral, a stranger approaches Nick with a job, and maybe also a way for Nick to hold someone accountable. The woman is the daughter of a pharmaceutical kingpin worth billions. Now, she wants to become a whistleblower, exposing her father and his company for burying evidence.

Jack Wade, a claims adjuster for California Fire and Life Mutual Insurance Company, is one of the best arson investigators around. He's a man who knows fire, who can read the traces it leaves behind like a roadmap. When he's called in to examine an unusual claim, the tracks of the fire tell him that something's wrong. So wrong that he violates his own cardinal rule - "You don't get personal, you don't get emotional. Whatever you do, you don't get involved" - and plunges into the case.

Losing ground in his fight against post-traumatic claustrophobia, war veteran Peter Ash has no intention of getting on an airplane - until a grieving woman asks Peter to find her eight-year-old grandson. The woman's daughter has been murdered. Erik, the dead daughter's husband, is the sole suspect, and he has taken his young son and fled to Iceland for the protection of Erik's lawless family.

From Mark Greaney, the New York Times best-selling author of Mission Critical and a coauthor of Tom Clancy's Jack Ryan novels, comes another high-stakes thriller featuring the world's most dangerous assassin: the Gray Man. While on a mission to Croatia, Court Gentry uncovers a human trafficking operation. The trail leads from the Balkans all the way back to Hollywood. Court is determined to shut it down, but his CIA handlers have other plans. The criminal ringleader has actionable intelligence about a potentially devastating terrorist attack on the US.

Renée Ballard is working the night beat again and returns to Hollywood Station in the early hours only to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin. Ballard kicks him out but then checks into the case herself, and it brings a deep tug of empathy and anger. Bosch is investigating the death of 15-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally murdered and her body left in a dumpster like so much trash. Now, Ballard joins forces with Bosch. 

A drug-cartel counting house gets robbed in Biloxi, Mississippi, and suitcases full of cash disappear, leaving behind five bodies, including that of a six-year-old girl. Davenport takes the case, which quickly spirals out of control, as cartel assassins compete with Davenport to find the Dixie Hicks shooters who knocked over the counting house. Things get ugly real fast, and neither the cartel killers nor the holdup men give a damn about whose lives Davenport might have saved; to them, he's just another large target.

Jack Reacher hits the pavement and sticks out his thumb. He plans to follow the sun on an epic trip across America, from Maine to California. He doesn't get far. On a country road deep in the New England woods, he sees a sign to a place he has never been: the town where his father was born. He thinks, What's one extra day? He takes the detour. 

Our hero is Jack McEvoy, a Rocky Mountain News crime-beat reporter. As the story opens, Jack's twin brother, a Denver homicide detective, has just killed himself. Or so it seems. But when Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges, and soon suspects that a serial murderer is at work.

Slough House is a dumping ground for British intelligence agents who've screwed up cases in any number of ways - by leaving a secret file on a train or blowing a surveillance. River Cartwright, one such "slow horse", is bitter about his failure and about his tedious assignment transcribing cell phone conversations. When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, River sees an opportunity to redeem himself.

Years ago, bookseller and mystery aficionado Malcolm Kershaw compiled a list of the genre’s most unsolvable murders, those that are almost impossible to crack - which he titled "Eight Perfect Murders". But no one is more surprised than Mal, now the owner of the Old Devils Bookstore in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list. And the FBI agent isn’t the only one interested in this bookseller.

It's 1928, and Berlin is a city on the edge of chaos, where nothing is truly verboten. At central police HQ, the Murder Commission has its hands full. A killer is on the loose, and though he scatters many clues, each is a dead end. It's almost as if he is taunting the cops. This is what Bernie Gunther finds on his first day with the Murder Commisson. He's been taken on because the people at the top have noticed him - they think he has the makings of a first-rate detective. But not just yet. Right now, he has to listen and learn.

It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of do's and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job - and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail.