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Miami Blues cover art

Miami Blues

Written by: Charles Willeford
Narrated by: Stephen Bowlby
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Publisher's Summary

After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious Eldorado Hotel and nurses a glass of brandy. With his guard down, he doesn't think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over 10 years of cases, wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge, and the few clues he has keep connecting to a dimwitted hooker, her ex-con boyfriend, and the bizarre murder of a Hare Krishna pimp.

Chronically depressed, constantly strapped for money, always willing to bend the rules a bit, Hoke Moseley is hardly what you'd think of as the perfect cop, but he is one of the greatest detective creations of all time.

©1984 Charles Willeford (P)2014 Blackstone Audio, Inc.

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Tongue Planted Firmly In Cheek

When asked about the incongruous dark humor evident in 'Pulp Fiction', Quentin Tarantino compared the film to a Charles Willeford novel.

That comparison is apt.

This first in the 'Hoke Mosely' series drips with sardonic wit while dealing with strangely engrossing violent criminal scenarios. The hard-bitten detective investigates the murder of a Hare-Krishna impostor (robbing tourists by taking advantage of Florida Law that allows legalized begging) who dies after a simple mugging. Willeford further explores a strange domestic relationship between an oddly matter-of-fact prostitute (who turns out to be the victim's sister) and the violent ex-con who did the killing. The end result is a fairly straightforward crime drama that is unchallenging.. but loaded with intriguing coincidence, amusing, and all about the fascinating characters/dismal setting, anyway.

The performance from Stephen Bowlby of this unusual novel is solidly professional. Yes, he reads too slowly (setting playback at 1.15X is necessary for the optimal experience), but his diction, timbre, cadence, and tone are creditable.
When factoring in reasonably good voice-acting (including cartoonish accents but a most enjoyable portrayal of a character with a broken jaw), the narration is "above-average".

Altogether, this is a notably "noir" Crime novel with truly "quirky" elements. The resultant book is quite unique - and merits 9 stars out of 10. I am grateful for the inclusion of the recording with my Audible subscription.. and if you can likewise get it as a 'Plus' option, it's definitely worth a download (the weirdly upbeat "all about the atmosphere" approach might grab you). Passing is reasonable if they ask for a Credit, but it grabbed me enough to go on to Book Two in the series.

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