When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Seventeen-year-old Margaux doesn’t realize one photo could change the course of her life. But in German-occupied Paris, nothing makes sense anymore. Margaux fears the worst when her lover is arrested. And when her photo appears in Nazi propaganda, her family’s reputation and prospects suffer the consequences. In 2008, Margaux has moved into a retirement home, and her granddaughter Barbara continues to live in the Paris apartment they used to share.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

When a boy is found dead with the skin of a hare’s head in his hand, everyone knows who killed him—Willis Newland, just released from prison after serving twenty years for an identical murder. But what if everyone’s wrong? Detective Colly Newland reluctantly agrees to investigate a case that seems to involve the whole town, including her dead husband’s extended family. But the deeper she digs, the more secrets she unearths.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

In 1924, four-year-old Cecily Larson’s mother reluctantly drops her off at an orphanage in Chicago, promising to be back once she’s made enough money to support both Cecily and herself. But she never returns, and shortly after high-spirited Cecily turns seven, she is sold to a traveling circus to perform as the “little sister” to glamorous bareback rider Isabelle DuMonde. With Isabelle and the rest of the circus, Cecily finally feels she’s found the family she craves.

Ethan Dove’s family has moved to a new home in a safe community, and it’s exactly the fresh start they need. Not only is his marriage to Emma hanging by a thread, but his son, Dylan, and twelve-year-old daughter, Rose, deserve to have a happy childhood. After Rose is bullied by the boys across the road, Ethan is relieved when the woman who lives next door steps in. Fiona Smith has come into their lives at just the right moment, and when she offers to look after Rose during the school holidays, Ethan and Emma can’t believe their luck.

Connie can't deny she's nervous about meeting her boyfriend's family. Spending the weekend at their ritzy woodland summer home, Evan's already given her fair warning that his parents are cold, snobbish, and especially unpleasant toward those outside their usual social circles. So when Evan's mother warmly greets them with open arms, Connie is as confused as he is. They're so friendly, in fact, Evan himself can hardly believe they're real. Then, while helping Evan's mother with dinner, Connie overhears strange noises coming from the basement—what almost sounds like voices calling out for help.

When a Category 5 hurricane is poised to hit their coastal Florida town, the Davies family takes refuge in their waterfront manse. Marlowe, Lee, and their teenage twins invite their close friends to wait out the storm in comfort and style. Uninvited are the three strangers who dock on the family’s shore right before the storm descends. Brothers Jason and Bo—and Bo’s girlfriend, Darcy—are a charming, helpful trio in need of a safe haven that the Davies are only too happy to provide. But as the storm outside grows more threatening, so does the tension in the house.

When journalist Annabelle Tometich picks up the phone one June morning, she isn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterwards was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood.

Quiet Funke is happy in Nigeria. She loves her art teacher mother, her professor father, and even her annoying little brother (most of the time). But when tragedy strikes, she’s sent to England, a place she knows only from her mother’s stories. To her dismay, she finds the much-lauded estate dilapidated, the food tasteless, the weather grey. Worse still, her mother’s family are cold and distant. With one exception: her cousin Liv.

A daughter of Korean immigrants, Hyeseung Song spends her earliest years in the cane fields of Texas where her loyalties are divided between a restless father in search of Big Money, and a beautiful yet domineering mother whose resentments about her own life compromises her relationship with her daughter. With her parents at constant odds, Song learns more words in Korean for hatred than for love. When the family’s fake Gucci business lands them in bankruptcy, Song moves to a new elementary school. On her first day, a girl asks the teacher: “Can she speak English?”

Cannabis kingpin Burl Spoon has reigned over the Jackson County area for three decades, building a powerful backwoods empire. But behind a well-run organization, his personal life is crumbling—his daughter can’t stay clean; his son has hated him since coming out; and after enduring years of infidelity, his wife is straying too. The only person not on his payroll who still adores him is his six-year-old granddaughter, Chelsea.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Anthony Opoka and Florence Okori are coming of age in Uganda in the 1990s. Outstanding students, they believe in being good humans before they are kidnapped and forced into the fanatical Lord’s Resistance Army. In a legion of young recruits, no one gets closer than Anthony to powerful messianic warlord Joseph Kony and his darkest secrets. To stay sane as he spirals through chaos, Anthony clings to his childhood lessons about being a good human. Florence’s upbringing grounds her, too, helping her keep her dreams alive even as she’s pulled deeper into the insanity of Kony’s war.