When Faye Baker discovers a fragile child’s skull behind the walls of her new home, Detective Lottie Parker is called to investigate. The house has been owned for years by the family of Faye’s boyfriend Jeff, so when Jeff starts acting suspiciously, Lottie wonders what he might be hiding....Lottie doesn’t have long to dig deeper before a child’s bones are found by 11-year-old Gavin on nearby railway tracks. The bones don’t match the small skull behind the walls, but Lottie can’t ignore the coincidence. 

One dark winter’s morning, bride-to-be Cara Dunne is found hanging in her home, dressed in her wedding dress, with a lock of hair removed. Detective Lottie Parker is first on the scene. Looking at Cara’s bruised and battered body, she wonders who could have hated her enough to kill her at the happiest time of her life. The case takes a darker turn that afternoon with another shocking discovery - the broken body of a second young woman, pushed from the roof of the hospital where she worked. Fiona Heffernan was also due to be married....

When Amy Whyte and Penny Brogan leave a nightclub in the early hours of Sunday morning and don’t arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place. The case is given to Detective Lottie Parker when the girls’ blood-soaked bodies are found, days later, in a derelict squat. Chillingly, both girls are clutching silver coins in their hands - what message is this killer leaving behind? All the signs point to Conor, but his alibi is watertight.

One hot summer evening, 11-year-old Mikey Driscoll is on the way home from playing with friends. Two days later, his body is discovered on a bed of wildflowers by some local teenagers. The case is assigned to Detective Lottie Parker, and this time it’s personal. The victim was a close friend of her son, Sean, from the run-down Munbally estate on the other side of town. Sean tells his mother Mikey was behaving normally before he died, but Lottie can’t help but feel that her son is keeping something from her.

As funeral mourners stand in silence at Ragmullin cemetery, a deafening cry cuts through the air. Lying crumpled at the bottom of an open grave is the bloodied body of a young woman, and Detective Lottie Parker is called in to investigate. Knowing the body can’t have been there long, Lottie wonders if it could be Elizabeth Bryne, a young woman who vanished without trace just days earlier. And with a new boss who seems to have it in for her, Lottie is under pressure to solve both cases quickly.

The young woman standing on Lottie's step was a stranger. She was clutching the hand of a young boy. "Help me," she said to Lottie. "Please help me." One Monday morning, the body of a young pregnant woman is found. The same day, a mother and her son visit the house of Detective Lottie Parker, begging for help to find a lost friend.

When Isabel Gallagher is found murdered on the floor of her baby’s nursery by her mother, it’s a grueling case for Detective Lottie Parker. Isabel’s pajamas have been ripped, her throat cut and an old-fashioned razor blade placed in her hand. As Lottie looks at the round blue eyes and perfect chubby cheeks of Isabel’s baby daughter, she can’t understand who would want to hurt this innocent family.

When a woman's body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It's clear the pair are connected, but how? The trail leads Lottie to St Angela's, a former children's home, with a dark connection to her own family history. Suddenly the case just got personal.

When the call comes in about Lucy, a 17-year-old girl murdered after the secret party she held in her parents’ home, Detective Lottie Parker is first on the scene. As Lottie breaks the news to Lucy’s heartbroken parents and the devastated partygoers, she discovers that hours before her death Lucy had revealed a terrible secret about her friend Hannah. And when Lottie finds Lucy’s bloodstained clothing hidden in Hannah’s bedroom, she has no option but to bring the shy, frightened girl into custody. But Hannah claims to have no memory of the night Lucy died.

One moonlit night, the bodies of two young people are discovered lying entwined on a blanket in the woods. The young man is clutching a red rose. It appears to be a lovers' suicide pact.... Until Detective Nikki Galena and DS Joseph Easter look more closely. Romeo and Juliet, as they decide to call them, were murdered somewhere else and brought to the woods. But why? Then another young couple are found dead, again beautifully posed as lovers. 

An old friend's sister disappears without a trace. There's no sign of foul play, but she'd been acting very peculiarly. Meanwhile, Liz's cousin, Christie, comes to stay. She takes an immediate - and uncharacteristic - dislike to the local bookshop owner, Gina. Why does everyone put up with her awful behavior? Christie is convinced that Gina is manipulating everyone around her. Is she onto something dangerous or just pushing her new friends away? No one believes her suspicions until another friend goes missing late at night on the misty Fen marshes.

When Detective Kim Stone is called to a local business, what she sees leaves her speechless. The photo on the driving license bears little resemblance to the man laid out before her, and she knows she’s up against the most twisted killer she has ever encountered. But as she breaks the devastating news to the victim’s wife, Diane Phipps, Kim can’t help feeling that something isn’t quite right about the woman’s reaction. 

Fran finds her standing by the swings. A little girl, Esther, no older than seven years old, by herself in the dead of night, her pretty but old-fashioned yellow dress covered in grass stains and her hair dishevelled. She says she's waiting for Father, and that strikes Fran as particularly odd. After Esther is reunited with her family, Fran can't stop thinking about this pious child whose imaginary friend is God. Fran's instincts tell her something is very wrong. Why does Esther keep running away from home, and how did she get that bruise on her leg? 

P. D. James meets E. L. James in Under a Silent Moon, this first novel in an exciting British crime series-a blend of literary suspense and captivating thriller that introduces formidable Detective Chief Inspector Louisa Smith - from suspense talent Elizabeth Haynes, author of the best-selling Into the Darkest Corner. In the crisp, early hours of an autumn morning, the police are called to investigate two deaths. The first is a suspected murder at a farm on the outskirts of a small village. A beautiful young woman has been found dead, her cottage drenched with blood. 

As the mists roll over the fens and enigmatic lights twinkle in the distance, only the locals know their way along the hidden paths through the mysterious watery terrain of one of England's most beautiful and sometimes dangerous places. Detective Matt Ballard may have retired but there's still plenty going on in the fens to keep him busy. Someone trashes an old lady's garden and daubs her isolated cottage with hateful graffiti. Emilia Swain seems to be totally harmless, so why is she being targeted?