A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and her rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show—putting her teaching job at risk—and her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.

Magnolia "Mack" Bishop is staring down the barrel at single motherhood--thanks to an unsolicited personal picture her husband texted another woman that quickly went viral among every mom group in town. But she's determined to not let it distract her from the professional victory she's inches away from: securing Charleston's prestigious Historic Preservation Design Fellowship, the apple of every local designer's eye.

Seventeen-year-old Margaux doesn’t realize one photo could change the course of her life. But in German-occupied Paris, nothing makes sense anymore. Margaux fears the worst when her lover is arrested. And when her photo appears in Nazi propaganda, her family’s reputation and prospects suffer the consequences. In 2008, Margaux has moved into a retirement home, and her granddaughter Barbara continues to live in the Paris apartment they used to share.

The Bloomin' Psychic Boxed Set includes the first three books in the series: Petal to the Metal, Life's a Birch, and Drive Me Daisy.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

Since her police-officer husband Eric's mysterious murder, Carly Harris has been struggling to support herself and their infant son. Her career as an antique dealer isn't sustainable, nor is her dream of becoming a novelist. So, when her grandmother proposes she and her two sisters restore the family's large Beaufort home and turn it into a bed-and-breakfast, she immediately gets to work clearing out the house. In the process, she uncovers a family secret that Eric kept hidden. And an heirloom that the wrong person wouldn't hesitate to kill for.

At birth, Violet and Rose Flowers were identical, save for a tiny bluish-purple mark gracing Violet’s slender neck. By nineteen, their temperaments distinguish them, as different as the flowers their mother named them for—Violet, wild and outgoing, and Rose, solitary and reserved. Still, they are each other’s world. Then, on a sweltering, terrible August night in 1928, an explosion rocks Lamb’s Dance Hall in Possum Flats, Missouri, engulfing it in flames, leaving one twin among the dozens dead, and her sister’s life forever changed.

New York, 1898. The only thing more shocking than Arthur Stanhope III’s unexpected death is the revelation that his will bestows his company—and most of the vast fortune that goes with it—to the nearest male heir, leaving his mother, wife, and daughter nearly impoverished. His widow, Sylvia, quickly realizes she must set aside her grief to ensure their daughter, Adelaide, is launched into society as soon as the appropriate mourning period passes.

After a tragic accident claims the life of one of her children, Marie Egide is desperate to carve out a fresh start for her family. With her husband and their three surviving children, Marie travels to New Hampshire, where she plans to sell a family estate and then, just maybe, they’ll be able to heal from their grief. Marie’s plans are thwarted when she realizes a war veteran known by locals as “the river witch” is living in a cabin on the property, which she claims was a gift from Marie’s grandfather. If Davina refuses to move on, Marie won’t be able to either.

Delia Spark is caught in a maelstrom. Her former life as a London theatre director is on the brink of implosion amid a scandalous divorce, a tarnished reputation, and, for reasons she cannot fathom, things keep spontaneously combusting around her. Her sixties were supposed to be peaceful, but now even her grown daughter won't return her calls. Escape is the only option.

Being a typewriter is not as easy as it looks. Surrounded by books (notorious attention hogs) and recently replaced by a computer, Olivetti has been forgotten by the Brindles—the family he’s lived with for years. The Brindles are busy humans, apart from twelve-year-old Ernest, who would rather be left alone with his collection of Oxford English Dictionaries. Once a collector of words, now Olivetti only collects dust. He gets a rare glimpse of action from Ernest’s mom, Beatrice—his used-to-be frequent visitor—only for her to drop him off at Heartland Pawn Shop and leave him behind.

Inspired by the life of Easton’s grandmother, White Mulberry is a rich, deeply moving portrait of a young Korean woman in 1930s Japan who is torn between two worlds and must reclaim her true identity to provide a future for her family.

Defense attorney Leland Monroe lost it all: his big-city job, his reputation, and, worst of all, his loving wife. Now he’s back in his hometown to hit restart and repair the relationship with his troubled son. But the past is always present in a small town. Leland returns to find his high school sweetheart hasn’t had the easiest of lives - especially now that her son faces a death sentence for murdering his father.

Rainey’s grandmother makes a startling request: Take me home. To Ireland, the country she fled post-World War II. Though they’re inseparably close, Rainey knows few of her grandmother’s secrets. Until they arrive at Aisling—the majestic estate on the southern coast of Ireland where her grandmother was raised—and Rainey discovers a collection of seventy-year-old letters in a trunk.