Page de couverture de The Book of Lost Hours

The Book of Lost Hours

A Novel

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A GOOD MORNING AMERICA BOOK CLUB PICK!

For fans of The Ministry of Time and The Midnight Library, a sweeping, “astounding debut” (Jamie Ford, New York Times bestselling author) novel following two remarkable women moving between postwar and Cold War-era America and the mysterious time space, a library filled with books containing the memories of those who bore witness to history.

One fateful evening, Lisavet Levy finds herself trapped in the time space—a vast, enchanted library where memories of the dead are bound into books. As she grows up among the stacks, she discovers that government agents are infiltrating and destroying books to maintain their preferred version of history. Determined to salvage what seh can, Lisavet creates her own book of memories...until an American timekeeper, Ernest Duquesne, arrives to stop her, setting off a battle over memory and truth that could change history itself.

In 1965, sixteen-year-old Amelia Duquesne is mourning the disappearance of her uncle Ernest when an enigmatic CIA agent seeks her help in tracking down a book of memories her uncle had once sought. But as Amelia visits the time space for the first time, she realizes that the past—and the truth—might not be as linear as she’d like to believe “in this intriguing novel” (Booklist).
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The narrator and sound engineer are perhaps the culprits in producing a frustrating adaptation of a promising novel. The narrator uses extreme changes in volume and timbre to convey different characters and emotion. When listening in a car with a superlative sound system (2023 Tesla model Y) the performance becomes, on occasion, undecipherable. This kind of hyperbole is unacceptable in a voice talent and the extreme dynamics are unacceptable for an audio engineer. The listener should not have to struggle to understand the performer. I would like a refund on this purchase as the quality is unacceptable!

Unacceptable vocal dynamics to simulate characters

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