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The Deadline

Written by: Jill Lepore
Narrated by: Jill Lepore
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Publisher's Summary

A book to be enjoyed and kept for posterity, The Deadline is the art of the essay at its best.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore’s life, these essays again and again cross what she calls the deadline, the “river of time that divides the quick from the dead.” Echoing Gore Vidal’s United States in its massive intellectual erudition, The Deadline, with its remarkable juxtaposition of the political and the personal, challenges the very nature of the essay—and of history—itself.

©2023 Jill Lepore (P)2023 Pushkin Industries

What the critics say

“Lepore brings her vibrant curiosity and wide-ranging erudition to a host of topics...‘All historians are coroners,’ she remarks, explaining her deft dissection of past lives, but not all bring to their writing Lepore’s grace, precision, and deep humanity. A noteworthy collection from an indispensable writer and thinker."―Kirkus Reviews, starred review

"Jill Lepore is America's greatest living essayist. No one else can sway so gracefully between the personal and the political, the micro and the macro, while remaining so firmly grounded in common human experience... These wonderful essays form a stunning mosaic of contemporary America and an alternative annal of our times." ―Fintan O’Toole, author of We Don’t Know Ourselves

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