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The Dinner

Written by: Herman Koch,Sam Garrett - translator
Narrated by: Clive Mantle
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Publisher's Summary

NEW YORK TIMES BESTSELLER • The darkly suspenseful tale of two families struggling to make the hardest decision of their lives—all over the course of one meal. Now a major motion picture.

“Chilling, nasty, smart, shocking, and unputdownable.”—Gillian Flynn, author of
Gone Girl

It’s a summer’s evening in Amsterdam, and two couples meet at a fashionable restaurant for dinner. Between mouthfuls of food and over the polite scrapings of cutlery, the conversation remains a gentle hum of polite discourse—the banality of work, the triviality of the holidays. But behind the empty words, terrible things need to be said, and with every forced smile and every new course, the knives are being sharpened. Each couple has a fifteen-year-old son. The two boys are united by their accountability for a single horrific act—an act that has triggered a police investigation and shattered the comfortable, insulated worlds of their families.

As the dinner reaches its culinary climax, the conversation finally touches on their children. As civility and friendship disintegrate, each couple shows just how far they are prepared to go to protect those they love.

Tautly written, incredibly gripping, and told by an unforgettable narrator, The Dinner promises to be the topic of countless dinner party debates. Skewering everything from parenting values to pretentious menus to political convictions, this novel reveals the dark side of genteel society and asks what each of us would do in the face of unimaginable tragedy.

©2009 Herman Koch; Translation © 2012 by Sam Garrett (P)2013 AudioGO

What listeners say about The Dinner

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  • JMA
  • 2019-08-06

At times just odd...

I don't even know what to write as a review because I'm confused. I didn't hate it but didn't like it, at times it seemed to go on and on and jump around from past to present and back again. The story has some interesting twists but for the most part left me disliking all of the characters and wishing I hadn't bothered with this book

2 people found this helpful

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  • Tee
  • 2018-09-11

A good story teller

The story started with Paul’s belly-aching about the dinner he and his wife were going to have with his brother Serge and Serge’s wife Babette. They had things to discuss. It sounded even like a mundane household story. But as events unfolded and the back story slowly emerged, things started to look unsettling. And then it got worse.

Herman Koch is a master storyteller.

2 people found this helpful

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Horrible!

OMG! Two hours into the book and he's still talking about freaking grapes at dinner! What a huge waste of time. I even sped it up to 1 and 1/4 speed. Didn't help. 4 hours left and I don't think I can make it. His kid is killing people and he's acting like he stole a chocolate bar! Then, he goes off on other crap that has nothing to do with the story. If it doesn't get a lot better by the time it's over, I will be very unhappy. One of the worst books I have ever read!
I've now finished the book. M review stands. Total waste of time! People say it's a thriller? I don't get it. An asshole raises an asshole and they thinkit's a thriller? The writer spent more time describing the food than the actual meat of the book. Total crap.

1 person found this helpful

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Holy **** what a ride

This story does not waste a word. The narrator essentially offers a masterclass in narration as each word tho seemingly innocent, packs a punch just by the way he enunciates And presents each phrase. I hung onto every second waiting and listening as the dinner starts out normal and cycles down down down to the edge of your seat end.

1 person found this helpful

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FANTASTIC

This is a fantastic story about the truth and complexity of human nature. I was riveted from the first chapter. the narration is also excellent. if you are debating whether to purchase - go for it! you won't be disappointed. #Audible1

1 person found this helpful

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Brilliant and All the better in its first person form.

A delightfully dark near-monologue read by a narrator on the top of his game with nuance, irony and pathos. The Dinner takes us on a journey from innocence to evil. Along the way it tricks us into examining our own darker sides.

1 person found this helpful

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Great Book; Outstanding Narration

An engagingly dark and tense story told by an unreliable, twisted narrator. The book itself is a great read, flowing like the unfurling of a diseased flower in bloom. The narration is outstanding, delightfully interpreting the narrator’s tone, mood and pacing.

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slow

So slow. It had an intriguing end; But not until the last few chapters.

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First amusing then surprising

The novel is about a man, his wife, brother and sister-in-law having dinner at an expensive restaurant. The books is laid out as parts of the meal. Appetizer, main course, desert etc. The story is told from the man's point of view as a first person narrative, including his thoughts and observations, rather than just a recitation of facts. He is what is called the compromised narrator as his feelings and opinions colour his version of the tale. As the meal progresses , flashbacks are included.

I found the beginning very amusing, and while the book is written and has the point of view of somebody from the Netherlands, the wry wit and perfromer's accent made it very much feel like this could have been written by somebody from England as well. Particularly the bits about owning vacation homes in France. The second half of the novel takes a very dark and unexpected turn. I don't want to give anything away so I won't go into the happenings. I did enjoy the book, the style the story and the performance were all very good.

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  • cj
  • 2019-08-21

Torn

Having read all of the reviews I knew that this read could go either way, good or not so good. I landed on not so good. It literally took 20 Chapters to even begin the glimmer of a storyline. There was way too much rambling and story filler. I fully appreciate the clever prose but it wasn’t enough to allow me to enjoy my time spent listening. Thankfully it was only 8+ hours unlike most of the books I listen to. I almost returned it but had to admit that its literary value trumped boredom.

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  • Mel
  • 2013-04-12

The Axis II Dinner Club

Paul and Claire Lohman...the morally nihilistic parenting team "in comparison with whom Caligula's horse was respectable"...

What is the joke about call me anything just don't call me late for dinner? This is the exception Dinner. Paul and Claire are meeting for dinner with Pauls' brother and his wife to discuss their teenaged sons and some serious trouble. The whole story is served up in one meal; with each course, more of the story is revealed. The restaurant is one of those Bourgeoisie establishments that relishes in detailing each artistic Lilliputian course, down to the PETA approved loving care the little lamb received before it was butchered for its sweetbreads that are now served "lightly sautéed in Moroccan olive oil and presented with white currants"...the server's pinky hooked and pointing out the fine details. The incongruity of that description stuck in my mind; and as the events are laid on the table, I wondered about the ethical treatment pre-butchering, the beautiful presentation of slaughter...there's an analogy coming? a statement about brutal society mayhaps?

Koch tortures you with the details, that banal, tiresome drivel taken to the extreme, the back and forth bickering, adding a sense of taut irritation to an already tense situation--but this manipulation of the listener becomes tiresomely repetitive. Comparisons have been made to Defending Jacob, We Need To Talk About Kevin, books with the theme of parents protecting their children at all costs. But don't expect to find a likeable or redeeming quality that will allow you empathy for these parents, or even a flicker of parental love to validate the violation of truth and accountability. Koch's complete dedication to the darkness of these characters even eclipses Flynn's Nick and Amy.

If The Silence of the Lambs, Gone Girl, American Psycho, Misery, even Prague Cemetery, are considered *dark*-- Koch has succeeded in creating a darker shade of black. This one left me agreeing that cell phones should not be allowed in restaurants, and feeling that the final course here should have been served with some Pepto.

64 people found this helpful

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  • Julie W. Capell
  • 2013-10-27

So funny I barely noticed the cliff

I think I missed the meeting when my book club chose this book, so I had absolutely no idea what it was about when I downloaded it into my phone and began to listen. Within a few sentences, I found myself laughing out loud. I don’t know if a person reading the book would get as much of the snarky humor inherent in this book (particularly the beginning) but it definitely comes across in the audio version as expertly brought alive by Clive Mantle. Just the way Mantle pronounces “Serrrrrrge” with a heavy, sardonic emphasis on the “r” made me laugh every time. And don’t get me started on the scene in the men’s room—hysterical!

The beginning chapters are a bitingly droll commentary on upper middle class life in the early 21st century. I absolutely howled with laughter at the descriptions of the pretentious restaurant, the self-important maître d’ (and his pinky!) and the ostentatiously named food. Side trips into the protagonist’s memories were also—at first—amusing, particularly the passage about the garden party.

Which brings me to another thing I loved about this book: the way the author described things. Like the woman at the garden party with a “voice like the sweetener in Diet Coke.” I also really liked it when the author described something and then wrote something along the lines of “well, no . . . it wasn’t exactly like that . . . it was more like . . .” and then went on to give a fantastic simile that left no doubt what he had in mind. In chapter 15 he gives three different descriptions of Serge’s face, each one more telling than the last: “like a new car that got its first scratch,” “like a cartoon whose chair has been kicked out from under him,” and finally “if he wore that face asking people to vote for him, no one would give him a second look.”

There is much, much more to this book, and once the action starts to heat up the comedy is replaced by a chilling look behind the scenes of these “normal” lives. Societal issues including racism, homelessness, parenting, violence and morality are presented as I have seldom encountered them before in a novel. The end . . . well, I don’t want to give anything away, but it was sort of like in the Road Runner when the coyote realizes the cliff has dropped out from under him. A great listen!

52 people found this helpful

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  • L. O. Pardue
  • 2013-02-23

A Dinner To Remember!

When I first read the summary of this new novel, I was so intrigued that I "pre-ordered" the book before reading the first review. I am so glad that I did because it is a dinner I will never forget. I got very caught up in the story right away despite the fact that during the entire first third of the story you don't even know why two brothers, Serge and Paul, and their wives, Babette and Claire, have come together at a restaurant to discuss some terrible subject that involves their children.

This story starts with the ritzy restaurant and includes all five courses from "Apertif" to "The Tip". Paul, the narrator, has many (even too many) long-winded and disdainful thoughts about everything from the menu, to the outfits of the wait staff, to his brother and his family and politics. As more information about Paul and his family comes out, you begin to realize in horrifying degrees that all is not as it seems. The middle of the story was somewhat tedious, but the ending is so strong and sickening. It is the ultimate story of what parents will do to protect their children, no matter what they have done.

I strongly recommend this book and can't wait until more people read it so that I can discuss it with someone. The narrator did an outstanding job. I am still hearing his voice in my head as I can't stop thinking of this story. Loved it!

43 people found this helpful

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  • Suzn F
  • 2013-11-19

Indigestion at the Dinner

Yes I'm in the minority, I just did not find anything redeeming about this book. The pace was too slow, the characters annoying, the plot uninteresting and none of it worth the wait. The indulgent author going on and on about the food just got on my last nerve. I not only want my credit back, but I wish I could have my time returned too. Ugh.

37 people found this helpful

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  • Mylrea Estell
  • 2013-03-08

Happy Families Are All Alike

Happy families are all alike; every unhappy family is unhappy in its own way.
Thus begins The Dinner, a novel served up in courses. The food is minimalist, overly described, and at times not especially palatable. The same can be said for this little novel where characters we may not like are thrust before us. Just as the spaces on the plates are greater than the bits of food, what's unsaid about our characters is greater than what we are told.
The Dinner is often compared to Gone Girl. Both feature people acting without conscience and narrators whose voices don't quite ring true. Most readers prefer Gone Girl for its strong narrative pacing, but I was dissapointed by GG, while I loved The Dinner. I found the characters here to be much more interesting, and I enjoyed the structure of this novel, where the current action takes place over a few hours, while recollections fill in the story.
The audio narration by Clive Mantle was masterful. One of the best out of the several hundred books I've listened to. This is one where the audio narration elevates a good book to an amazing "reading" experience.

24 people found this helpful

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  • sam
  • 2013-03-18

This was completely overrated

This book wasn’t for you, but who do you think might enjoy it more?

I got this because it had been billed as a "European Gone Girl." It was not. It was badly written drivel. His supposedly brilliant descriptive passages dragged on and on. The characters (all of them) were completely detestable from the word go. At least with Gone Girl you start out liking the characters and then not liking them and ultimately kind of ambivalent. The author tried desperately to get us to like or at least some of the motivation for some of the things that happen but I never liked any of them.

Would you ever listen to anything by Herman Koch and Sam Garrett (translator) again?

Seems unlikely. The whole thing left me with a bad taste in my mouth and not just because of the events in the actual story. I can deal with dramatic horror. This just left me feeling manipulated.

If you could play editor, what scene or scenes would you have cut from The Dinner?

The whole first section in which he goes on ad nauseum about the food, the restaurant and the patrons.

Any additional comments?

I think the narrator tried to add extra "drama" by slowing down his reading when things were supposed to feel "suspenseful." It was more annoying than effective.

I finished this book because I "paid" for it with one of my credits. But I would suggest saving credits for something more worthwhile.

23 people found this helpful

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  • Beth Anne
  • 2013-05-05

Thought Proving Disturbing Story of Family

oh how i love the unreliable narrator. the narrator who at first, you kind of like, laughing at his jokes, agreeing with his commentary. the narrator you feel compassion for -- his story and opinions. the narrator that throws everything on it's head as the story progresses and makes you feel almost angry at yourself for feeling the way you did in the beginning of the novel. when the truth is actually laid out there and you see what he was saying all along.
clive mantle does a great job with this narration.

this book is DARK. i mean...like....really really dark. in a long while i haven't read anything this shocking. its full of people you won't like...full of scenes you won't ever want to read again (and won't soon forget).

i think the pacing of this novel was really well done. to use a food metaphor (this is "the dinner" after all), the unfolding of each layer of the onion brings out new facts, new understandings, and therefor new questions. there was a perfect amount of the "now" and the "before". a perfect amount of insight, introduced course by course.


***one thing i will say is that this book is NOTHING like Gone Girl. i dont know why so many people are comparing the two. i mean, i've read no less then 5 books in the past year that have so called 'twist' endings...and none of them can be compared to one another. so...if you liked GG, you may not like this...and if you hated GG, you may still love this -- so don't take that comparison as your judge. just read it.***

19 people found this helpful

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  • David Shear
  • 2013-03-20

Loved the twists

"Twists" isn't quite the right word. This book just went in directions I didn't expect it to go and I loved it. It sneaks up on you and before you know it, nothing is what it seems. I really liked this book. It's dark and surprising.

18 people found this helpful

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  • lisa
  • 2013-12-13

Why even write this?

What disappointed you about The Dinner?

The underlying message here was just too depressing and demoralizing. There was *nothing* redeeming about this story. Ugh. I have no idea what the hype is all about... why even spend the time writing such a tale?

What do you think your next listen will be?

Don't know yet... I do appreciate dark stories and the like, but this was just too much. There is absolutely no up-side to this story.

What about Clive Mantle’s performance did you like?

Excellent performance! Clive Mantle did a fabulous job narrating and was the only reason I listened to the whole book.

9 people found this helpful

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  • V. D.
  • 2013-03-29

Not Gone Girl

You didn’t love this book... but did it have any redeeming qualities?

The narrator was fabulous, loved his voice and could have listened to him for days, in fact, because of his voice I listened longer that I would normally.

6 people found this helpful