The stories were all wrong—Hook was never the villain. For two centuries, all of the Darling women have disappeared on their 18th birthday. Sometimes they’re gone for only a day, some a week or a month. But they always return broken. Now, on the afternoon of my 18th birthday, my mother is running around the house making sure all the windows are barred and the doors locked. But it’s pointless. Because when night falls, he comes for me. And this time, the Never King and the Lost Boys aren’t willing to let me go.

I have few friends and fewer allies. What I do have on the island of Everland is a lot of people who want me gone. So when the Crocodile and Captain Hook reappear in my life, I am in no mood. And worse, they’re unknowingly endangering themselves by asking for me by a name I long considered dead. Now, not only do I have to save myself, I have to save the two men who I swore I would murder with my bare hands if I ever set eyes on them again considering they abandoned me.

The Crocodile, the Devourer of Men, has devoured something he shouldn’t: a Myth Maker Witch. Now, with the witch’s dark power swirling inside of him, he’s losing control of his monster and quickly making his way through my ship and my crew. It’s only me and Wendy Darling who can pull him back. But even we know time is running out.

In the dark underbelly of the mob, Tristan Caine has been an anomaly. As the only non-blooded member in the high circle of the Tenebrae Outfit, he is an enigma to all. His skills are unparalleled, his morality is questionable, and his motives are unknown. He is lethal and he knows it. As does Morana Vitalio, the genius extraordinaire daughter of the rival family. What Caine does with weapons, Morana does with computers. When a twenty-year-old mystery resurfaces, Morana infiltrates Caine's house, intent on killing him, unaware of a tie that binds them together.

Huntyr has fought for survival her entire life. Raised under Lord, the master of assassins in Midgrave, she has spent over twenty years learning to kill the blood-hungry, depraved vampyres that lurk in the darkness. Huntyr is the most lethal fae in the kingdom, which is why Lord chooses her to complete the next mission. Huntyr must survive Moira Seminary and make it into the Golden City—the mysterious elite society of the few remaining angels and the magic fae who live in luxury with no crime, no poverty, and certainly no vampyres.

When my father passed away, I assumed my grieving would be as simple as closing a book and starting another. Only he had other plans. Leaving me his beloved tattoo shop, I’m stuck to figure out what exactly to do with it, all while being constantly reminded of him.

My husband. My tormentor. The most notorious man in the city offers me a job. Act as his dead wife. Adrian Volkov isn’t the type of person who takes no for an answer. He commands with an iron fist and all his orders are met. When he approaches me with the offer, I have two options. Go to prison or put myself under his wrath. I choose to have a roof over my head. What’s so hard about acting, right? Wrong. The moment I step into his wife’s shoes, everything spirals out of control. My only way of survival is through Adrian. Or is it?

Known as a harbinger of bad omens and blamed for Demons eating her family, Reia is shunned by her entire village. When the next offering is due and the monstrous Duskwalker is seen heading their way, her village offers her an impossible choice—be thrown into the prison cells or allow herself to be sacrificed to a faceless monster.

I’m out for revenge. He’s out to rule the world. Kirill and I are as different as day and night. We shouldn’t have been in the same frame or universe. But we meet under the strangest circumstances. He’s my superior in the military and the man who’ll introduce me to carnage.

Callum Griffin is the heir to the Irish mafia. He’s ruthless, arrogant, and he wants to kill me. We got off on the wrong foot when I set a (very small) fire in his house. Our families believe a marriage pact is the only thing that will prevent all-out warfare. I think I might need to murder him while he sleeps. This would all be a lot easier if Callum wasn’t so damned good-looking.

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can’t be killed. Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her, and hers towards him.

For years, Zarya has been trapped in a gilded prison. Her magic is forbidden, a dangerous secret—though nobody will explain why. Now she is ready to break free and find the truth. Escaping to the dazzling city of Dharati, Zarya discovers a new world of enchantment and intrigue. With the help of seductive, blood-drinking rakshasa and magic-weaving Aazheri sorcerers, she searches for answers. But the city is under siege. Every night, dark creatures attack. And since Zarya’s arrival they are growing stronger. To protect her new home, Zarya joins the fight.

Bennett Sharp is on the run. Wanted for piracy, she fears neither God nor death nor man. Except Priest Farrell.

Moving to a new town to start college, where I can try to be normal. Or at least pretend I am. I’m willing to fake it, because I’m tired of trying to get better. Tired of spilling my guts to doctors and therapists to understand why I’ve heard voices since I was a child.

I rejected my fated mate, and didn’t regret it for a second. Until now. Shipped off to Ravenscroft University, a graduate school for the supernatural elite, I have a lot to live up to. As heir to America’s most powerful pack, I was locked away. Not to be protected, but because I was born broken. A disappointment. A wolf who couldn’t shift. This is supposed to be my fresh start, but my past won’t leave me alone. Not when he’s here.