The Jasmine Throne
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Narrated by:
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Shiromi Arserio
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Written by:
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Tasha Suri
About this listen
A ruthless princess and a powerful priestess come together to rewrite the fate of an empire in this “fiercely and unapologetically feminist tale of endurance and revolution set against a gorgeous, unique magical world” (S. A. Chakraborty).
Exiled by her despotic brother, princess Malini spends her days dreaming of vengeance while imprisoned in the Hirana: an ancient cliffside temple that was once the revered source of the magical deathless waters but is now little more than a decaying ruin.
The secrets of the Hirana call to Priya. But in order to keep the truth of her past safely hidden, she works as a servant in the loathed regent’s household, biting her tongue and cleaning Malini’s chambers.
But when Malini witnesses Priya’s true nature, their destinies become irrevocably tangled. One is a ruthless princess seeking to steal a throne. The other a powerful priestess desperate to save her family. Together, they will set an empire ablaze.
"An intimate, complex, magical study of empire and the people caught in its bloody teeth. I loved it.” —Alix E. Harrow, author of The Ten Thousand Doors of January
"Gripping and harrowing from the very start." —R. F. Kuang, author of The Poppy War
"Suri’s incandescent feminist masterpiece hits like a steel fist inside a velvet glove. Simply magnificent." —Shelley Parker-Chan, author of She Who Became the Sun
"A fierce, heart-wrenching exploration of the value and danger of love in a world of politics and power." —Publishers Weekly (starred review)
"This cutthroat and sapphic novel will grip you until the very end." —Vulture (Best of the Year)
"Lush and stunning....Inspired by Indian epics, this sapphic fantasy will rip your heart out." —BuzzFeed News
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What the critics say
—S. A. Chakraborty, author of The City of Brass
We love sapphics with swords.
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Immersive
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Splendid Fantasy World
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Beautiful writing, fascinating world
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I was expecting something like the Priory of the Orange Tree but set in a South Asian-esque kingdom. this is to say, Sapphic, full of multiple characters with full bodied histories and motivations, plentiful political fiction, rich bases of historirs, religions, cultures... it is not that these things were not there, only that none of them were particularly powerful.
Sapphic: my favourite genre of book involves powerful women falling in love with powerful women. These women show very little tenderness, care, or relationship development (imo) beyond what I might expect of a very hastily written YA novel. That us jot to say it is bad, just that it is less than what I thought I would get. I do not need sex scenes to fall in love with a relationship, but any modicum of affection would have been cool. Ergo: not really a Sapphic love story, more like a story which happens to have two women who like each other.
Respresentation: I am always very glad to see greater representation of gender, sexuality, race, and culture in the books I read. Recently I have even been specifically curating my reading list based on the idea of reading about characters who more accurately portray people like me. However, this book isn't really the miraculous portrayal of diversity, or even South-Asian race/ culture that i think it is being made out to be on tiktok. Several times we get references to the idea that darker skin is less beautiful (including naming the darker skinned women as not being beautiful and the princess, who is often described by the lightness of her skin, as being more beautiful). The characters are all people of colour, and that is definitely ( unfortunately) a feat in today's world, but in terms of sexuality, gender, or even just discussing differences thst could exist within the South-Asian-esque population, there isn't large diversity. There is, to my recollection, a singular mention of the idea of gender existing outside the binary. Women are consistently referred to as being lesser than men but jo one really does much about that, other than possibly leaning into the idea in order to gain power by being underestimated. I coukd go on but I'll just summarize to say that (while completely unnecessary to be a beacon of representation) this book is not the representation of a diverse swathe of people and their problems as it is being advertised. again, that's not to say it's bad, just iver-hyped i think.
political fiction: here us where I have an actual issue... 1. A lot of the story threads in this novel get dropped at random points only to be picked back up later. This ranges from a minor offense that doesn't really matter, to the reason that Priya is in a location straight up being ignored for chapters on end with absolutely no explanation. 2. a lot of the politics are very bland. Either the motivations / reactions don't make any sense (ie, a bunch of super sexist lords suddenly accepting a woman in power because... the plot demands it??) or it is so straight forward that it feels too obvious for the supposedly smart characters to have overlooked. This isn't necessarily bad but I would definitely put the politics in this book on par with the legal system in Harry Potter's world. So... its not really a political fiction book either.
religion: this aspect does give some points back. The usage of different religions in the book is cool and tge lore is rich. I wish it had been more, but I think that is just because the other stuff was lacking.
all in: this book is fine, good for listening to while cleaning the house maybe, but don't go in with super high expectations because I don't think you will end up being impressed. Probably would have been better for kids in grades 6 through 10.
Narrator was great, wish I'd been better able to differentiate between their character voices.
good but not all that was promised
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