A city is hit by a sudden and strange epidemic of "white blindness", which spares no one. Authorities confine the blind to an empty mental hospital, but there social conventions quickly crumble and the struggle for survival brings out the worst in people.

Twelve billionaires rule the United States, while those called freemen are forced to serve the rich. But that was 60 years ago, before the Scarlet Plague. In this post-apocalyptic novella, a ragged and tattered old man tells his progeny of what life was like before The Scarlet Plague appeared - and wiped out civilization as they knew it.

In I Am Legend, a plague has decimated the world, and those unfortunate enough to survive are transformed into blood-thirsty creatures of the night. Robert Neville is the last living man on earth. Everyone else has become a vampire, and they are all hungry for Neville's blood. By day, he stalks the sleeping undead, by night, he barricades himself in his home and prays for the dawn.

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York.

Written during the early months of lockdown, Intimations explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality - or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it?

In 1665, London was struck by the bubonic plague, an epidemic that was the last major instance of the bubonic plague in England. This instance of the plague killed 100,000 people over a year and a half, and was transmitted through rats that ran through the city. A Journal of the Plague Year was presented as an eyewitness account of the epidemic through the eyes of Londoners.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

In 1978 Susan Sontag wrote Illness as Metaphor, a classic work described by Newsweek as “one of the most liberating books of its time”. A cancer patient herself when she was writing the book, Sontag shows how the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of patients and often inhibit them from seeking proper treatment.  

Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the 17th century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes 'The Contract' and 'Assaulted and Pursued Chastity'.

The classic 1939 collection of three novellas by the Pulitzer Prize and National Book Award-winning author and journalist, including the famous title story set during the influenza epidemic of 1918.

In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuild­ing civilization under orders from the provisional govern­ment based in Buffalo. Their top mission: the resettlement of Manhattan.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

As the story opens, Snowman is sleeping in a tree, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief.

New York City, the near future: Mitchell Zukor, a gifted young mathematician, is hired by a mysterious new financial consulting firm, FutureWorld. The business operates out of an empty office in the Empire State Building; Mitchell is employee number two. He is asked to calculate worst-case scenarios in the most intricate detail, and his schemes are sold to corporations to indemnify them against any future disasters. This is the cutting edge of corporate irresponsibility, and business is booming. As Mitchell immerses himself in the mathematics of catastrophe - ecological collapse, war games, natural disasters - he becomes obsessed by a culture's fears.

There is no more dramatic scene in literary history than the stormy night by Lake Geneva when Byron, Claire Clairmont, Polidori and the Shelleys met to talk of horror and the unexplained. From that emerged Frankenstein, a monster who has haunted imaginations for 200 years. Miranda Seymour illustrates the rich and unexplored life of Mary Shelley. Everything from her childhood to her tempestuous relationship with Percy Shelley; Seymour brings to life the brilliant mind that created Frankenstein through unexplored and intriguing sources.