Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan’s friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts. The outbreak of war changed everything. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive.

A reluctant ex-spy with demons of her own, Elinor finds herself facing down one of the most dangerous organized crime gangs in London, ultimately exposing corruption from Scotland Yard to the highest levels of government. The private, quiet “Miss White" as Elinor is known, lives in a village in rural Kent, England, and to her fellow villagers seems something of an enigma. Well she might, as Elinor occupies a "grace and favor" property, a rare privilege offered to faithful servants of the Crown for services to the nation.

In this daring debut, Susan Elia MacNeal blends meticulous research on the era, psychological insight into Winston Churchill, and the creation of a riveting main character, Maggie Hope, into a spectacularly crafted novel.

By July 1914, the ties between Kezia Marchant and Thea Brissenden, friends since girlhood, have become strained - by Thea's passionate embrace of women's suffrage, and by the imminent marriage of Kezia to Thea's brother, Tom, who runs the family farm. When Kezia and Tom wed, just a month before war is declared between Britain and Germany, Thea's gift to Kezia is a book on household management - a veiled criticism of the bride's prosaic life to come.

A warm June afternoon in King’s Cove is interrupted by an explosion. Following the sound, Lane goes to investigate. Up a steep path she discovers a secluded cabin and, hiding nearby, a young Japanese girl injured and mute, but very much alive. At the Nelson Police Station, Inspector Darling and Sergeant Ames, following up on a report of a nighttime heist at the local jeweler’s, discover the jeweler himself dead in his office, apparently bludgeoned, and a live wire hanging off the back of the building.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

It’s early spring of 1947 in idyllic King’s Cove, and the Hughes ladies, mère et filles, are gardening and sorting through the jars of food that have been put up for the winter. But while cleaning up after the roof of their root cellar has caved in slightly, they are horrified to discover a small skeletal hand embedded in the mess. Panicked, they call Lane Winslow, the ex-British secret service agent, and, not without some misgivings about the state of their tense relationship, Lane calls Inspector Darling.

Captain Arthur Hastings, invalided in the Great War, is recuperating as a guest of John Cavendish at Styles Court, the "country-place" of John's autocratic old aunt, Emily Inglethorpe - she of a sizeable fortune, and so recently remarried to a man 20 years her junior. When Emily's sudden heart attack is found to be attributable to strychnine, Hastings recruits an old friend, now retired, to aid in the local investigation. With impeccable timing, Hercule Poirot, the famous Belgian detective, makes his dramatic entrance into the pages of crime literature.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

Mr. Shaitana is famous as a flamboyant party host. Nevertheless, he is a man of whom everybody is a little afraid. So when he boasts to Hercule Poirot that he considers murder an art form, the detective has some reservations about accepting a party invitation to view Shaitana's "private collection". Indeed, what begins as an absorbing evening of bridge is to turn into a more dangerous game altogether.