Irritating Narration and Trite Writing

The narrator speaks too slowly, and uses a die-away inflection more suited to bedtime stories. Worse still: her strangled attempts at accents. I simply do not understand why English-speaking narrators use accents for non-native English speakers who are NOT speaking English! Why must we listen to hours of French and German accents better suited to the vaudeville stage?

Assuming that the French characters are speaking French - not English - to one another, then it appears obvious to me that accented dialog is ridiculous. The only time it would be appropriate would be if, say, a French character were speaking English in the story. But listening to hour after hour of French women speaking French to each other with French-accented English is absurd. Especially so, if the narrator's accent is cartoonish. Think Pepe le Pew after inhaling helium.

The writing is too self-consciously precious ... far too many words, repeated far too often, in overworked sentences. And the myriad analogies were ridiculously incongruous. Going against the tide here - I know - but, for me, this novel is highly overrated. Perhaps a brisker narration in unaccented English would have masked the insipid writing. But we aren't that lucky.

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New review

Originally I didn't like this book. I did not like the narrator at all. I stopped listening only to go back. It turned out to be a fabulous book.

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Heroic & Harrowing Work Of Fiction

I have mixed feelings about this intense work of fiction. This is probably because I have read several books of nonfiction recently about France during WWII and the Vichy Regime. Some of the information presented in this book contradicts the actual history of the time. Additionally, if you know Paris well you will balk at the street locations and distances between places mentioned in the story. I found myself torn about pushing on with the book because of these problems. In the end, I allowed the excellent storytelling to override my concerns and treated the book as a compelling work of fiction.

Polly Stone's narration was really good. Her timing and accents added to the experience of listening. For me, she was a positive, but do listen to the sample because others disagree.

Be forewarned that this story is not for the faint of heart. Women and children in peril, torture, extreme violence and the horrors of war are all strong themes. Hannah's writing captured the emotions and fears of women in war forced to make difficult and impossible decisions. A harrowing, heartbreaking, and terrifying listening experience. If actual historic facts matter to you or if you are disturbed by violence I would proceed with caution.

383 people found this helpful

Good story but too repetitive, narration too slow

Would you try another book from Kristin Hannah and/or Polly Stone?

No.

What other book might you compare The Nightingale to and why?

All the light we cannot see. I found this to be a drag, too.

What didn’t you like about Polly Stone’s performance?

She spoke too slowly. This situation was made worse by the fact that the wording was highly repetitive, even within a paragraph. Too much imagery that I felt did not add anything.

If this book were a movie would you go see it?

Maybe. It IS a good story.

Any additional comments?

The beginning was very slow.

27 people found this helpful

HEARTBREAKINGLY POIGNANT AND INCREDIBLY BEAUTIFUL

There have been many books written about WWII and I have read many of them. For that reason I almost passed up this gem. It's a powerful, thought-provoking look at this horrible time in history from the very intimate perspective of a woman, wife, mother, sister, daughter and friend. It's about impossible choices, strength of the human spirit, endurance beyond imagining and hope. A stark reminder that not only men, but also women, were heroes in that war.

It's a long book, but I never felt it to drag. The narration was very well done. And I found myself wanting to stop along the way to reflect on situations and decisions characters had made and ask myself, "What would you have done?" There are many moral dilemmas in this book, none of which are easy. How far would you go to protect your child?

It was well worth the credit. The best book I've listened to in the past twelve months.

290 people found this helpful

Wow

Full time doctoral studies and full time work leaves no time for reading. I bought this book on Audible and it would keep me company on my hour commute to and from work. The story line is great-I can identify with Isabel, with her speak before thinking attitude.

I found myself laughing, crying, dropping my jaw in shock and disgust and didn't want to stop listening. I wish the book didn't end.

I highly recommend this book on Audible. The different character voices and current pronunciation of French words was better than I could have attempted!
You won't regret it.

212 people found this helpful

Not for the faint of heart.

I thought I was prepared for anything after I listened to the The Things We Cannot Say and The Tattooist Of Auschwitz. Boy was I wrong. The brutality against women and especially children left me traumatized. Having a Child myself I just couldn’t bear listening to the horrors of mothers being separated from their children.

This is an ok book if you can stomach having permanent images stuck in your head of children suffering, getting shot and being separated their mothers and crying for them. I can’t and wish I wouldn’t have listened to this book.

9 people found this helpful

Beautifully heartbreaking!

This book was not what I was expecting. For some reason I thought this was going to be a romance novel, boy was I wrong! Even though I was wrong about what this book was about, it was an amazing and beautiful novel! I'm grateful I got the experience of this book. I would highly recommend it to anyone who likes historical fiction.

71 people found this helpful

Great book

This is a great novel. It does everything a novel is supposed to and leaves you drained at the end. In all three criteria Audible asks for, it is easily five star. Do yourself a favor and don't miss this one. Just a note about Polly Stone the narrator. She is very, very good and maintains a level that matches the quality of the novel. Her work helped make this such a wonderful experience.

101 people found this helpful

A bird that roared

After reading the publisher's summary in Audible's *Featured Pre-Orders,* I was drawn to The Nightingale -- I have an obsession with the history of early twentieth century France, particularly the Inter War period and the few years after WWII. Unfamiliar with Hannah's body of work, I read that her oeuvre was *female fiction,* repeatedly compared to other authors I have chosen not to read. That translated to concern that I would be disappointed with the author, and by a book that inaccurately used history to piggy back on a saccharine love story. Not what I was looking for.

It was this line from the Kirkus Review that perfectly addressed my worries and sold me on this book: "Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II." Hannah's skillful writing, and forceful story telling ability quickly became apparent and convinced me The Nightingale was a perfect choice.

As the story begins, the reader knows only that the novel is about two disparate sisters during the WWII Nazi occupation of France. From one of those sisters, now placed in a nursing home in Oregon, USA, the tale of survival is unraveled, but which surviving sister narrates the history remains unknown until the novel's end...and I hung onto the book until that ending and wished the story could've gone on.

Sisters Vianne and Isabelle are polar opposites, even in their individual strengths: Vianne is compassionate with the strengths we know as *a mother's-love,* wise and thoughtful; while the younger Isabelle is defiant, fearless, and recklessly brave -- opposites, but equally formidable. Each of their paths are harrowing and absorbing. On the home-front, Vianne must protect her daughter while fighting starvation, freezing winters, and the degradation from German soldiers. In silent horror, she watches as her friends and neighbors are branded with the Jewish star, then gathered into wagons and trains, often leaving infants behind alone. Even a rumor started from jealousy, or a false accusation can be deathly under the brutal Gestapo's presence. Young and compulsive, Isabelle defies the occupation openly until an event brings soldiers too close to their home. She realizes that for the protection of Vianne and her daughter, she must flee. She joins the Resistance and becomes a guide secretly transporting injured Allied airmen over the Pyrenees into Spain. [Isabelle's surname, Rossignol, is the French word for nightingale.]

Having read my share of French history, I was impressed with the historical accuracy of the story (though this was in part a love story that added little more than some quasi-romance). Many of the events were echoes of history books I've read and it was gratifying to see that Hannah did not treat the civilians as *landscape* and marginalize those poor souls caught in the crossfire of war. This was a riveting story, excellently told and narrated well (I will leave the accuracy of the French accent to those more knowledgeable than my HS French; it did not impede the story for me). It is worth mentioning that though this is fiction, Hannah said her idea for the story was ignited by a real incident she read about...and there are too many real incidents out there, both historical and current.
Recommend.

**It is estimated that 350,00 French civilians died during the German occupation, not from bombs or fighting, but from: crimes against humanity, famine, disease and "military acting out." This war preceded Article 27 of the Geneva Convention; females were considered *carnal booty.* Since 1949 Article 27 of the Fourth Geneva Convention explicitly prohibits wartime rape and enforced prostitution. In a speech to the United nations Security Council in 2008, Retired Major General Patrick Cammart stated,
“It has probably become more dangerous to be a woman than a soldier in an armed conflict.” Sadly, we haven't made much progress.

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