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Publisher's Summary

A gripping folk-horror thriller from the author of The Ritual

One million years of evolution didn't change our nature. Nor did it bury the horrors predating civilization. Ancient rites, old deities, and savage ways can reappear in the places you least expect.

Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artifacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.

Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across 60,000 years. Upon the walls, images of their nameless gods remain.

Amidst rumors of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless super-normal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.

The Reddening is an epic story of folk and prehistoric horrors written by Adam Nevill, the author of The Ritual, Last Days, No One Gets Out Alive, and the three times winner of the August Derleth Award for best horror novel.

©2019 Adam L. G. Nevil (P)2019 Journalstone

What listeners say about The Reddening

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  • Overall
    3 out of 5 stars
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  • Jamie
  • 2020-01-24

Wrong Narrator

The narrator should have practiced. His voice is nice but it’s American and the story is set in Devon. He tried on an accent here and there, but not consistently. Mostly I was super distracted by his mispronunciation of many, many words. I actually found myself correcting him out loud, because I was frustrated at the interruption of the flow of the story. Definitely the wrong narrator.

9 people found this helpful

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  • Ms. K. Murphy
  • 2020-02-11

reader makes it work or not

the story is interesting, but I found myself wandering because of the 'wrong' reader. His voice is monotonous and does not draw the listener in. better choice in reader may have made me not stop and start so often just to get to the end.

6 people found this helpful

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  • Kathleen Saracen
  • 2020-01-17

Actually gave me nightmares

Nevill does a good job of building dread. I found myself reluctant to continue past a certain point, unsure if it was going to be too much. That's rare for me, and I applaud the author.

4 people found this helpful

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  • leahondemand
  • 2020-03-03

Would be Better with a Different Narrator

The story itself was alright. I stayed engaged and entertained until the end. The narrator, however, left much to be desired. Sometimes he gave the characters British accents and sometimes he didn’t, and at one point would can hear him burp. Doesn’t anyone proof-listen to these recordings?

3 people found this helpful

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  • L. K. F.
  • 2019-12-13

Accents

The narration was fine, but perhaps it should have been done in the accents used in the country where this story takes place.

6 people found this helpful

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  • Colin
  • 2020-01-07

Nevill never disappoints...

However, this narrator was wrong in every way possible for this novel. Female leads should be given female voices. Furthermore, this took place in the UK. Why was an American man, who only did accents occasionally, chosen to narrate this title, which followed two women from the UK? The story told is good enough to overlook this detail but the narrator will likely turn off a great many people who try this book. I advise potential listeners to try to stick with it. Your persistence will be rewarded.

4 people found this helpful

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  • Marie
  • 2020-08-20

Bad narrator

I am usually not picky about narrators but this one was awful. Aside from the poor casting choice of an American male for a book centered in England with two female protagonists, the narration was just not very good. His weird pronunciation of words like ethereal and enclave was very distracting as was his sporadic use of accents for the characters. I really wanted to enjoy this story but I couldn’t immerse myself in it due to the odd narration.

1 person found this helpful

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  • Julia Valentin
  • 2020-08-15

Fantastic horror

I was difficult to stop listening to this novel. The story is written well, the protagonists are believable and the over all effect is rather pleasant.

1 person found this helpful

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  • Crom and Ymir
  • 2020-10-09

Can't Recommend it

This story was actually pretty good until the last 5 - 10 chapters. Up until that point, I would give this book a 4. Unfortunately, the ending is utter garbage and that just completely ruined the entire experience for me. Furthermore, the narration is pretty lackluster. The story takes place in England and not a single character was portrayed with a British accent. The narrator also consistently mispronounces common words, which is pretty annoying. I can look past the meh narration, but the ending was just horrible. I don't recommend wasting a credit on this. In fact I wouldn't recommend committing to this even if it became free at some point.

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  • GLD
  • 2020-09-04

Don't

I really struggled with the audio. i had to slow the recording back - and a British narrator should have been used. The reader's voice displaced the listener.