This week hasn’t gone the best for me unless you count Casimir, the sexy ancient vampire, bringing me back from the brink of death (and tying my fate to his in the process). Not that it matters if the werewolves and vampires don’t stop their ridiculous feud, because someone is targeting them and widening the divide between our communities with each body they leave in their wake. But as the alpha’s son, I have a plan to fix everything. I’m going to convince Casimir to fake date me to show the others that we can work together. I mean… what could go wrong?

As the best friend of a psychic, Will Buchanan can’t help but believe in the dead. It’s the living that he finds to be problematic. However, after a spate of betrayals, he finally has the chance of a new life within his grasp, and he’s not going to risk it for anyone or anything. Staying safe is the name of Will’s game.

It can safely be said that Lord Barnaby Greenwood is not having the best of Christmases. He’s penniless, up to his eyeballs in debt, and about to lose his estate. Therefore, it’s hardly surprising that when a local property developer offers a lot of money to buy King’s Wood from him, Barnaby is very tempted. But his father had always impressed on him that the green wood was sacred and must be protected at all costs, so he finds himself saying no.

The product of a disorganized and chaotic childhood, Zeb likes order and control, and as the boss of his own employment agency he can give that to himself. Life runs along strict lines and he never mixes business with pleasure. Everything in his life lives in neat, alphabetized boxes. Until Jesse. 

Wren Roberts thought he’d found his fairy tale when he met Mateo Rossi on holiday in Majorca. The wealthy and successful older man swept him off his feet, and before he knew it, he’d thrown caution to the wind and was living in Mateo’s waterside apartment in Venice. It’s a far cry from his harsh upbringing and crummy flat in London. But as the summer turns to autumn, cracks begin to show. Mateo’s family aren’t welcoming, and there doesn’t seem to be a place for Wren in Mateo’s world.

When an infant is taken from his carriage in broad daylight, missing persons detective Quaid Valor must race against the clock to find the child and bring him safely home to his family. Unfortunately, Quaid’s partner isn’t available, and his team is spread thin. Begrudgingly, Quaid must accept the help from his rival, homicide detective Aslan Doyle. Aslan is Quaid’s opposite in every way. He’s bold, outspoken, arrogant, and the office playboy. And much to Quaid’s chagrin, Aslan seems to have set his sights on Quaid as his next conquest.

Magnus Carlsen is determined to grow old disgracefully. At 52, he doesn’t believe in keeping anything. Men, sofas, books—everything gets jettisoned, eventually. He’s divided his life into happy compartments. A successful trial lawyer, he spends his days lecturing jurors, exasperating judges, and striding arrogantly around courtrooms. He fills his nights with a parade of handsome young men who want to make him happy. Why date someone his own age to discuss back pain, retirement planning, and corns when he can date men who don’t care to discuss anything at all? 

Is it really wrong to want to murder your boss? Dylan has worked for Gabe for two years. Two long years of sarcastic comments. Two long years of insults, and having to redo the coffee pot four times in the mornings to meet his exacting standards. Not surprisingly he has devoted a lot of time to increasingly inventive ways to murder Gabe. From stabbing him with a cake fork, to garrotting him with his expensive tie, Dylan has thought of everything. However, a chance encounter opens his eyes to the attraction that has always lain between them, concealed by the layers of antipathy.

Generation versus generation, traditional versus contemporary, these men are about to learn a lesson in architecture and love. Can they prove that the old and new can be the perfect design? A successful New York architect, Thomas Elkin almost has it all. Coming out as gay and ending his marriage before his 40th birthday, he needed to start living his life. Now, four years later, with his relationship with his son back on track, and after a few short-lived romances, this esteemed traditional draftsman thinks he knows everything about architecture, about life.

Oz Gallagher does not do relationships well. Bored and jobless after another disastrous hook up, he decides to leave London for a temporary job in the wilds of Cornwall. Surely managing a stately home on a country estate will be easier than navigating the detritus of his relationships at home. Six months there will alleviate a bit of his wanderlust and then he can come back to London as footloose and fancy free as the day he left it. However, when he gets there, he finds a house in danger of crumbling to the ground and a man who is completely unlike anyone he’s ever met.