On an arid Mars, local bigwigs compete with Earth-bound interlopers to buy up land before the Un develops it and its value skyrockets. Martian Union leader Arnie Kott has an ace up his sleeve, though: an autistic boy named Manfred who seems to have the ability to see the future.

From Philip K. Dick, the Hugo Award-winning author of The Man in the High Castle and Do Androids Dream of Electric Sheep?—the basis for the film Blade Runner—Now Wait for Last Year is the novel of an Earth caught in an interstellar war and of an addictive hallucinogenic drug that causes time travel side effects.

This novel is about Leo Runcible, "a brilliant, civic minded liberal Jew living in a rural WASP town in Marin County, California." Runcible, a real estate agent involved in a local battle with a neighbor, finds what look like Neanderthal bones in Marin and dreams of rising real estate prices because of the publicity. But it turns out that the remains are more recent, the result of an environmental problem polluting the local water supply.

When Dr. Jim Parsons wakes up from a car accident, he finds himself in a future populated almost entirely by the young. But to keep the world run by the young, death is fetishized, and those who survive to old age are put down. In such a world, Parsons—with his innate desire to save lives—is a criminal and outcast. But for one revolutionary group, he may be the savior they need to heal and revive their cryogenically frozen leader. And when he and the group journey to 1500s California, what they find causes them to question what they know about history and the underpinnings of their society.

Sometimes even gods need help. In Galactic Pot-Healer that god is an alien creature known as The Glimmung, which looks alternately like a flaming wheel, a teenage girl, and a swirling mass of ocean life. In order to raise a sunken city, he summons beings from across the galaxy to Plowman’s Planet. Joe Fernwright is one of those summoned, needed for his skills at pot-healing—repairing broken ceramics. But from the moment Joe arrives on Plowman’s Planet, things start to go awry. 

What is VALIS? When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy, or whether a godlike entity is showing him the true nature of the world.

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite. And hidden among the survivors is Dr. Bloodmoney himself, the man responsible for it all.

On Mars, the harsh climate could make any colonist turn to drugs to escape a dead-end existence. Especially when the drug is Can-D, which translates its users into the idyllic world of a Barbie-esque character named Perky Pat. When the mysterious Palmer Eldritch arrives with a new drug called Chew-Z, he offers a more addictive experience, one that might bring the user closer to God. But in a world where everyone is tripping, no promises can be taken at face value.

On a ravaged Earth, fate and circumstances bring together a disparate group of characters, including a fascist with dreams of a coup, a composer who plays his instrument with his mind, a First Lady who calls all the shots, and the world’s last practicing therapist. And they all must contend with an underclass that is beginning to ask a few too many questions, aided by a man called Loony Luke and his very persuasive pet alien.

In this Hugo Award–winning alternative history classic—the basis for the Amazon Original series—the United States lost World War II and was subsequently divided between the Germans in the East and the Japanese in the West.

Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight?

When catastrophic overpopulation threatens Earth, one company offers to teleport citizens to Whale’s Mouth, an allegedly pristine new home for happy and industrious émigrés. But there is one problem: the teleportation machine only works in one direction. When Rachmael ben Applebaum discovers that some of the footage of happy settlers may have been faked, he sets out on an eighteen-year journey to see if anyone wants to come back.

Time has begun moving backward. People greet each other with “goodbye,” blow smoke into cigarettes, and rise from the dead. When one of those rising dead is the famous and powerful prophet Anarch Peak, a number of groups start a mad scramble to find him first—but their motives are not exactly benevolent, because Anarch Peak may just be worth more dead than alive, and these groups will do whatever they must to send him back to the grave.

From the author of science-fiction classics such as The Man in the High Castle and Do Androids Dream of Electric Sheep? comes a collection of 13 short stories of dystopic visions of technological terror, post-nuclear holocaust warfare, time travel, space travel, man vs. alien, man vs. machine, man becomes machine, man becomes plant, and other fantastic tales performed in a vividly dramatic narration by Andy Harrington.