The thrilling untold story of the trailblazing writer Janet Flanner, Paris correspondent for The New Yorker, who sounded the alarm about the rise of fascism in Europe while becoming enmeshed in the sensational case of a German serial killer stalking the streets of the French capital on the eve of WWII.

In 1925, the Indianapolis-born Janet Flanner took an assignment to write a regular ‘Letter from Paris’ for a lighthearted humor magazine called The New Yorker, started by some friends in New York. She’d come to Paris with dreams of writing about “Beauty with a Capital B.” Her employer, self-consciously apolitical, sought only breezy reports on French art and culture. But as she woke to the frightening signs of rising extremism, economic turmoil, and widespread discontent in Europe, Flanner ignored her editor’s directives, reinventing herself, her assignment, and The New Yorker in the process.

While working tirelessly to alert American readers to the dangers of the Third Reich, including producing one of the first detailed profiles of Hitler in an American publication, Flanner became gripped by the disturbing crimes of a man who embodied all of the darkness she was being forced to confront. Eugen Weidmann, son of two proud Nazis, killed six people in and around Paris in the late 1930s and was last man to be publicly executed in France—mere weeks before the outbreak of WWII. Flanner covered his crimes, capture, and highly politicized trial, seeing the case as a guiding metaphor through which to understand the tumultuous years through which she’d just passed and to prepare herself for the dangers to come.

The Typewriter and The Guillotine is a personal and professional coming-of-age story set against a glamorous, high-stakes backdrop, a tightly-coiled drama for fans of gripping, character driven nonfiction such as Erik Larson’s In the Garden of Beasts and Sonia Purnell’s A Woman of No Importance, and with the cinematic sweep, romance, and intrigue of classic films from Casablanca to The English Patient.