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The Wind-Up Bird Chronicle

A Novel

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The Wind-Up Bird Chronicle

Auteur(s): Haruki Murakami
Narrateur(s): Rupert Degas
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À propos de cet audio

 A "dreamlike and compelling” tour de force (Chicago Tribune)—an astonishingly imaginative detective story, an account of a disintegrating marriage, and an excavation of the buried secrets from Japan’s forgotten campaign in Manchuria during World War II.

Now with a new introduction by the author.

In a Tokyo suburb, a young man named Toru Okada searches for his wife’s missing cat—and then for his wife as well—in a netherworld beneath the city’s placid surface. As these searches intersect, he encounters a bizarre group of allies and antagonists. Gripping, prophetic, and suffused with comedy and menace, this is one of Haruki Murakami’s most acclaimed and beloved novels. Fantastique Fiction Fiction de genre Fiction littéraire Mariage Magique Hallucinant Japon impérial Chine

Ce que les critiques en disent

“Dreamlike and compelling.... Murakami is a genius.” —Chicago Tribune

“Mesmerizing.... Murakami’s most ambitious attempt yet to stuff all of modern Japan into a single fictional edifice.” —The Washington Post Book World

“A significant advance in Murakami’s art ... a bold and generous book.” —The New York Times Book Review

“A stunning work of art ... that bears no comparisons.” —New York Observer

“With The Wind-Up Bird Chronicle, Murakami spreads his brilliant, fantastical wings and soars.” —Philadelphia Inquirer

“Seductive.... A labyrinth designed by a master, at once familiar and irresistibly strange.” —San Francisco Chronicle

“An epic ... as sculpted and implacable as a bird by Brancusi.” —New York Magazine

“Mesmerizing, original ... fascinating, daring, mysterious and profoundly rewarding.” —Baltimore Sun

“A beguiling sense of mystery suffuses The Wind-Up Bird Chronicle and draws us irresistibly and ever deeper into the phantasmagoria of pain and memory.... Compelling [and] convincing.” —Los Angeles Times Book Review

“Digs relentlessly into the buried secrets of Japan’s past ... brilliantly translated into the latest vernacular.” —Pico Iyer, Time
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Les plus pertinents
Regret so much my decision to persist through this narrative torture... ‘Acting’, obnoxious voicing of female characters... Murakami did not deserve this. Rupert.... never again

Performance ruined it for me

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A while back I read 1Q84, and was intrigued, so I decided to see if the quality of the writing was still good in his early career. It definitely is. I particularly enjoy the narration in this recording. The VO is distinct and I think adds a lot to each of the characters voice lines. I would recommend for anyone interested in Japanese literature. #Audible1

Haruki is Great

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My first Murakami did not disappoint. Thank you Patti Smith. Not my usual literary genre but it was engaging, if at times disturbing. Fortunately funny too. Enjoyed the narration— especially Okada and May Kisahara.

My first Murakami

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The voice Actor makes some pretty bold choices in character voices. The voices for basically every female character are extremely over the top and lack the gravity of other murakami works. Great novel, but probably best enjoyed in a physical book.

Voice Actor takes you out of it

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I've read several Murakami books, but not all yet. So far, this is definitely my favorite. Highly recommend. Interesting and weird as usual. The narrator is bad at female voices, but it's not a big deal - kind of funny.

It's good. Read it.

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First of all a comment on the narrator’s voicing of May Kasahara’s. Her voice is strange but so is May. She’s an irreverent 17 year old, who asks lots of annoying questions and has hair brained ideas. She’d flakey but endearing. It took me awhile to get used to her voice, but as her personality becomes familiar, the tone of her voice seems exactly right for her character. Now for the story. Like most of Murakami’s work, the story develops through multiple story lines that seem unrelated at first. Gradually, the connections emerge and everything begins to make sense, sort of. There isn’t’ enough space here to map out the story but it ‘s heartbreaking, funny, historically complex, shockingly violent and somewhat erotic. As in many of Murakami’s novels his female characters are very striking and interesting. He’s clearly fond of women and gives them great authority and influence. As usual, there’s a cat mixed up in the story line. Unfortunately, he ‘s not a talking cat. Darn! His talking cats are priceless.
To sum up, I enjoyed this book, the narration, in my opinion, is first rate.

Many story lines that come together. May Kasahara’s voice is fine!

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The voice acting was way too over the top. Constantly distracting from the story. I gravitate towards stories that are read. No need for a one person off Broadway performance.

Good Story

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The story is one of my favourites. It’s a Lynchian drift into a dream-influenced real/surreal world. I bought the audiobook after reading it twice.
The narrator’s voice is generally excellent in non-dialogue sections, relatively good with male voices, but dreadful with female voices, of whom there are many. The dreadfulness, especially with May, almost ruins it. I think books like this need a secondary female narrator for female dialogue. It’s not really the reader’s fault.

Unfortunate voicing

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Rupert Degas was brilliant and the wetting breathtaking. Mystical, otherworldly and deep! I highly recommend it.

So good!

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I am not sure what to think about this book. Some of the stories inside were extremely powerful and interesting. Some seamed weird. I might just not be able to see the bigger picture. I definitely learnt some stuff from it.

Mixed feelings

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