In the world's most celebrated and lyrical love story, the sublime devotion of two young lovers transcends their earthly fate. The noble Veronese houses of Montague and Capulet are locked in a bitter feud. When Romeo (a Montague) and Juliet (a Capulet) fall in love, they are swept up in a series of violent events and cruel twists of fortune. Despite the passion and innocence of their love, they fall victim to the enmity between their families, and their story ends in tragedy.

Hamlet, Shakespeare's most popular, and perhaps most puzzling play, follows the form of a "revenge tragedy", in which the hero, Hamlet, seeks vengeance against his father’s murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. This new full-cast recording - based on the most respected edition of Shakespeare's classic - expertly produced by the Folger Theatre, is perfect for students, teachers, and the everyday listener.

Othello, a Moorish general in the service of Venice, has married Desdemona, beautiful daughter of a Venetian senator. But Iago, Othello's malignant ensign, is determined to destroy their happiness. Cunningly bending Othello to his own purposes, Iago persuades the Moor that Desdemona is unfaithful to him. Tormented in a hell of jealousy, Othello moves inexorably toward the destruction of his innocent wife and himself.

Lovers lives are complicated by city law, feuding faerie royalty, and, yes, love. Sir Ian McKellen, Prunella Scales, Frank Duncan, and Joan Hart perform Shakespeare's A Midsummer Night's Dream.

While King Henry's England is threatened by rebellion, the king's scapegrace son Hal haunts the taverns of London, his companions a crew of rogues and thieves let by Falstaff. The earl of Northumberland and his fiery son Hotspur scheme to overthrow the crown. Can Hal be brought to a sense of duty as Prince of Wales? Or will the influence of Falstaff prove too strong? The issue is decided when Hal, Hotspur, and Falstaff come together at the climactic battle of Shrewsbury.

King Leontes of Sicilia is seized by sudden and terrible jealousy of his wife Hermione, whom he accuses of adultery. He believes the child Hermione is bearing was fathered by his friend Polixenes, and when the baby girl is born he orders her to be taken to some wild place and left to die. Though Hermione's child escapes death, Leontes' cruelty has terrible consequences. Loss paves the way for reunion, and life and hope are born out of desolation and despair.

This haunting drama of vengeance and forgiveness crowns the group of tragicomic romances that Shakespeare composed at the end of his career. Sometimes read as his farewell to the stage, the play contains some of Shakespeare's most lyrical verse. Prospero, wise Duke of Milan, has been deposed by Antonio, his wicked brother, and exiled with his daughter Miranda to a mysterious island. But Prospero possesses supernatural powers. Aided by the spirit Ariel, Prospero uses his magical art to bring his enemies under his control.

Distressed by his father's death and his mother's over-hasty remarriage, Hamlet, Prince of Denmark, is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet's beloved, the innocent Ophelia, are swept up in his tragedy.

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

The noble Titus returns victorious to Rome bringing Tamora, Queen of the Goths as his captive. When one of Tamora's sons is condemned to die, she vows revenge, and, aided by the villainous Aaron, she exacts a terrible retribution, inaugurating a grim cycle of rape, murder, and cannibalism. This macabre, often brilliant tragedy comes from the earliest stage of Shakespeare's dramatic career.

The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful, and just as entertaining as it was in the ninth century BC, and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

This shattering drama of isolation and loss is one of the greatest tragedies in world literature. King Lear of Britain has three daughters: the hard-hearted Goneril and Regan, and the good and gentle Cordelia. He determines to divide his kingdom between them, giving the largest share to she who can say she loves him the best. Lear's tragic lack of judgment and self-knowledge is paralleled by the blindness of the loyal Gloucester who is persuaded to reject his virtuous son, Edgar, in favor of the villainous Edmund.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

The dissolute Falstaff plans to seduce Mistress Ford and Mistress Page, two "Merry Wives of Windsor," there by gaining access to their husbands' wealth. The two women have the old rogue's measure, however, and Falstaff's plots lead only to his own humiliation. But the merry wives themselves fall prey to plotting as their plans to prevent Mistress Page's daughter Anne from marrying the young man she loves are frustrated in their turn.