Where You End and I Begin
A Memoir
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Where You End and I Begin
Narrateur(s):
Leah McLaren
Acheter pour 30,30 $
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Narrateur(s):
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Leah McLaren
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Auteur(s):
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Leah McLaren
À propos de cet audio
A daughter’s unflinching exploration of the intimate and unconventional relationship she shared with her mother—a brilliant, charismatic woman haunted by a traumatic past.
When Leah is eight, her mother, Cessie, abruptly flees her role as a rural housewife in search of a glamorous career in the city. In the chaotic years that follow, Cessie lurches from one apartment, job, and toxic romance to the next. In a home without rules or emotional boundaries, daughter and mother become close confidantes—a state of enmeshment that suits them both. Their bond is loving but also marked by casual indifference. Cessie’s self-described parenting style of “benign neglect” is a hilarious party joke, but for her daughter it’s reality. In Leah’s first year of high school, her mother makes a disclosure that will forever alter their relationship: She confides that from the age of 12 well into her teens, she was the lover of her 45-year-old married pony club instructor. The trauma of the “Horseman,” Cessie explains, is not just a dark family secret but the reason for all her ill-conceived life choices, including marriage and motherhood itself. For years after, into adulthood, Leah is haunted by the specter of the Horseman. He is the nameless anxiety and restlessness she observes in her mother and increasingly recognizes in herself. Eventually, she and Cessie set out to discover truth of what became of her mother’s rapist. The investigation that ensues pushes their relationship to the brink of collapse. Leah is seeking solace in the facts, but first she must confront a deeper, more painful truth: that her story—the story of trying and failing to love a complicated mother—is not the Horseman’s after all. A riveting and devastating portrait of mother and daughter, Where You End and I Begin is a memoir that explores how trauma is shared between women and how acts of harm can be confused with acts of love.
Ce que les critiques en disent
"Intelligent and affecting . . . magnificent. . . . A kaleidoscopic portrayal of family ties at their most complex and beautiful." —Publishers Weekly, starred review
"A work of probing insight and undaunted compassion; one that’s fearlessly engrossing, frequently funny and sometimes plain hair-raising." —The Guardian
“Readers will be fascinated by this richly detailed yet never sensationalized account that serves to illustrate the many ways trauma can cast a shadow over a family for generations. McLaren has a difficult story to share, and she does it with kindness and clear-eyed forgiveness.” —Booklist
“Exquisitely painful, funny, recognizable and so full of love; hot of heart and cool of mind. A wonderful achievement.” —Ann-Marie MacDonald, author of Fayne
Advance Praise for Where You End and I Begin:
"Mordant, clear-eyed, loving, devastating. Richly evocative, propulsive, and so well written—her prose sparkles like sunshine over deep water." —Aida Edemariam, author of The Wife’s Tale
“If Edward St. Aubyn were to write an episode of Euphoria, it might come close to Leah McLaren's astonishing memoir. Ecstatically wild and weirdly fun, this book has me praying that it is the first installment of a series—and that I'll be seeing more of this latchkey kid and her mother, both of whom are brilliantly flawed, and make cardboard cutouts out of the rest of us. McLaren has written a poignant and brave modern gothic. I am blown away, madly in love.” —Lauren Mechling, author of How Could She
“Where You End and I Begin is a burningly true and gorgeously written memoir of a complex mother and daughter relationship. At its heart, this is a freshly told story by a great writer about an under-parented generation, where children were free to realize themselves, but also perhaps to become lost in the process. You’re in good hands with Leah as she guides you through the pain and joy of her unfettered childhood.” —Cathrin Bradbury, author of The Bright Side
“Raw and beautiful—I was riveted all the way through.” —Annie MacManus, author of Mother Mother
"A work of probing insight and undaunted compassion; one that’s fearlessly engrossing, frequently funny and sometimes plain hair-raising." —The Guardian
“Readers will be fascinated by this richly detailed yet never sensationalized account that serves to illustrate the many ways trauma can cast a shadow over a family for generations. McLaren has a difficult story to share, and she does it with kindness and clear-eyed forgiveness.” —Booklist
“Exquisitely painful, funny, recognizable and so full of love; hot of heart and cool of mind. A wonderful achievement.” —Ann-Marie MacDonald, author of Fayne
Advance Praise for Where You End and I Begin:
"Mordant, clear-eyed, loving, devastating. Richly evocative, propulsive, and so well written—her prose sparkles like sunshine over deep water." —Aida Edemariam, author of The Wife’s Tale
“If Edward St. Aubyn were to write an episode of Euphoria, it might come close to Leah McLaren's astonishing memoir. Ecstatically wild and weirdly fun, this book has me praying that it is the first installment of a series—and that I'll be seeing more of this latchkey kid and her mother, both of whom are brilliantly flawed, and make cardboard cutouts out of the rest of us. McLaren has written a poignant and brave modern gothic. I am blown away, madly in love.” —Lauren Mechling, author of How Could She
“Where You End and I Begin is a burningly true and gorgeously written memoir of a complex mother and daughter relationship. At its heart, this is a freshly told story by a great writer about an under-parented generation, where children were free to realize themselves, but also perhaps to become lost in the process. You’re in good hands with Leah as she guides you through the pain and joy of her unfettered childhood.” —Cathrin Bradbury, author of The Bright Side
“Raw and beautiful—I was riveted all the way through.” —Annie MacManus, author of Mother Mother
I have only one complaint
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Beautifully paced
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Needs a new narrator due to saliva issue
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Although I listen to the end I found the author to be very self indulgent at times with an excessive distracting use of metaphors I felt like I was back in grade 9 English class listening to a writing piece that I had a rubric heavily weighted towards the metaphoric
I would say she could’ve told the story and half the number of pages and that it would’ve been more effective very very repetitive at times
Would be better with half the number of pages and one percent of the metaphors
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