Showing titles in Essays

With the virtuosic synthesis of memoir, criticism, and journalism for which she has become known, Leslie Jamison offers us 14 new essays that are by turns ecstatic, searching, staggering, and wise. In its kaleidoscopic sweep, Make It Scream, Make It Burn creates a profound exploration of the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; and more...

In We Learn Nothing, satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn't change you? Why do we fall in love with people we don't even like? How do you react when someone you've known for years unexpectedly changes genders?

A remarkable compilation of Dr. Martin Luther King Jr.’s reflections on love and its transformative power—a stellar addition to Dr. King’s archives published exclusively by HarperCollins.

A collection of The New Yorker‘s groundbreaking writing on race in America - including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more - with a foreword by Jelani Cobb.

To overcome a crisis of melancholy after the death of his father, Montaigne withdrew to his country estates and began to write, and in the highly original essays that resulted he discussed themes such as fathers and children, conscience and cowardice, coaches and cannibals, and, above all, himself.

Echoing the lyricism of Leonard Cohen and the lighthearted poignance of Anne Lamott, Suspended by No String is a thought-provoking anthology of spiritual reflections that will inspire listeners to reclaim their childlike sense of wonder. Suspended by No String is a collection of essays, personal narrative, and poetical reflections for listeners of all spiritual stripes—those who are devout, those who aren't sure what to believe, and those who may not be religious in a traditional sense but who nevertheless want to build a relationship with a force infinitely beyond themselves.

THE EARLY 2000s conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all. The internet had arrived, and technology was shiny and fun. For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999, we are still living in the shadows of the Y2K Era.

David Hume (1711-1776) remains a major figure in British philosophy, particularly for two or three works, including A Treatise on Human Nature and An Enquiry Concerning Human Understanding. But he was also a prolific essayist and historian. During his lifetime Essays Moral, Political and Literary went through a number of editions and collections, far outselling his philosophy. Now, the situation is reversed. But listening to the essays today it is difficult to see why.

From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these 12 pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure.

From the kid who brought you Fargo Rock City, the first book in history to garner the praise of Stephen King, David Byrne, Donna Gaines, Sebastian Bach, Jonathan Lethem, and Rivers Cuomo, comes Sex, Drugs, and Cocoa Puffs, the first book in history to examine breakfast cereal, reality television, tribute bands, Internet porn, serial killers, and the Dixie Chicks.

The Fable of the Bees—a satirical poem, prose discussion, three essays and six dialogues completed in 1729—exposes human vices but defends them as a necessity within a wealthy society. Mandeville’s bees thrive until they start living by honesty and virtue… then they are impoverished. Mandeville did not play by the rules: he satirized the sins of society but also ridiculed the widespread hypocrisy of deploring these sins whilst reaping their benefits. He and his work were attacked for the rest of the century.

Intended to be a defense of the Christian religion, Pensées is a penetrating collection of thoughts on faith, reason, and theology. Unfinished at the time of Pascal's death, the book consists of philosophical fragments on the "wretchedness" of man and the controversial schisms of the church at the time. It includes the philosopher's infamous wager encouraging belief over agnosticism, as well as his thoughts on numerous other topics. Endlessly quotable, Pensées overflows with pearls of wisdom, each elusive sentence pregnant with a universe of thought.

In her new essay collection, the beloved author of High Tide in Tucson brings to us from one of history's darker moments an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects, ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter.

At the center of The Dark Night of the Soul (La noche oscura del alma) is a poem written by the 16th century Spanish poet and mystic St John of the Cross. Consisting of eight stanzas, each of five lines, the poem outlines the journey in pursuit of divine union, within which the only source of light comes from the soul. This recording in English includes the poem itself and St John's two accompanying treatises (1584-1585), essentially commentaries, which offer line-by-line explanations of the poem. Many modern listeners have found guidance and consolation in this work.

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

Originally published in 1966, Susan Sontag's first collection of essays is a modern classic and includes the famous essays "Notes on Camp" and "Against Interpretation", as well as, her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.

Karan Johar is synonymous with success, panache, quick wit, and outspokenness, which sometimes inadvertently creates controversy and makes headlines. KJo, as he is popularly called, has been a much-loved Bollywood film director, producer, actor, and discoverer of new talent. But who is the man behind the icon we all know? Honest, heart-warming and insightful, An Unsuitable Boy is both the story of the life of an exceptional filmmaker at the peak of his powers and of an equally extraordinary human being who shows you how to survive and succeed in life.

In the vein of The Bitch in the House, 15 powerful women offer captivating, intimate, and candid explorations about what it’s really like turning 40 - and life beyond.

Ten days after calling off her wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, she realized she'd almost signed up to live someone else's life. Hauser releases herself from traditional narratives of happiness and goes looking for ways of living that leave room for the unexpected, making plenty of mistakes along the way. She kisses Internet strangers and officiates at a wedding.

L'histoire de l'humanité, jusqu'à très récemment, a été une vaste entreprise d'archivage - une lutte contre la faillibilité de la mémoire humaine et les mâchoires oblitératrices de l'Histoire. Or, depuis quelques décennies, nous nous sommes dotés de technologies nous permettant de ne plus jamais oublier, voire de ne plus pouvoir oublier. Pourtant, notre mémoire collective semble de plus en plus dispersée, de moins en moins enracinée. Et si nous avions perdu quelque chose en route ?