Showing titles in Essays

「あの旅」を斎藤工が全文読む――26歳の青年の人生を決定的に変えてしまった陸路二万キロが始まった！

In Bite by Bite, poet and essayist Aimee Nezhukumatathil explores the way food and drink evoke our associations and remembrances—a subtext or layering, a flavor tinged with joy, shame, exuberance, grief, desire, or nostalgia. Nezhukmatathil restores our astonishment and wonder about food through her encounters with a range of foods and food traditions. From shave ice to lumpia, mangoes to pecans, rambutan to vanilla, she investigates how food marks our experiences and identities and explores the boundaries between heritage and memory.

In Suppose a Sentence, Brian Dillon, whom John Banville has called "a literary flâneur in the tradition of Baudelaire and Walter Benjamin", has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence - from Shakespeare to James Baldwin, John Ruskin to Joan Didion - this new book explores style, voice, and language, along with the subjectivity of reading.

When Colleen Kinder put out a call for authors to write a letter to a stranger about an unforgettable encounter, she opened the floodgates. The responses—intimate and addictive, all written in the second person—began pouring in. These short, insightful essays by a remarkable cast of writers guide us both across the globe and through the mysteries of human connection. Moving and unforgettable, Letter to a Stranger is an irresistible listen for the literary traveler and the perfect gift for anyone who is haunted by a person they met once and will remember forever.

This collection of original essays covers the turf that made Didion a sensation - Hollywood and Patty Hearst; Malibu, Manson and the Mojave; the Summer of Love and the Central Park Five - while bringing together some of the finest voices of today's Los Angeles and beyond. Slouching Towards Los Angeles is a love letter and thank you note; personal memoir and social commentary; cultural history and literary critique.

Thoreau gives an account of three canoe and hiking journeys - by himself and with others - through the mostly uninhabited forests of Maine in the 1850s. Identifying birds, trees and plants by their botanical as well as their common names, he also records the Indian names of lakes, rivers and plants. He investigates the connections between waterways and trails, and provides detail on camping, fishing and hunting in the woods, using whatever is at hand. Extolling the beauty of the wilds that he encounters, Thorough’s narrative is also imbued with elements of his philosophy.

自ら災難に突進する性癖ゆえの艱難辛苦を乗り越え92年間生きて来た佐藤さんだからからこそ書ける緩急織り交ぜた文章は、人生をたくましく生きるための箴言も詰まっていて、大笑いした後に深い余韻が残ります。

ぜひ日本最高峰の名エッセイをご堪能ください。

In an essay in this anthology, Khushwant Singh claims that he is not a nice man to know. Whatever the truth of that assertion, there is little question about his skill as a witty, eloquent, and entertaining writer. This book collects the best of over three decades of the author’s prose - including his finest journalistic pieces, short stories, translations, jokes, plays, as well as excerpts from his nonfiction books and novels.

Based on the NPR series of the same name, This I Believe features 80 Americans—from the famous to the unknown—completing the thought that begins with the book's title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others.

This was Alan Clark’s first volume of diaries and the only one that he recorded. As such it is a unique and historical record and reminder of the man and his work. To hear Alan Clark reading the book in his marvelously rich voice adds immeasurably to the pleasure of these informative and entertaining diaries. The recording covers two Parliaments and constitutes the most outspoken and revealing account of British politics ever written.

Mohsin Hamid's brilliant, moving, and extraordinarily clever novels have not only made him an international best seller, they have earned him a reputation as a "master critic of the modern global condition" ( Foreign Policy). His stories are at once timeless and of-the-moment, and his themes are universal: love, language, ambition, power, corruption, religion, family, identity. Here, he explores this terrain from a different angle in essays that deftly counterpoise the personal and the political.

The notorious baby boomers - the largest age cohort in history - are approaching the end and starting to plan their final moves in the game of life. Now they are asking: What was that all about? Was it about acquiring things or changing the world? Was it about keeping all your marbles? Or is the only thing that counts after you're gone the reputation you leave behind?

La cocaina: la merce più usata, trafficata, desiderata del nostro tempo. Le infinite vie del narcotraffico, dal Messico alle spiagge di Miami, dalla Colombia alla Russia, dall'Africa alle strade di Milano, New York, Parigi. Il viaggio di un grande scrittore nei gironi infernali del mondo contemporaneo, dove la ferocia dilaga incontrastata ma i boss hanno imparato tutte le regole più sofisticate del business. Uno straordinario romanzo-verità.

Through a collection of intimate reflections (on art, punctuation, eyeglasses, color, dreams, celebrity, corpses, porn, and translation) and assignments that encourage pleasure, attentiveness, and acts of playful making, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts 26 ecstatic collisions between his mind and the world. Figure It Out is both a guidebook for, and the embodiment of, the practices of pleasure, attentiveness, art, and play.

Susan Sontag was one of the most formidable, original, and influential thinkers of the last century. On Women presents seven essays and exchanges, spanning a range of subjects: the challenges and humiliations women face as they age; the relationship between women’s liberation and class struggle; beauty, which Sontag calls “that over-rich brew of so many familiar opposites”; feminism; fascism; and film. Taken together, these pieces—relentlessly curious, historically precise, politically robust, and allergic to easy categorization Sontag’s inimitable mind at work.

Dans la veine de son célèbre Crépuscule des Idoles, ce recueil d'aphorismes qui ne fut jamais achevé par l'auteur—le projet initial fut abandonné en 1888—visait à exposer l'ensemble de sa doctrine dans un ouvrage synthétique. L'existence même de ce livre suscita de vives polémiques et aujourd'hui encore la fiabilité de certains passages reste à prouver, des études philologiques récentes ayant mis à découvert de nombreuses erreurs que n'aurait pu commettre Frédéric Nietzsche.

This second collection of This I Believe essays gathers 75 essayists - ranging from famous to previously unknown - completing the thought that begins the book's title. With contributors who run the gamut from cellist Yo-Yo Ma to ordinary folks like a diner waitress, an Iraq War veteran, a farmer, a new husband, and many others, This I Believe II, like the first New York Times best-selling collection, showcases moving and irresistible essays.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

“Food and travel are natural companions,” writes guest editor Padma Lakshmi. From this pairing comes “the possibility of seeing anew, of examining how we make and assign meaning.” The essays in this year’s Best American Food and Travel Writing circle the world—from Dakar in Senegal, to Michoacán in south-central Mexico, to the Camino de Santiago in Spain—and deepen our understanding of our place in it.

A genre-bending work of nonfiction, Samantha Hunt’s The Unwritten Book explores the broadest sense of ghosts, ghost stories, and haunting. What is it to be haunted, to be a ghost, to die, to live, to read? Books are ghosts; reading is communion with the dead. Alcohol is a way of communing, too, as well as a way of dying. Each chapter gathers subjects that haunt: dead people, the forest, the towering library of all those books we’ll never have time to read or write. Hunt, like a mad crossword puzzler, looks for patterns and clues.