Showing results by narrator "Phyllida Nash"

Ancient Rome matters. Its history of empire, conquest, cruelty and excess is something against which we still judge ourselves. Its myths and stories - from Romulus and Remus to the rape of Lucretia - still strike a chord with us. And its debates about citizenship, security and the rights of the individual still influence our own debates on civil liberty today. SPQR is a new look at Roman history from one of the world's foremost classicists.

Venetia Lanyon, beautiful, intelligent and independent, lives in comfortable seclusion in rural Yorkshire with her precocious brother Aubrey. Her future seems safe and predictable: Either marriage to the respectable but dull Edward Yardley, or a life of peaceful spinsterhood. But when she meets the dashing, dangerous rake Lord Damerel, her well-ordered life is turned upside down, and she embarks upon a relationship with him that scandalizes and horrifies the whole community.

The three great-nephews of cantankerous Mr Penicuik know better than to ignore his summons, especially when it concerns the bestowal of his fortune. His freakish plan is that his fortune will be his step-daughter's dowry.

In SPQR, world-renowned classicist Mary Beard narrates the unprecedented rise of a civilization that even 2,000 years later still shapes many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, and beauty.

When Arabella first arrives in London, she has only one mission: to snare a rich husband. With a mind to beat the competition, she pretends to be a rich heiress and soon finds herself the talk of the town, pursued by the most eligible bachelors in the city. But she has her sights on one man only: the much-hunted Mr Beaumaris. Our feisty heroine puts up a fight and deals the worldly-wise Beaumaris a deft hand in the game of love; at first grudgingly charmed, he soon becomes smitten.

1817. As a young woman, clever, self-reliant Lydia Templeton scandalised society by rejecting Lewis Durrant, the county's most eligible batchelor.

Ten years later, Lydia has no regrets and, having concluded that matters of the heart need no longer trouble her, she is quite happy to remain unwed. But others still seek Lydia's advice on their love lives.

Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was - more like Calcutta or the Costa del Sol? - and what it can tell us about "ordinary" life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath....

The legend of the Headless Horseman and a proposed marriage de convenance both have their impact on the mystery of a golden talisman ring and Lord Lavenham's young heir, Ludovic. Neither Sir Tristram Shield nor Eustacie, his young French cousin, share the slightest inclination to marry one another, yet it is Lord Lavenham's dying wish. For there is no one else to provide for the old man's granddaughter while Ludovic remains a fugitive from justice...

The honourable Christopher Fancot, on leave from the Diplomatic Service in the summer of 1817, is startled to find his entrancing but incorrigibly extravagant mother on the brink of financial and social ruin - and more than alarmed that his identical twin, Evelyn, Earl of Denville, has disappeared without trace. Christopher, or Kit, the respectable brother, is forced into an outrageous masquerade by his wayward family's tangled affairs. But in the face of Evelyn's continued absence, even Kit's ingenuity is stretched to the limit.

The shy young Duke of Sale has never known his parents. Instead, his Grace Adolphus Gillespie Vernon Ware or Gilly for short has endured 24 years of rigorous mollycoddling from his uncle and his valet. But his natural diffidence conceals a rebellious spirit. So when Gilly hears of Belinda, the beautiful foundling who appears to be blackmailing his cousin, he absconds with glee. Only he has no sooner entered his new and dangerous world than he is plunged into a frenzy of intrigue, kidnap and adventure.

Pompeii explodes a number of myths - among them, the very date of the eruption, probably a few months later than usually thought; the hygiene of the baths which must have been hotbeds of germs; the legendary number of brothels, most likely only one; and the death count, which was probably less than ten per cent of the population. These are just a few of the strands that make up an extraordinary and involving portrait of an ancient town, its life and its continuing re-discovery, by Britain’s leading classicist.

Fairacre is a village of cottages, a church and the school - and, at the heart of the school, its head mistress Miss Read. Through her discerning eye, we meet the villagers of Fairacre and see their trials and tribulations, from the irascible school cleaner Mrs Pringle, to the young school children, with their scraped knees, hopeful faces and inevitable mischief.

This magnificent biography of Henry VIII is set against the cultural, social and political background of his court - the most spectacular court ever seen in England - and the splendour of his many sumptuous palaces. An entertaining narrative packed with colourful description and a wealth of anecdotal evidence, but also a comprehensive analytical study of the development of both monarch and court during a crucial period in English history.

Georgette Heyer remains an enduring international best seller, read and loved by four generations of readers and extolled by today's best-selling authors. Despite her enormous popularity, she never gave an interview or appeared in public. Georgette Heyer wrote her first novel, The Black Moth, when she was 17 in order to amuse her convalescent brother. It was published in 1921 to instant success, and 90 years later it has never been out of print.

Set in the Regency period, this is a classic tale of misunderstood love and an arranged marriage.

When Miss Seeton walks out after a performance of Carmen and witnesses a real-life stabbing, all she can recall is a shadowy figure. But how could she have guessed that her latest artistic endeavor is a picture-perfect portrait of the killer? Her sketch puts her in a perilous position, for back at her recently inherited cottage in Plummergen village, she's fated to be a sitting duck...for murder most foul!

When Phoebe, a young niece of Pride and Prejudice's Mr. Darcy, is shattered by an unhappy romance, she retreats to Pemberley and is joined by kind-hearted Louisa Bingley, unmarried after three London seasons. Once the young ladies are situated in the house, several handsome strangers also arrive - all hopeful of winning the girls' hearts.

In The Darcy Connection, Mr. Collins of Pride and Prejudice is now the Bishop of Ripon, living with his wife Charlotte and their two daughters, who have reached marriageable age. The elder, another Charlotte, is extraordinarily beautiful, and her parents hope her looks and connections will ensure a brilliant marriage. Her sister Eliza, while not as handsome, possesses a lively intelligence that, in Mr. Collins's opinion, is too like her godmother Mrs. Darcy.

When a flood of perfectly faked banknotes hits the market, retired art teacher Miss Emily Seeton, the Yard's famed ‘MissEss', is chosen to investigate a respected Geneva bank. Somehow, the forger is also mixed up in the theft of valuable paintings, so it's ‘set an artist to catch an artist.' But Miss S. is new to air travel – surely the names Geneva and ‘Genova' must be the same place? Bamboozling both the crooks and the police who vainly try to keep tabs on her, innocently humming the fraudsters' musical password, she trips gaily along the dangerous trail. Serene amidst every kind of skullduggery, this eccentric English spinster steps in where Scotland Yard stumbles, armed with nothing more than her sketchpad and umbrella!

Miss Seeton is most embarrassed. Her every attempt at a portrait of little Effie Goffer has become a chilling picture of a corpse. Is Miss Seeton actually drawing a clue to a series of child murders in rural England? Scotland Yard thinks so, and wants Miss Seeton to turn from sketching...to catching a killer skilled in a very deadly art. Retired art teacher Miss Seeton steps in where Scotland Yard stumbles. Armed with only her sketch pad and umbrella, she is every inch an eccentric English spinster and at every turn the most lovable and unlikely master of detection.