Showing titles in Authors

To his New York intellectual peers, Lionel Trilling could seem reserved and circumspect. But in his selected letters, Trilling is revealed in all his variousness and complexity. In Life in Culture, edited by Adam Kirsch, Trilling's letters add up to an intimate portrait of a great critic and of America's intellectual journey from the political passions of the 1930s to the cultural conflicts of the 1960s and beyond.

Charmed or cursed? Doomed by their royal birthright and their parents' marital misery? Or destined to live out the best of their late mother's legacy by selflessly involving themselves in real-world problems? Only time can tell how Prince William and his brother, Harry, will play the extraordinary hands that fate has dealt them.

The Oxford English Dictionary is one of mankind’s greatest achievements, and yet, curiously, its creators are almost never considered. Who were the people behind this unprecedented book? As Sarah Ogilvie reveals, they include three murderers, a collector of pornography, the daughter of Karl Marx, a president of Yale, a radical suffragette, a vicar who was later found dead in the cupboard of his chapel, an inventor of the first American subway, a female anti-slavery activist in Philadelphia . . . and thousands of others.

Almost There begins at that moment when Nuala O'Faolain's life began to change. It tells the story of a life in subtle, radical, and unforeseen renewal. It is a tale of good fortune chasing out bad - of an accidental harvest of happiness. But it is also a provocative examination of one woman's experience of the "crucible of middle age."

In the second memoir of her Crosswicks Journals, Madeleine L'Engle chronicles a season of extremes. Four generations of family have gathered at Crosswicks, her Connecticut farmhouse, to care for L'Engle's ninety-year-old mother. As summer days fade to sleepless nights, her mother's health rapidly declines and her once astute mind slips into senility. With poignant honesty, L'Engle describes the gifts and graces, as well as the painful emotional cost, of caring for the one who once cared for you.

Draft No. 4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces and presents extracts from some of his best-loved work, subjecting them to wry scrutiny.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

In this innovative biography, Ruth Franklin explores the transformation of Anne Frank (1929–1945) from ordinary teenager to icon, shedding new light on the young woman whose diary of her years in hiding, now translated into more than seventy languages, is the most widely read work of literature to arise from the Holocaust. Comprehensively researched but experimental in spirit, this book chronicles and interprets Anne’s life as a Jew in Amsterdam during World War II while also telling the story of the diary—its multiple drafts, its discovery, its reception, and its message for today’s world.

Wondering Who You Are braids the story of Sonya and Richard's relationship and those memories he could no longer conjure together with his fateful days in the hospital and through a marriage no longer grounded on decades of shared experience.

Shields and Salerno illuminate most brightly the last 56 years of Salinger’s life: a period that, until now, had remained completely dark to biographers. Provided unprecedented access to diaries, letters, legal records, and secret documents, listeners will feel they have, for the first time, gotten beyond Salinger’s meticulously built-up wall. The result is the definitive portrait of one of the most fascinating figures of the 20th century.

If Vasily Grossman's 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak's Doctor Zhivago and before Solzhenitsyn's Gulag. But Life and Fate was seized by the Russian KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the 20th century.

The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes - but who was the real Edward Gorey behind the Oscar Wildean pose?

To Kill a Mockingbird, by Harper Lee, is one of the best-loved novels of the 20th century. But for the last 50 years, the novel's celebrated author, Harper Lee, has said almost nothing on the record. Journalists have trekked to her hometown of Monroeville, Alabama, where Harper Lee, known to her friends as Nelle, has lived with her sister, Alice, for decades, trying and failing to get an interview with the author. But in 2001, the Lee sisters opened their door to Chicago Tribune journalist Marja Mills.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

How did Adeline Virginia Stephen become the great writer Virginia Woolf? Acclaimed biographer Gillian Gill tells the stories of the women whose legacies—of strength, style, and creativity—shaped Woolf’s path to the radical writing that inspires so many today. Gill casts back to Woolf’s French-Anglo-Indian maternal great-grandmother Thérèse de L’Etang, an outsider to English culture whose beauty passed powerfully down the female line; and to Woolf’s aunt Anne Thackeray Ritchie, who gave Woolf her first vision of a successful female writer.

Drawing together a fascinating body of writing from over 14 years of work, Figures in a Landscape ranges from profiles of cultural icons (Oliver Sacks, Elizabeth Taylor, Robin Williams) to intimate personal remembrances, from thrilling adventures in Africa to literary writings from Theroux's rich and expansive personal reading. Collectively these pieces offer a fascinating portrait of the author himself, his extraordinary life and his restless and ever-curious mind.

Once again, the poet casts her spell as she resumes one of the greatest personal narratives of our time. In this continuation, Angelou relates how she joins a "colony" of Black American expatriates in Ghana—only to discover no one ever goes home again.

Because Plath drew so heavily on her own life in both her poetry and her fiction, the outlines of her life are familiar to listeners. Like most writers, Plath changed the facts of her life in her writing. In her determination to be both wife and mother, on the one hand, and teacher and writer on the other, Plath tried simultaneously to fulfill and to fight the conventions that bound women in the 1950s. In this biography, the first to draw on unpublished journals and letters recently made available, Wagner-Martin examines the ironies, contradictions, and achievements of Plath's life.

From the best-selling author of The Professor and the Madman, The Map That Changed the World, and Krakatoa comes a truly wonderful celebration of the English language and of its unrivaled treasure house, the Oxford English Dictionary.

The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald’s birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical coldness, saving humour and an elusive mix of fact and fiction in his life as well as work.