Showing titles in Coming of Age

Living by my father's rules has never been easy. Who does he think he is anyway? Jase Steel has broken every rule he tries to make me live by. The last one though, that last D, ruined my virgin skin, my relationship with my father, and changed my whole life. No Decorating. I should have listened to him...but I didn't.

Left for dead in the fields of rural Oregon, a young woman defies all odds and survives - but she awakens with no idea who she is, or what happened to her. Refusing to answer to "Jane Doe" for another day, the woman renames herself "Water" for the tiny, hidden marking on her body - the only clue to her past. Taken in by old Ginny Fitzgerald, a crotchety but kind lady living on a nearby horse farm, Water slowly begins building a new life. But as she attempts to piece together the fleeting slivers of her memory, more questions emerge....

Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young Black woman out late with a White child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right.

It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.

King Jack. The title was still foreign to Jack who had no love for the empire or the throne. But, with his loved ones secured and his daughter safe, Jack now has the opportunity to do one thing he never thought he could do. Be a father.

Gods are forbidden in the kingdom of Middren. Formed by human desires and fed by their worship, there are countless gods in the world—but after a great war, the new king outlawed them and now pays “godkillers” to destroy any who try to rise from the shadows. As a child, Kissen saw her family murdered by a fire god. Now, she makes a living killing them and enjoys it. But all this changes when Kissen is tasked with helping a young noble girl with a god problem. The child’s soul is bonded to a tiny god of white lies, and Kissen can’t kill it without ending the girl’s life too.

À 33 ans, Nina ne se remet pas de sa rupture avec Paul. Alors qu'elle se voyait la bague au doigt prête pour fonder une famille, elle doit faire le deuil de sa relation et des enfants qu’elle imaginait déjà. Triste et en colère, elle ne rêve que d’une chose, partir loin de Montréal et s'évader. Par chance, elle gagne un séjour dans une auberge, l’auberge de Vie.

Sam is seven years old and living in Beverly, Massachusetts. She adores her father, though he isn’t around much. Her mother struggles to make ends meet, and never fails to remind Sam that if she studies hard and acts responsibly, adulthood will be easier—more secure and comfortable. But comfort and security are of little interest to Sam. She doesn’t fit in at school, where the other girls have the right shade of blue jeans and don’t question the rules. She doesn’t care about jeans or rules. All she wants to climb.

Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fuku: the curse that has haunted Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.

Even a year removed from living in the bayou, Ruby still wonders at the splendor of her family’s New Orleans mansion. She rejoices in the love of the father she had never known, even as true happiness remains as elusive as swamp mist. Her stepmother sneers at her backwater upbringing, and while discovering she has a twin sister should be a cause for joy, Gisselle has greeted Ruby with nothing but a bitter heart.

Angel - I know what you're whispering in the car as you pass me by. Hitchhiker. When you see me walking along the side of the road with my thumb out, you'll probably keep driving without giving me a second glance. You probably think I'm foolish. Naïve. You might assume I've made some bad decisions. You might think I'm too young to be on my own. You might be right. Travis - I love my job, but driving an 18-wheeler comes with a certain stereotype. When you hear I'm a trucker, a specific image might come to mind. Uneducated. Dirty. Perverted.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Ireland, 1959: Young Christopher Hurley is a tinker, a Pavee gypsy, who roams with his father and extended family from town to town, carrying all their worldly possessions in their wagons. Christy carries with him a burden of guilt as well, haunted by the story of his mother’s death in childbirth. The wandering life is the only one Christy has ever known, but when his grandfather dies, everything changes. His father decides to settle briefly, in a town, where Christy and his cousin can receive proper schooling and prepare for their first communions.

In The Kid, best-selling author Sapphire tells the electrifying story of Abdul Jones, the son of Push's unforgettable heroine, Precious. A story of body and spirit, rooted in the hungers of flesh and of the soul, The Kid brings us deep into the interior life of Abdul Jones. We meet him at age nine, on the day of his mother's funeral.

Kilteegan Bridge, Ireland. 1975. Despite the best efforts to the older generation to maintain standards, short skirts, long hair and loud music are all the rage in Kilteegan Bridge. Emmet Kogan has set his sights on an education at the prestigious Stanford University in California, while his cousin Nellie also longs to get away, but for very different reasons. If she’s to escape too, it will mean wrapping herself in a web of lies, but it’s a price she’s willing to pay.

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.

After fate cruelly takes her parents in a chilling train accident, 14-year-old Jobeth is whisked away to a sinister foster home overshadowed by a nefarious couple with darkness of their own. Thrust into a world where secrets whisper through the walls, an ominous flower marks Jobeth, birthed from violence. Forever tethered together, it refuses to let go, lurking in the darkness, gaining strength with each step she takes. Fleeing, the tendrils of abuse and shattering revelations seek to entangle her. Trying to hold her down. Yet this time, she is not alone.

On the last day of eighth grade, Maggie begins to dream of finding a way to escape the drudgery and confinement of life in the hollow and establish her independence. Her plan begins to fall in place when she enters high school and discovers she has a natural talent for excelling in shorthand, typing, and other business classes. Meanwhile she spares no effort in helping her family continue to survive despite their poverty, a less than fertile few acres, and a family history of instability.

On the outskirts of Rainbow Town, there is an old, abandoned house. They say that if you send a letter detailing your misfortunes there, you could receive a ticket. If you bring this ticket to the house on the first day of the rainy season, you'll be granted entrance into the mysterious Rainfall Market—where you can choose to completely change your life. No one is more surprised than Serin when she receives a ticket. Lonely and with no real prospects for a future, Serin ventures to the market, determined to create a better life for herself.

Ophélie déteste Noël et sa coloc et amie Zoé adore cette fête. Cette année, Ophélie se sent dans un creux de vague : son chum l’a laissée pendant l’été et son avenir en tant prof de littérature au cégep est loin d’être assuré, puisqu’elle est en début de carrière. Zoé propose donc un pari à son amie : si elle réussit à lui faire aimer Noël, elle aura le droit de décorer l’appartement plus tôt l’an prochain. Le bal des activités de saison est lancé. Zoé ne lésine pas sur les classiques des fêtes, ce qui permet à Ophélie de rencontrer Laurent, avec qui le potentiel amoureux est au rendez-vous.