Titres dans Littérature et fiction

Beyond the Pale - winner of the Lambda Literary Award - tells the stories of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York.

A fresh-faced newcomer arrives in an isolated, gang-run town and soon finds herself taking a job nobody else wants: bodyguard to a ghoul. Not just your average mindless, half-rotted shuffler, though. Lucille is a dancer who can still put on her own lipstick and whose shows are half burlesque, half gladiator match. But the stranger is no stranger to this particular ghoul. Both women are undercover in their own way. And both have something to lose if their connection comes to light.

Le Paradise est ce club du Red Light de Montréal qui, en 1930, accueille les vieux garçons dans un espace nommé le ringside. C'est là qu'Édouard Tremblay aimerait bien faire son entrée dans le "grand monde", peu après son embauche comme vendeur de chaussures sur l'avenue du Mont-Royal. Car à presque dix-huit ans il est déjà emporté par le double qui l'habite, cette duchesse de Langeais qui deviendra son personnage de folle des nuits de la métropole.

Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.

Once upon a time, there was a winter that wouldn't end. And all that stands between the people of White Meadows and starvation is a young man called Lance. Lance is 16 years old, and for all his courage and hunting skills, he's running out of fight. His family has been wiped out in a border raid, and he's drowning in loneliness. When strangers arrive at White Meadows, all Lance can think of is using his last strength to drive them away. But these men have come in peace, not to burn and destroy. Among them is a hot-headed, utterly charming prince-in-training named Arthur.

Noah Milner is everything Lane is not: outgoing, confident, and completely secure with who he is. He's also temptation personified—something Lane's sheltered upbringing didn't properly prepare him for. Lane Blakely's quiet nature and perfectionism get under Noah's skin. There's something about him that makes Noah want to challenge his easily flustered new stepbrother at every turn.

Rod Nelson is used to being someone's good time, and that's fine with him. Spending his days at his adult toy store, Rods-N-Ends, he never knows who he'll meet. The second Landon Harrison walks in, he has Rod's full attention. It seems as if Landon wants him too, so why won't the man jump in the sack with him already?

Regan O’Riley has just about given up hope that she will ever find a woman into shy, geeky programmers. She yearns for a connection, but can't seem to make the first move. Mel Raines knows all about making moves. After a childhood under the thumb of her alcoholic father, she avoids intimacy by drowning herself in fiery, fleeting encounters with strangers. When Regan and Mel meet in a straight bar, of all places, their chemistry is unmistakable.

Gideon Frayne has spent his whole working life as a policeman in the village of Dark on Bodmin Moor. His first missing-child case is eating him alive. When his own boss sends in a psychic to help with the case, he's gutted - he's a level-headed copper who doesn't believe in such things, and he can't help but think that the arrival of clairvoyant Lee Tyack is a comment on his failure to find the little girl. But Lee is hard to hate, no matter how Gideon tries. At first Lee's insights into the case make no sense, but he seems to have a window straight into Gideon's heart.

Oscar Wilde's first play confronts the hypocrisy of public "morality" compared with genuine, private kindness. The reasons for its continued popularity are not difficult to identify: the play's witty dialogue contains many of Wilde's most quoted aphorisms, its stylish setting provides opportunities for elegant presentation, and its cast of memorable characters play out a story which is genuinely moving. This new audio production brings together a full cast worthy of Wilde's creative genius.

Cut off from his family—and more importantly, the family fortune—Blake Castelli stakes his future on one last throw of the dice: he'll go to Las Vegas and use his line of credit at the Morrigan casino to replenish his bank account. But the Morrigan's under new ownership. And while Blake doesn't remember handsome, arrogant Declan MacKenna from their ill-fated encounter ten years ago, Declan remembers him. And he wants payback. Declan offers Blake a humiliating, degrading deal he has no choice but to take even though it's all kinds of wrong.

Why is it that the first attractive man to look my way mistakes me for a bad guy, stuffs me in the trunk of his car, and ships me off to an island where I’m positive the only thing waiting for me is my own murder? I mean... yeah, Tavish is charismatic and fun, but did I mention the whole trunk thing? Oh, maybe I forgot to mention his peculiar group of friends who keep promising to “help” me, but why are they running around with masks and weapons while praising fences?

Seizing his one chance to escape, Ethan Hosking leaves his violent ex-boyfriend, leaves his entire life, and walks into the path of a raging bushfire. Desperate to start over, a new man named Aubrey Hobbs walks out of the fire-ravaged forest, alive and alone. With no ID and no money, nothing but his grandfather's telescope, he goes where the Southern Cross leads him. Patrick Carney is the resident lighthouse keeper in Hadley Cove. After the tragic death of his lover four years ago, he's content with his life until a stranger shows up in town and turns Patrick's head.

Five years ago, Benji Green lost his beloved father Big Eddie when his truck crashed into a river. Everyone called it an accident, but Benji knows it was more. Even years later, he's buried in his grief, throwing himself into managing Big Eddie's convenience store in the small-town of Roseland, Oregon. Surrounded by his mother and three aunts, he lives day to day, struggling to keep his head above water. But Roseland is no ordinary place.

Cassie Parker has grown used to denying her sexuality. Her father, the fire-and-brimstone Reverend Parker, has made that a necessity. Raised in a web of secrets, sadness, and under the heavy hand of her father's righteous wrath and intolerance, Cassie turns to her art to fill the hole in her heart and erase the memory of a mother who abandoned her in childhood. Then Luke Winston enters her life. Strong, mysterious, and beautiful, Luke sparks Cassie's desire, and takes her heart to places she's never known.

A clever, laugh-out-loud Regency romp full of mystery and romance. "Erica Ridley is a delight!" —Julia Quinn, New York Times bestselling author of the Bridgerton series As a master of disguise, Thomasina Wynchester can be a polite young lady—or a bawdy old man. She’ll do whatever it takes...

Brilliant ice queen Amelia Duxton is a hotel vice president who thrives on control, truth, and efficiency. All she wants is to buy the coveted Mayfair Palace. Fiery Kai Fisher is charming and chaotic and renowned for closing ambitious deals. Her sights are set on snatching the Mayfair Palace out from under the nose of her hated arch rivals, the Duxton family. But when secrets emerge and everything starts to fall apart, how can either of the warring women win - especially when they’ve just met their match?

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life. Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.

Trina FastHorse Goldberg-Oneka is a fifty-year-old trans woman whose life is irreversibly altered in the wake of a gentle--but nonetheless world-changing--invasion by an alien entity called The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible. Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence--until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life.

Like every other weekend, Colin is on his way home from university, but he’s taunted by the notion that he never takes risks in life and always follows the beaten path. On impulse, he decides to take a different route. Just this one time. What he doesn’t realize is that it’s the last time he has a choice. He ends up taking a detour into the darkest pit of horror, abducted by a silent, imposing man with a blood-stained axe. But what seems like his worst nightmare might just prove to be a path to the kind of freedom Colin never knew existed. Taron has lived alone for years.