Titres dans Biographies et mémoires

In this pyrotechnic memoir-in-essays, Mak ranges widely over our landscape of paranoia, crisis, and frenetic, clickable consumption. He grants listeners an inside pass to the spaces where culture was made and unmade over the past decade, from the antiseptic glare of white-walled galleries to the darkest corners of Berlin techno clubs. As the gay son of an evangelical minister, Mak fled to those spaces, hoping to join a global, influential elite. But when calamity struck, it forced Mak to confront the costs of mistaking status for belonging.

In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the '80s and '90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.

Jill had a happy, healthy 20-year relationship with her college sweetheart, two wonderful kids, and rescue cat from the Humane Society. They lived in a nice suburban home with a white picket fence and owned a small bar that was rated one of the “Best Mom & Pop” businesses in Tampa Bay. From the outside, everything looked perfect. Perfectly Queer takes the listener on Jillian Abby's poignant and painfully funny rollercoaster of self-discovery as she identifies and eventually accepts herself as a lesbian just before her 40th birthday.

The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn't suddenly ripe for deconstruction—or even outright destruction—amid so much talk about its inherent toxicity. Looking back over decades' worth of pop culture's attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act.

Uma das reportagens de maior repercussão nos últimos tempos, a história de Ricardo – apelidado ofensivamente de "Fofão da Augusta" – surge retrabalhada a partir de uma nova descoberta: a trajetória de Vânia, sua namorada.Em 2017, um leito do Hospital das Clínicas de São Paulo foi ocupado por um homem sem identidade. Há vinte anos, ele circulava pela região das ruas Augusta e Paulista, onde liderou uma trupe de palhaços, distribuiu panfletos e pediu esmolas. Sua aparência lhe rendeu a alcunha de Fofão da Augusta e o status de lenda urbana.

In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa.

Pidgeon Pagonis always felt like their life was a constant attempt to fit in with other girls—a feeling that was only exacerbated when puberty failed to hit. They never understood why…until they uncovered the secret that had haunted their childhood. Bouncing between their Chicago home and the city’s children’s hospital, Pidgeon weathered a series of traumatic surgeries, fabrications, and misdirections. It wasn’t until college that Pidgeon pieced together the puzzle of their identity.

The story I share in this book is about how my partner Isabelle and I came to be in the year of 1991 when we were young, impressionable students and frankly, completely unaware of what our futures had in store for us. We both had boyfriends at the time, were about to start university, and never expected what hit us like a ton of bricks.

By a prize-winning young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race, Pretty is as much a powerful and tender love letter as it is a call for change.

In this unflinching and riveting coming-of-age memoir, Patricia Grayhall battles sexism in a male-dominated profession. She plunges into a life that is never boring—and certainly never without passion. Tossed around in the rough seas of medical training, chronically exhausted and emotionally drained, Patricia chafes at the toxic masculinity of the culture of medicine facing many of the same issues women face in male-dominated fields today.

Más allá de la historiografía tradicional, nos encontramos con grandes poetas, intelectuales o cientí ficos homosexuales cuyos deseos han sido borrados. Es momento de sacarlos del armario. Desde Alejandro Magno o Leonardo da Vinci hasta Isaac Newton o Miguel de Cervantes, este libro desvela, de una manera desenfadada y a través de una profunda investigación, los grandes personajes homosexuales que han cambiado—pese a los prejuicios y las dificultades de su época—la historia de la humanidad.

For Cody Alan, one of country music’s most famous on-air radio and TV personalities, listening to other people has always been a crucial part of his role. It was by fostering his ability to hear others that he discovered the person he most needed to listen to was himself. Listening ultimately led him on a journey of self-discovery where he found the courage to come out as gay, the openness to question spiritually, and the strength to explore a new definition of parenting and family.

In 2016, Debbie Hayton underwent gender reassignment surgery. Fast forward to today, and Hayton's refusal to validate the standard gender identity orthodoxy has led to excommunication by the trans activist community. What happened? Transsexual Apostate weaves an intimate account of Debbie's story into a forensic critique of trans ideology. Focussing mainly on transwomen, she examines the reality of male autogynephilia and argues that the vast majority of transwomen are men with a psychological disorder that needs to be managed compassionately.

In a hugely ambitious study that crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity.

Richard Coles narrates this witty account of life as a parish priest and Radio 4 broadcaster. After a life of sex and drugs and the Communards - brilliantly recounted in the highly acclaimed first volume of his memoirs Fathomless Riches - the Reverend Richard Coles went on to devote his life to God and Christianity. He is also a much-loved broadcaster, presenting Saturday Live on Radio 4 and giving us regular reason to Pause for Thought on Radio 2.

Gore Vidal: Sexually Speaking presents the author’s often provocative and always engaging thoughts on sexuality. Here, fourteen essays and three rare, vintage interviews published over the past four decades tackle hot-button topics such as gay American founding fathers, sex and the Catholic church, gay bashing and the U.S. Congress, and bedding Jack Kerouac.

The long-awaited memoir from one of the most acclaimed radical writers in American literature. Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary has composed literary and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post-summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality.

TREES IN WINTER is about the healing properties of nature and of walking, especially during the coldest season, when the inclination is for so many of us to stay indoors. It is also about the joy of learning a craft and practising it. Richard also shares the deeply moving, personal journey that led to him becoming an artist, as he reflects on how he connects with the world around him, and finds creativity through his walks in nature.

For a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, from drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates on her way to building an estimable career as a writer. But she still felt like her life was a performance. She was presenting a facade, even to herself.