Titres dans Poésie

From Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.

Nothing Is Okay is the second full-length poetry collection by Rachel Wiley, whose work simultaneously deconstructs the lies that we were taught about our bodies and our beings, and builds new ways of viewing ourselves. As she delves into queerness, feminism, fatness, dating, and race, Wiley molds these topics into a punching critique of culture and a celebration of self. A fat positive activist, Wiley's work soars and challenges the bounds of bodies and hearts, and the ways we carry them.

Urdu ki Aakhri Kitab (The Last Book of Urdu) comprises of stories, poems, and prose and covers area from nature, geography, history, science, mathematics, etc. The stories, poems, and prose display the unparalleled wisdom and wit of Ibn e Insha shrouded in a healthy criticism.

Melody Godfred explores concepts like authenticity, surrender, resilience, gratitude, believing in yourself, and of course, love, through 100 pairs of poems, each dedicated to a central theme. The first poem in each pair is a "thinker" poem that lights up the analytical, more literal left side of the brain, and the second poem is a companion "feeler" poem that speaks to the creative, more emotional right side of the brain. Combined, the poems electrify the mind, body, and soul through a completely unique poetry experience that inspires each of us to embrace all parts of ourselves.

Dante Alighieri's poetic masterpiece is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation. One of the greatest works in literature, Dantes story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice.

Dive into the epic adventure of the "Epic of Gilgamesh," a journey through time that takes you back to the origins of literature with one of the oldest stories ever told.

Felon tells the story of one man in fierce, dazzling poems - canvassing his wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace - and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life. Challenging the complexities of language, Betts animates what it means to be a “felon”.

Frederick Lazarus Light's resolve to write a greater Iliad in English than Homer composed in Greek is manifest. This translation impersonates Homeric Greek. It runs with Achilleus and like man-shattering Hector in the shock of arms is resolutely sharp. As unrelenting as sublimity, not yielding lyrically, unprosaically vindicating Homer's vision, the brightest labor has been attempted and is brought over as a consummate attempt.

As people, we are capable of both love and hate; amazement and disgust; fun and misery. So why do we live in a world that is constantly telling us to hate, both ourselves and others? We are told constantly to be repulsed by our own bodies, bodies that let us laugh and sweat and eat toast, amongst other activities; to be ashamed of pleasure; to be embarrassed by fun. In this collection, Hollie McNish brings her inimitable style to the question of what have been taught to hate, and if we might learn to love again.

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.

In this course we'll explore how Walt Whitman broke with the tyranny of European literary forms to establish a broad, new voice for American poetry. By throwing aside the stolid conventions and clichéd meters of old Europe, Walt Whitman produced a vital, compelling form of verse, one expressive of the nature of his new world and its undiscovered countries, both physical and spiritual, intimate and gloriously public.

A collection of Longfellow's finest work including Paul Revere's Ride, Footprints of the Sands of Time and The Song of Hiawatha.

The Epic of Gilgamesh relates the tale of the fifth king of the first dynasty of Uruk (in what is modern-day Iraq), who reigned for 126 years, according to the ancient Sumerian list of kings. Gilgamesh was first inscribed in cuneiform writing on clay tablets by an unknown author during the Sumerian era and has been described as one of the greatest works of literature in the recounting of mankind's unending quest for immortality.

The Rubaiyat of Omar Khayyam is a poetic marvel, a work that has survived translation into many languages, while losing little of its force and its wry character. As a source of literary imagery and memorable quotations it ranks with the Bible and the works of Shakespeare. While Edward Fitzgerald was neither the first nor the most scholarly of the English translators of the Rubaiyat, his translation has been largely responsible for the world-wide popularity of this monument of classic Persian poetry.

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Tales from Ovid, Ted Hughes' masterful versions of stories from Ovid's Metamorphoses, includes those of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe as well as many others.

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

Anne Carson is "the most exciting poet writing in English today", said Michael Ondaatje. Carson, an essayist and classicist, is the author of many collections and translations, including Decreation, The Beauty of the Husband, Eros the Bittersweet, and Autobiography of Red. Her translations of four plays by Euripides are collected in Grief Lessons. Carson returns to the Poetry Center to perform her pieces "Cassandra Float Can" and "Lecture on Pronouns".

Three life-affirming sections of poetry and prose. Fear Is a Liar is a collection of poetry and prose telling a story of resilience, loss, survival, love, and hope. Best known for her poetry journals of major life and world events, Du Noyer's writing ranges from stark and moving elegies to abstract, descorts, and free verse, providing a poem for every emotion experienced during prolonged periods of crisis, such as violent relationships, abuse, the death of a parent, or a global pandemic - all serving as the major themes throughout this anthology.

Soul Vagina is a debut collection from the fearless South African poet Nomxolisi Ndlangana who takes the reader on a woman's pilgrimage to the core of self identity. The work speaks of a love of self and the love of another as the author masterfully synthesizes the nuances and complexities of a five-year relationship into a single poem.

El escritor estadounidense Thomas Merton llamó a Cesar Vallejo, “el más grande poeta universal, desde Dante”; el poeta inglés Martin Seymour-Smith, una autoridad de la crítica literaria lo llamó “el más grande poeta del siglo XX, en cualquier lengua.”