Titres dans Essais

Susan Sontag was one of the most formidable, original, and influential thinkers of the last century. On Women presents seven essays and exchanges, spanning a range of subjects: the challenges and humiliations women face as they age; the relationship between women’s liberation and class struggle; beauty, which Sontag calls “that over-rich brew of so many familiar opposites”; feminism; fascism; and film. Taken together, these pieces—relentlessly curious, historically precise, politically robust, and allergic to easy categorization Sontag’s inimitable mind at work.

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head & Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.

W. E. B. Du Bois was the foremost Black intellectual of his time. The Souls of Black Folk, his most influential work, is a collection of 14 beautifully written essays, by turns lyrical, historical, and autobiographical. Here, Du Bois records the cruelties of racism, celebrates the strength and pride of black America, and explores the paradoxical "double-consciousness" of African American life.

In sixteen dazzling, expansive essays, the acclaimed essayist and poet Elisa Gabbert explores a life lived alongside books of all kinds: dog-eared and destroyed, cherished and discarded, classic and clichėd, familiar and profoundly new. She turns her witty, searching mind to the writers she admires, from Plath to Proust, and the themes that bind them―chance, freedom, envy, ambition, nostalgia, and happiness. She takes us to the strange edges of art and culture, from hair metal to surf movies to party fiction.

The best-selling author of American Housewife is back with a fiercely funny collection of essays on marriage and manners, thank-you notes and three-ways, ghosts, gunshots, gynecology, and the Calgon-scented, onion-dipped, monogrammed art of living as a Southern lady.

De Buenos Aires à Caracas, François-Henri Désérable nous embarque dans une formidable traversée de l’Amérique du Sud. Cinq mois à moto, en stop, en bateau, avec une seule contrainte : emprunter l’itinéraire qui fut celui d’Alberto Granado et d’Ernesto « Che » Guevara, lors du fameux voyage à motocyclette, soixante-cinq ans plus tôt.

L'auteur interprète lui-même ce récit de voyage et nous en restitue toute sa saveur.

In Zen in the Art of Writing, Ray Bradbury’s love for his craft shines. With signature wisdom, wit, and verve, Bradbury delves into his prolific writing career, exploring the creation of countless stories, novels, plays, movies, and more that have stood the test of time. Written over a thirty-year period, these inspirational essays insist that there is a “deep well of explosive self-revelation” in all of us waiting to be released through the process of writing.

Virginia Woolf’s A Room of One’s Own is a timeless and thought-provoking exploration of the relationship between women and creativity. Based on a series of lectures delivered at Cambridge University in 1928, this seminal work blends sharp wit, eloquence, and intellectual rigor to examine the systemic barriers that have historically denied women the opportunity to achieve their artistic potential.

« Mes grands-parents ont grandi à l’Est de l’Europe, dans des pays de grands froids. Ils ont connu le chaos, les persécutions et l’exil. Plus qu’un désir, une fascination, la France fut pour eux une intuition. Même si tout cela m’est inconnu, cela ne m’est pas étranger. Je porte en moi leurs racines et aujourd’hui, sans que je les convoque, elles se rappellent à moi. ».

Ralph Waldo Emerson's "Self-Reliance" is a seminal essay that explores the importance of individualism and personal integrity. Emerson challenges listeners to avoid conformity and follow their own instincts and ideas. This work has inspired countless listeners to trust in their inner voice and embrace a life of self-determination. Essential for anyone interested in philosophy, personal growth, and the foundations of American transcendentalism.

For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid Vogue editors, unassuming doormen who’ve seen too much. They are set in the star-studded salons of George Plimpton’s apartment, in the tense newsroom of a still burgeoning New York Times, in an electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest.

Deborah Levy invites us into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her. From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn, the richness of the author’s own. Each moment draws upon Levy’s life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing,.

Eu quero a árvore que existe é uma coletânea de seis ensaios que representam diferentes facetas da nossa ânsia de descobrir e desfrutar a realidade que nos cerca. Em textos repletos de delicadeza e lucidez, larinha divide conosco sua visão única da existência, numa conversa franca e aberta que passeia pelo que há de mais profundo e de mais banal na jornada de todos nós.

Based on the NPR series of the same name, This I Believe features 80 Americans—from the famous to the unknown—completing the thought that begins with the book's title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others.

The international sensation that illuminates the experiences women are supposed to hide - from addiction, anger, sexual assault, and infertility to joy, sensuality, and love. In this dazzling debut, Emilie Pine speaks to the events that have marked her life - those emotional disruptions for which our society has no adequate language, at once bittersweet, clandestine, and ordinary. She writes with radical honesty on the unspeakable grief of infertility, on caring for an alcoholic parent, on taboos around female bodies and female pain, on sexual violence and violence against the self.

Upon becoming a new mother, Vanessa Angélica Villarreal was called to Mexico to reconnect with her ancestors and recover her grandmother’s story, only to return to the sudden loss of her marriage, home, and reality. In Magical/Realism, Villarreal crosses into the erasure of memory and self, fragmented by migration, borders, and colonial and intimate violence, reconstructing her story with pieces of American pop culture, and the music, video games, and fantasy that have helped her make sense of it all.

Volumul Despre adevăr reunește texte diverse ale lui George Orwell pe această temă, de la scurte eseuri la articole, de la piese memorialistice la fragmente relevante din romanele autorului. Orwell abordează subiecte ce merg de la onestitatea și moralitatea individuală pînă la libertatea de exprimare și propaganda politică. Gîndirea clară și scepticismul revelator care îi sînt caracteristice reprezintă o apărare perfectă împotriva lumii post-adevăr în care trăim, o lume stăpînită de fake news și confuzie.

True crime, as an entertainment genre, has always prioritized clear narrative arcs: victims wronged, police detectives in pursuit, suspects apprehended, justice delivered. But what stories have been ignored? In Evidence of Things Seen, fourteen of the most innovative crime writers working today cast a light on the cases that give crucial insight into our society.

Written during the early months of lockdown, Intimations explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality - or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it?

What happens when beauty intersects with horror? In her newest nonfiction collection, Jehanne Dubrow interrogates the ethical questions that arise when we aestheticize atrocity. The daughter of US diplomats, she weaves memories of growing up overseas among narratives centered on art objects created while working under oppressive regimes.