Titres dans Femmes

Slut. Shrew. Sinful. Scold. The 19th- and early 20th-century American women profiled in this collection were called all these names and worse when they were alive. And that’s just fine. These glorious dames earned those monikers, and one hundred years later they can wear them proudly! With irresistible charm and laugh-out-loud impertinence, New York Times bestselling author Therese Oneill chronicles the lives of eighteen unbecoming ladies whose audacity, courage, and sheer disdain for lady-like expectations left them out of so many history books.

Emmeline Pankhurst was a fierce campaigner for the rights of women, enduring hardship, prison, and male entitlement in her fight for equality. Here, Pankhurst tells her story in her own words, describing how the girl of fourteen who attended her first suffragette meeting, became a woman the world would remember as an unrelenting and courageous activist for the rights of women.

The captivating biography of the French aristocrat who balanced the demands of her society with passionate affairs of the heart and a brilliant life of the mind. Although today she is best known for her fifteen-year liaison with Voltaire, Gabrielle Emilie le Tonnelier de Breteuil, Marquise Du Châtelet (1706-1749) was more than a great man's mistress. After marrying a marquis at the age of eighteen, she proceeded to fulfill the prescribed-and delightfully frivolous-role of a French noblewoman of her time.

What could possibly go wrong in a wealthy matriarch's country home when her dilettante son, his restless wife, and his widowed brother live there together? Strong Passions, rooted in the beguiling times of Edith Wharton's "old New York," recounts the true story of a tumultuous marriage.

We all know that the best way to study a foreign language is to go to a country where it's spoken, but can the same immersion method be applied to history? How do interactions with antique objects influence perceptions of the modern world?

Forty years ago in China, marriage was universal, compulsory, and a woman's only means to a livelihood. Enter the one-child policy, which despite its horrors, resulted in China's first generations of urban only-daughters - girls who were raised without brothers and pushed to study, achieve, and succeed as if they were sons. Fast forward to the present, where in an urbanized economic powerhouse, enough of these women have decided to postpone marriage - or not marry at all - to spawn a label: "leftovers". Unprecedentedly well-educated and goal-oriented, they struggle to find partners.

What does it mean to be someone's "muse"? Historically, to be called a “muse” among artistic circles has been marketed as a flattering title. But the very concept of a muse underestimates these women and their abilities. At its root, muse is a support role, the title a consolation prize that claims to recognize a woman’s greatness—but only in her support of another. I'm Not Your Muse reclaims the narrative of 31 of these extraordinary women.

For millennia, across cultures and continents, women and people who experience pregnancy, as well as midwives and those who assist them, have been persecuted as witches (whether they actually practiced the craft or not). In this dauntless, voice-driven reassessment of that history, journalist Sophie Saint Thomas follows the tangled threads of witches and reproductive rights through the ages.

Feminist historian Therese Oneill is back, to educate you on what to expect when you're expecting...a Victorian baby! In Ungovernable, Oneill conducts an unforgettable tour through the backward, pseudoscientific, downright bizarre parenting fashions of the Victorians.

History of Woman Suffrage is a window into the suffragette movement, a front-row seat to the fight for women’s rights. This historic work draws a dramatic picture of the massive effort and struggle that took place in America from 1848 to 1861 through letters and documents, as well as uncensored thoughts and ideas from women during this evolving time, all rich with lively wit. The writing is vivid and compelling, with rousing speeches defending the legitimacy of the request for suffrage and strong, witty defense against those too comfortable in the status quo.

This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music. First Things First, hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes listeners on a journey through some notable firsts by women in hip-hop history and their importance.

"If you're not strong enough to swim fast, you're probably not strong enough to swim 'pretty," said a young Esther Williams to theater impresario Billy Rose. Since the nineteenth century, tensions between beauty and strength, aesthetics and athleticism have both impeded and propelled the careers of female swimmers—none more so than synchronized swimmers, for whom Williams is often considered godmother. In this riveting history—the first of its kind—Vicki Valosik traces a century of aquatic performance, from vaudeville and dime museums to the Olympic arena.

Relevante ensayo de la autora e investigadora Cristina Martín Jiménez en el que se demuestra sin espacio para la duda que las mujeren tuvieron el poder social y político en épocas pasadas, pero que fueron apartadas poco a poco por el patriarcado. Un texto esencial para entender de dónde venimos y quiénes somos en realidad.

Women's soccer is a game that has often been relegated to the margins in a world fixated on gender differences above passion and talent. It is a game that could attract 50,000 fans to a stadium in the 1920s, was later banned by England's Football Association grounds for being "unsuitable for females," and has emerged as a global force in the modern era with the US Women's National Team leading the charge. A Woman's Game traces this arc of changing attitudes, increasing professionalism, and international growth.

In this freewheeling history of modern Britain, Cathy Newman writes about the pioneering women who defied the odds to make careers for themselves and alter the course of modern history - women who achieved what they achieved while dismantling hostile, entrenched views about their place in society. Their role in transforming Britain is fundamental, far greater than has generally been acknowledged, and not just in the arts or education but in fields like medicine, politics, law, engineering and the military.

In January 1889, Louisa Collins, a 41-year-old mother of 10 children, became the first woman hanged at Darlinghurst Gaol and the last woman hanged in New South Wales. Both of Louisa's husbands had died suddenly and the Crown, convinced that Louisa poisoned them with arsenic, put her on trial an extraordinary four times in order to get a conviction, to the horror of many in the legal community. Louisa protested her innocence until the end.

Nashville, August 1920. Thirty-five states have ratified the Nineteenth Amendment, 12 have rejected or refused to vote, and one last state is needed. It all comes down to Tennessee, the moment of truth for the suffragists, after a seven-decade crusade. The opposing forces include politicians with careers at stake, liquor companies, railroad magnates, and a lot of racists who don't want black women voting. And then there are the "Antis" - women who oppose their own enfranchisement, fearing suffrage will bring about the moral collapse of the nation.

On May 30, 1899, history was made when Pearl Hart, disguised as a man, held up a stagecoach in Arizona and robbed the passengers at gunpoint. A manhunt ensued as word of her heist spread, and Pearl Hart went on to become a media sensation and the most notorious female outlaw on the Western frontier. Her early life, family, and fate after her later release from prison have long remained a mystery to scholars and historians - until now. Drawing on groundbreaking research into territorial records and genealogical data, Wildcat is the first book to uncover the enigma of Pearl Hart.

Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned, and the project was left abandoned and unfinished. Yet in the early 20th century, it attracted three fascinating women: Luisa Casati, Doris Castlerosse and Peggy Guggenheim.

From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals - and how the pageant, nearing its one hundredth anniversary, serves as an unintended indicator of feminist progress.