Titres dans Femmes

1919 - Schicksalsjahr und Meilenstein für die Frauenbewegung! Eine faszinierende Zeitreise ins Jahr 1919 – lebendig erzählt in 12 Kapiteln und 12 Monaten. 1919 dürfen Frauen in Deutschland erstmals wählen und machen sich auf allen Gebieten daran, ihr Leben selbst zu gestalten: Käthe Kollwitz wird als erste Frau in die Akademie der Künste berufen, Marie Juchacz hält als Erste eine Rede im Parlament und Gunta Stölzl studiert am 1919 gegründeten Bauhaus.

1929—die wilden Zwanziger entfalten noch einmal ihre volle Blüte, doch schon werfen Blutmai, die instabile politische Lage der Weimarer Republik und die wachsenden Wahlerfolge der NSDAP düstere Schatten auf Frieden, Freiheit und Fortschritt. Mit Beginn der Weltwirtschaftskrise zeichnet sich ab, dass dieses Jahr ein letzter Tanz auf dem Vulkan ist.

Ob auf dem Thron, im Gerichtssaal oder auf den Weltmeeren: Frauen haben Geschichte geschrieben–aber nicht nur als Heldinnen. Manche kämpften bewundernswert für ihre Ziele, andere stellten sich über ihre Mitmenschen, verfolgten vor allem wirtschaftlichen Profit oder wählten umstrittene Allianzen, um ihre Interessen durchzusetzen.

Take a tour with me as we examine women of the Old Testament.

Самая интересная аудиокнига про Средние века от автора бестселлера «Чумазое Средневековье». Мы читали о них в рыцарских романах и сатирических новеллах Боккаччо, видели в фильмах, разглядывали на картинах. Но единого мнения как не было, так и нет. Это и понятно – что может быть общего у благородных прекрасных принцесс, ради которых рыцари совершают подвиги, и грязных крестьянок, безропотно умирающих где-то там, на заднем плане сериала или романа?

This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music. First Things First, hip-hop is not just the music, and women have played a big role in shaping the way it looks today. First Things First takes listeners on a journey through some notable firsts by women in hip-hop history and their importance.

In The Silver Women, Joan Flores-Villalobos argues that Black West Indian women made the Panama Canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans.

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

Edith Hamilton didn’t publish her first book until she was 62. But over the next three decades this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times.

As a girl in New York City in the 1940s, Mildred "Millie" Dresselhaus was taught that there were only three career options open to women: secretary, nurse, or teacher. In Carbon Queen, science writer Maia Weinstock describes how, with curiosity and drive, Dresselhaus defied expectations and forged a career as a pioneering scientist and engineer. Dresselhaus made highly influential discoveries about the properties of carbon and other materials and helped reshape our world in countless ways—from electronics to aviation to medicine to energy.

Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation's ideals and fueled by an unshakeable sense of right and wrong, they wouldn't take no for an answer. In time, they carried the country with them. Elizabeth Cobbs gives voice to fearless women on both sides of the aisle, most of whom considered themselves patriots.

Heroines in History: A Thousand Faces moves beyond stories of individual heroines, taking a thematic, synthesizing, and global in scope approach to challenge previous understandings of heroines in history. Responding to Joseph Campbell's Hero with a Thousand Faces, Katie Pickles explores the idea of a transcultural heroine archetype that recurs through time. Each chapter addresses an archetypal theme important for heroines in history.

Kvinder - i hvert fald i de førende kredse - kunne omkring år 1800 leve et meget friere liv end deres formødre. Det blev kun en lille tidslomme med frihed, for allerede omkring 1825 begynder mulighederne igen at lukke sig. Man skulle helt ind i det 20. århundrede, før kvinder igen for alvor kunne sprænge grænser og leve selvstændigt. Der er opstået en del misforståelser omkring denne frie periode, og Maria Helleberg vil med VILDE KVINDER, MILDE KVINDER vise, hvor overskridende der (også) blev levet i guldalderens borgerlighed. Her er i levende biografisk form tolv kvindeliv fra guldalderen.

From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous Black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the U.S. Open. In this first full-scale biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927–2003).

Relevante ensayo de la autora e investigadora Cristina Martín Jiménez en el que se demuestra sin espacio para la duda que las mujeren tuvieron el poder social y político en épocas pasadas, pero que fueron apartadas poco a poco por el patriarcado. Un texto esencial para entender de dónde venimos y quiénes somos en realidad.

From the trenches of the Western Front to the rice fields and jungles of South-east Asia, Australian women have served as doctors and medical specialists from World War I until the present day.

This amazingly wise and nimble collection investigates the horrors inflicted on so-called “witches” of the past. The Witch of Eye unearths salves, potions, and spells meant to heal, yet interpreted by inquisitors as evidence of evil. The author describes torture and forced confessions alongside accounts of gentleness of legendary midwives.

For over eighty years, tourists have flocked to Natchez, Mississippi, seeking the "Old South," but what they encounter is invention: a pageant and rewrite of history first concocted during the Great Depression. Paul Hardin Kapp explores how meaning is assigned to place and how meaning evolves over time. In showing how and why the Natchez buildings of the "Old South" were first preserved, commercialized, and transformed into a brand, this volume makes a much-needed contribution to debates over the meaning attached to cultural patrimony.

It is 1887 in Amsterdam, and Johanna Bonger wants to do something different with her life than teaching, translating languages, and managing the back office of her father’s business. She fears she will spend the rest of her days growing old, lonely, and bitter. But all of that is about to change when she is introduced to Theo van Gogh.

No se entiende a Cleopatra sin César ni Marco Antonio, ni a Helena de Troya sin Paris, ni a Frida Kahlo sin Diego Rivera, ni a Simone de Beauvoir sin Jean-Paul Sartre o a Virginia Woolf sin Leonard Woolf... Este libro es un relato personal, un viaje a través de mis inquietudes y lecturas, mi encuentro con historias protagonizadas por mujeres, ya sean reales o criaturas literarias, sin olvidar el papel de los hombres que estuvieron cerca de ellas, para bien o para mal.