Titres dans Anthologies et nouvelles

Midnight. Some call it the witching hour. Others call it the devil’s hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you’re here in the graveyard, you can tell yourself it’s just the wind....

Fans of cosmic horror will have much to sup on in these eight tales. The supernatural intrudes upon a wedding; a pier becomes the site of tragedy; a collapsed building is only the start of the nightmare for those trapped in the ruins; a scientist makes the discovery of a lifetime, only to find out that what he’s unearthed has dire consequences not only for himself, but for all of mankind.

From the incomparable master of horror and suspense comes an electrifying collection of contemporary literary horror, with stories from 25 writers representing today’s most talented voices in the genre. Horror writing is usually associated with formulaic gore, but New Wave horror writers have more in common with the wildly inventive, evocative spookiness of Edgar Allan Poe than with the sometimes-predictable hallmarks of their peers. Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience.

Now a Lifetime original movie, Stephen King's haunting story about an author of a series of mystery novels who tries to reconcile her old life with her life after a horrific attack and the one thing that can save her: Revenge.

Before the Mythos, before the madness—there were whispers in the dark. In this haunting collection, explore the formative horrors that shaped the imagination of H. P. Lovecraft. These early works—infused with Gothic atmosphere, Poe-inspired melancholy, and emerging cosmic dread—offer a glimpse into the genesis of a master. Here, decayed tombs, strange music, and unknowable forces stir in the background, foreshadowing the mythos to come.

At the heart of these stories, as with all the best of Lovecraft’s work, is the belief that the Earth was once inhabited by powerful and evil gods, just waiting for the chance to recolonise their planet. Cthulhu is one such god, lurking deep beneath the sea until called into being by cult followers who – like all humans – know not what they do.

Fifteen-year-old Bren doesn’t scare easily, especially since her father left, making her head of the house. So when a group of kids dare each other to pass through a tunnel rumored to be haunted by a train that steals people away to "the Nevermore," Bren steps up. But when she reaches the other end of the tunnel, more than she bargained for awaits. For fans of “kids on bikes” ‘80s-style horror.

This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows.

A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national best seller The Cabin at the End of the World and A Head Full of Ghosts. A masterful anthology featuring 19 pieces of short fiction, Growing Things and Other Stories is an exciting glimpse into Paul Tremblay’s fantastically fertile imagination.

Patrick Lafcadio Hearn, was an Irish writer known also by the Japanese name Koizumi Yakumo. His book Kwaidan: Stories and Studies of Strange Things, comprises two parts, the first being the "Kwaidan Proper" and the second, "Insect-Studies", which consists of an essay each on ants, butterflies and mosquitos. According to the author, most of the folk tales and ghost stories in the first part were translated from old Japanese texts. The themes encompass resurrection, sacrifice, magic, and the realm of dreams.

This is the classic Gothic tale of a family identified with their house; an ailing sister and a neurotic brother live in the middle of a desolate wasteland in a house that has been in their family for centuries. Now, they are the last of the line; the sister is dying and the brother feels he cannot survive her. He enlists a friend to come and stay at the House of Usher, and when his sister dies, terrible things ensue.

Long before science, there were older truths, whispered by witches, guarded by cults, and written in blood. In this sinister anthology, H. P. Lovecraft explores the shadowy world of ancient rites, folk horror, and inherited blasphemies. Here, strange festivals unfold under full moons, forgotten gods stir in rural hills, and knowledge forbidden by time itself reawakens. These stories draw from the primal roots of myth and superstition, where the line between folklore and fact is not just thin, but burning.

There are secrets beneath the waves ... older than mankind, and hungry still. In this salt-soaked collection, H. P. Lovecraft conjures horrors from the deep: ancient beings that slumber beneath black seas, forgotten isles lost to time, and coastal towns whose bloodlines trace back to something not entirely human. Each tale explores the terror of isolation—geographical and existential—as characters find themselves adrift in waters not meant to be charted. Whether wrecked on a strange shore or pulled downward by unseen forces, the fate is the same: madness, revelation … or worse.

En los doce soberbios cuentos que componen este volumen Mariana Enriquez despliega todo un repertorio de recursos del relato clásico de terror: apariciones espectrales, brujas, sesiones de espiritismo, grutas, visiones, muertos que vuelven a la vida... Pero, lejos de proponer una mera revisitación arqueológica del género, reelabora ese material con una voz propia y radicalmente moderna. Tirando del hilo de la mejor tradición, la lleva un paso más allá, con historias que indagan en lo siniestro que se agazapa en lo cotidiano.

24 Terrifying Tales told in a true story style that will curdle your blood and send shivers down your spine!

A short story from the New York Times best-selling author that brought you Feed, Mira Grant. Every week five friends get together to play a game - a game they call the Apocalypse Game. It's a fun time with chips and beer and plotting the end of the world. Except this time, one of them is missing and the stakes are higher than ever before.

Andrew Sachs reads these four classic stories of suspense - "The Signalman" by Charles Dickens, "The Haunted Doll's House" by M. R. James, "The Room in the Tower" by E. F. Benson, and "The Bus-Conductor" by E. F. Benson. These spine-tingling tales, from the golden age of the ghost story, are sure to leave you with a creeping sense of dread.

This collection comprises stories by and inspired by the originators of weird fiction. From Allen's "The Arctic Death", through to Poe's "The Tell-Tale Heart", Stoker's "Dracula's Guest", and beyond. Time immemorial; worlds unimaginable.

Feel the breath-taking tingle of suspense. Share the captivating horror of the supernatural in these six complete stories presented by a masterful reader.

It was a killer year for horror fiction of the harder kind. Authors, editors, and publishers presented readers with some startling works of horrific imagination, stories graphic in the extreme yet with subtleties suggesting larger meanings, tales that explore humanity by plumbing depths of soulless inhumanity and, in some cases, outright depravity. The stories here represent the best of them, disturbing tales that dig deep and take you into the dark heart of horror itself, unrelenting and unapologetic.