Titres dans Fantômes

It isn't the chair rocking by itself that sends the young family fleeing in the middle of the night. It's when it stops rocking and all hell breaks loose. This family needs help. Enter PEEPs (Paranormal Entity Exposure Partners), armed with the latest hi-tech gear and the ghost communication abilities of Mia Cooper. But this isn't a normal case. Some of the ghosts aren't playing fair. Some of them are armed.

Cold Hill House has been demolished to make way for a new housing estate. Luxury living at its best with high specification gadgets all thrown in - part exchange available for the right buyers. The first two families move in, and as soon as they do, the unearthly residents of Cold Hill begin to make themselves known. Nobody who moves into Cold Hill reaches their 40th birthday, and the old couple that have just arrived...let’s just say their days are numbered.

Sometimes, Verity Long would like to forget she lives with the ghost of a 1920s gangster. But the reluctant housemates must once again work together when a dead detective blackmails Frankie into helping him solve a Great Gatsby-era cold case. Before she can say “bathtub gin”, Verity is dragged straight into a raging, otherworldly house party. Worse, every guest is hiding something. Meanwhile, Ellis Wydell, Verity’s living, breathing boyfriend needs Verity’s help with a police case of his own.

Tis the season...for ghosts. Verity Long has come to terms with the fact that she can see spirits, and talk to them, and...she's actually making cookies for one of them. But she's drawing the line at any more ghost hunting or mystery solving. Until a dear friend needs help locating a missing antique at the party of the year. Not one to leave a friend in need, Verity straps on her sparkly heels and sneaks in to see what she can find - only to uncover a startling secret that will change everything.

It's time for Handmade Blue Plum, an annual arts and crafts fair, and Kath and her knitting group TGIF (Thank Goodness It's Fiber) plan to kick off the festivities with a yarn bombing. But they're not the only ones needling Blue Plum. Bagpiper and former resident Hugh McPhee had just returned after a long absence, yet his reception is anything but cozy. The morning after his arrival, he's found dead in full piper's regalia.

Hamming it up with equal parts history and histrionics, Phillip leads an archaeological dig of the farm's original dump site - until one student stops the show by uncovering some human bones. When a full skeleton is later excavated, Kath can't help but wonder if it's somehow connected to Geneva, the ghost who haunts her shop, and whom she met at this very site. After Phillip is found dead, it's up to Kath to thread the clues together before someone else becomes history.

Word has spread that contractor Mel Turner can communicate with the spirits of the dead, and she's having a hard time maintaining a low profile. She decides to embrace her reputation for the chance to restore a historic house that calls to her. The new owners, who hope to run a haunted bed-and-breakfast, want Mel to encourage the ghosts that supposedly roam the halls to enhance the house's paranormal charm. The catch: Mel has to spend one night in the house to win the project.

When her friend Alicia hires Turner Construction to renovate a historic lighthouse in the San Francisco Bay, Mel Turner can't wait to get her hands dirty. But trouble soon arises when Alicia's abusive ex-husband shows up to threaten both her and Mel, and later turns up dead at the base of the lighthouse stairs. With no other suspects in sight, things start looking choppy for Alicia. Now, if Mel wants to clear her friend's name, she'll need the help of the lighthouse's resident ghosts to shine a light on the real culprit....

Sin’s Doorway and Other Ominous Entrances is the 4th volume of Night Shade Books’ five volume Selected Stories of Manly Wade Wellman....

And now, the infamous Rusty Wilson shares some of the stranger campfire stories he's collected as a fly fishing guide-stories all on the creepy and wild side, stories that will leave goosebumps up and down your arms and chill your bones, campfire or not!

Jim True has returned from an out-of-body experience to find he has been brutally murdered and his body mutilated. No one can see him, no one can hear him, no one, except his killer, knows he still exists. Freed from his body, True embarks on a quest to find his killer and discover why and how he has managed to survive. As he closes in on his murderer, True discovers that even the very people he loved and trusted have betrayed him. He meets his killer, a strange and sinister figure who can also leave his body at will.

A cave-diving expedition on a mysterious island goes horribly wrong for a renowned marine biologist and his fellow divers when they become hunted by a deadly breed of predators that, until then, had only been known in myths and legends.

Oliver Dalrymple, nicknamed Boo because of his pale complexion and staticky hair, is an outcast at his Illinois middle school - more interested in biology and chemistry than the friendship of other kids. But after a tragic accident, Boo wakes up to find himself in a very strange sort of heaven: a town populated by only 13-year-old Americans.

When Sarah’s summoned by her godmother to remote Norfolk, she doesn’t want to go. Crossing the bridges where the two rivers meet, said to be haunted by the ghost of a little boy, a large Tudor house looms in front of her. And Sarah’s instantly reminded her of the summer when she last visited. The summer she would like to forget. Which left her unable to ever move forward… Can a person ever recover from the loss of a sibling?

Sadie hat eine besondere Gabe: Sie ist empfänglich für das Übernatürliche. Das führt dazu, dass ihr Leben immer mehr außer Kontrolle gerät. Die Nachforschungen über ihre Herkunft und die schwarze Sekte, der ihre Mutter diente, treiben sie in den Wahnsinn. Währenddessen wird im abgelegenen Morris Inn eine junge Frau von einer unheimlichen Erscheinung heimgesucht. Ein böser Geist wandelt durch die Hallen des Hotels und ernährt sich von den Leiden der geplagten Gäste – bis sie einen grausamen und unerklärlichen Tod sterben.

What's a ghost girl gotta do to catch a break around here? All I want is some peace and quiet and some time to get to know the men I once loved. Maybe throw in some mind-blowing sex while we're at it. What? It's been a hundred years, and this ghost girl has needs. Don't judge. My guys are on edge and being a tad bit overprotective, so when I'm presented with the opportunity to finally get some answers, what's a ghost girl to do?

It is said that books are written to bring sunshine into our dull, grey lives—to show us places we want to escape to, lives we want to live, people we want to love. But there are also stories that can only be found in the deepest, darkest corners of the library. Stories about the unexplained, of lost souls, of things that go bump before the silence. Before the screaming. And some stories just disappear. Stories printed in old newspapers, broadcast live on the wireless, sometimes not even published at all—these are the stories you cannot find on even the dustiest of library shelves.

If you go into the woods today, you're sure of a big surprise! Bumps in the Night collects four short stories perfect for either sharing around a campfire or reading while on a sleepover.

What do you do when the family curse kicks in and Chloe finds herself in a paranormal fight for her life? Tamara decides to get to the bottom of it. She hopes to set Chloe free but cannot do it alone. A talented curse breaker, with a secretive past of her own, joins forces with them and the outcome is not what anyone expected.

Tamara Garvey lands her first book deal, but her friend's reactions aren't what she expected. They are less than supportive - even her dead best friend brushes off this momentous achievement. Question is, why? Tamara expected her life to improve, but the Dead House has a few paranormal surprises for her. Her ghostly writing is attracting disturbing spiritual activity, putting her and her family at risk.