Titres dans Psychologique

Breasts & Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the 30-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent.

Laura Cavendish can't wait to meet the woman who's won her son's affection. Despite a successful career in television and a long, prosperous marriage, Laura's world revolves around kind, talented Daniel. She pictures his new girlfriend, Cherry, becoming a close friend and confidante ...one day, even a daughter-in-law. But although Cherry is beautiful and amiable, Laura can't warm to her. There's something about the possessive way she touches Daniel, the little lies Laura detects. Cherry seems to resent Laura, driving a wedge between mother and son - until one day Daniel is injured.

Thirteen years ago someone did something very bad to Anna. Now it's her turn to get even. Anna lives a solitary existence, taking solace in order and routine. Her only friend is the lonely old lady next door. She doesn't like to let people to get too close - she knows how much damage they can do. Then one ordinary day, Anna witnesses a devastating road accident and recognises the driver as Carla, the woman who ruined her life all those years ago.

Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.

In the quiet village of Meadcombe, three women are making wishes they don't for a moment believe will come true. By the next morning, Constance Law is dead, Melanie is missing and, in her manicured fingers, Sonia holds a cheque for a quarter of a million pounds. Coincidence of course. And so are the terrifying and macabre events that follow...or are they?

A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future, fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before?

Seven years ago, six-year-old Maisie Earnshaw was found facedown in a duck pond, her body mutilated. Isabel - at age 14, found covered in Maisie's blood - was convicted of murder. As Leah spends time with Isabel, she comes to know her as a young woman with a sweet, gentle nature, someone she could never see as a murderer. Leah begins to suspect members of the Fielding family of framing Isabel as a young girl, and she's not the only one. True crime blogger James Gorden thinks Isabel is innocent, too.

For fifty years, Abe and Jane have been coming to Central Park, as starry-eyed young lovers, as frustrated and exhausted parents, as artists watching their careers take flight. They came alone when they needed to get away from each other, and together when they had something important to discuss. The Park has been their witness for half a century of love. Until now. Jane is dying, and Abe is recounting their life together as a way of keeping them going: the parts they knew.

One night, while lying in bed next to her husband, Claire Devon suddenly hears a low hum. This innocuous sound, which no one else in the house can hear, has no obvious source or medical cause, but it begins to upset the balance of Claire’s life. When she discovers that one of her students can also hear the hum, the two strike up an unlikely and intimate friendship. Finding themselves increasingly isolated from their families and colleagues, they fall in with a disparate group of people who also perceive the sound.

François, directeur d’un centre équestre en Bretagne, découvre, lors d’une promenade à cheval sur la plage, une jeune femme inconsciente au pied d’un rocher. Plutôt que d’appeler les secours, il décide sans trop savoir pourquoi de la ramener chez lui pour la soigner. À son réveil, l’inconnue paraît en bonne santé, mais peu encline à parler. Elle dit s’appeler Elsa mais refuse de répondre à ses questions.

The warm sea breeze ruffles the pages of my notebook as I meet the bright eyes of the elderly lady sat opposite me on the porch. Sofia has been keeping a devastating secret for over sixty years. Why did she fake her own death during the war? And why is she back now to finally tell her story?

Naked Lunch is one of the most important novels of the 20th century, a book that redefined not just literature but American culture. An unnerving tale of a narcotics addict unmoored in New York, Tangiers, and, ultimately, a nightmarish wasteland known as Interzone.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

Four decades after it first shook the nation, then the world, William Peter Blatty's thrilling masterwork of faith and demonic possession returns in an even more powerful form. Raw and profane, shocking and blood-chilling, it remains a modern parable of good and evil and perhaps the most terrifying novel ever written.

When Marissa is found brutally murdered, with her young daughter, Haley, resting her head on her mother's bloody breast, she sends the idyllic California town of Oak Knoll into a tailspin. Already on edge with the upcoming trial of the See- No-Evil killer, residents are shocked by reports of the crime scene, which might not have been discovered for days had it not been for a chilling 911 call: a small child's voice saying, "My daddy hurt my mommy."

Third generation Texas Ranger Tyler Steele is the last of a dying breed - a modern-day cowboy hero living in a world that doesn't quite understand his powerful sense of right and wrong and instinct to defend those who can't defend themselves. Samantha and her daughter, Hope, are on the run from a seemingly inescapable situation. They are in danger, desperate, and alone. Though they are strangers, Ty knows he can help - protecting the innocent is what he does best.

As I stare at the ultrasound, my eyes fill with tears. My husband squeezes my hand, thinking they are tears of happiness. How do I tell him they aren’t? When I meet the love of my life, Mark, I have everything I ever dreamed of. Our lives are perfect, until we find out I can’t give him the one thing he truly wants—a child. There is a small glimmer of hope. We could use a surrogate. But as the doctor explains that we can’t use my eggs, my heart breaks all over again.

«Je suis borderline. J'ai un problème de limites. Je ne fais pas de différence entre l'extérieur et l'intérieur. C'est à cause de ma peau qui est à l'envers. C'est à cause de mes nerfs qui sont à fleur de peau. Tout le monde peut voir à l'intérieur de moi, j'ai l'impression. Je suis transparente. D'ailleurs, tellement transparente qu'il faut que je crie pour qu'on me voie.»

Anna cherche à faire le deuil d'un enfant vivant. Elle ne sait plus quoi inventer pour sortir son fils de ce brouillard dans lequel il plane en permanence. Elle a l'impression d'errer dans un cimetière, sans corps à déposer en terre. Pourtant, tout était possible jusqu'à l'Accident.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.