Titres dans Histoire et critique

Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them—from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss — Unapologetic Expression captures the radical spirit of a vital British musical movement.

40-Foot Lemon: The Complete Story of U2's Pop & PopMart takes listeners into the studio and onto the stage during U2’s most experimental and ambitious era. It chronicles the difficult and expensive yearlong recording of Pop, where the band worked with five producers in multiple studios on two continents, striving to create a masterpiece. Instead, with tour dates already booked, U2 handed in an unfinished album.

Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future–very much a tale of our culture's wish for unfettered digital ubiquity–MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era’s most dynamic artist.

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart.

Perhaps more than any other Greatest Hits compilation, Abba Gold has come to define a band’s career on one disk. More than that, its release in 1992 heralded the critical rehabilitation of a group which had, since its demise a decade earlier, become little more than a memory of trashy costumes and cheesy tunes to many people. Here, Elisabeth Vincentelli charts the circumstances surrounding the birth of Abba Gold, looks at the impact it had on the music world, and tells the stories behind some of the greatest pop songs ever recorded.

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the listener to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album.

Rossini era capaz de leer una partitura de derecha a izquierda y de abajo a arriba; Wagner embaucó a Luis II para que le construyera un teatro en Bayreuth, donde debía llegar desde Inglaterra un inmenso dragón de cartón-piedra para el estreno de Sigfrido... Pero arribó ¡en Beirut!... Hay anécdotas como estas por decenas, pero ninguna pasa de eso, del puro cotilleo. Este audiolibro aspira a dar otro tipo de respuestas a los claroscuros de algunos grandes compositores, y a hacer comprensibles muchas de las cuestiones que rodean a la música llamada clásica.

Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush - capturing the bristling energy of the Rolling Stones and the times in which they lived - and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house.

A stirring and eye-opening celebration of the enduring legacy of The Miseducation of Lauryn Hill—released in 1998 and named "Best Album of All Time" by Apple Music. Lauryn Hill’s first solo album is often cited by music critics as one of the most important recordings in modern history. From...

A small-town Florida teenager discovers punk rock through a loaned mix tape, and punk music and culture slowly takes over all aspects of his life. His new passion causes him to form a band, track down out-of-print records he loves and reissue them, open a record store, start a record distribution operation as a public service, mentor a host of young musicians, and befriend all manner of punk luminaries along the way. Slowly his life's pursuit pushes him to the point of personal ruination and, ultimately, redemption.

Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Yet there is no major biography of Reinhardt. Now, in Django, Michael Dregni offers a definitive portrait of this great guitarist. Handsome, charismatic, childlike, and unpredictable, Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium, he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw.

Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see 21. Although his name is little remembered today, Berns worked alongside all the greats of the era.

Suddenly the music is not notes or a tune, but what those seven people are exactly: the music is an aural holograph of the Grateful Dead. All their fibers, nuances, histories, desires, beings are clear. Jerry and his questing, Phil the loyal comrade, Tom drifting beside them both on a cloud, Pig staying stubbornly down to earth; Mickey working out furious complexities trying to understand how Bill is so simple, and Bob succumbing inevitably to Jerry and Phil and joining them.

Can't Give It Away on Seventh Avenue: The Rolling Stones and New York City explores the history of the group through the prism of New York. It is a highly detailed document of the dynamic and reciprocal relationship between the world's most famous band and America's most famous city as well as an absorbing chronicle of the remarkable impact the city has had on the band's music and career.

Over 50 years after his death, Jimi Hendrix (1942-1970) is celebrated as the greatest rock guitarist of all time. But before he was setting guitars and the world aflame, James Marshall Hendrix was a shy kid in Seattle, plucking at a broken ukulele and in fear of a father who would hit him for playing left-handed. Bringing Jimi’s story to vivid life against the backdrop of mid-century rock, and with a wealth of new information, acclaimed music biographer Philip Norman delivers a captivating and definitive portrait of a musical legend.

The story begins in 1970. The day after Jimi Hendrix's death...dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades, and the Eavises' vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million.

Dieser Pop-Split stellt den Titel Bitter Sweet Symphony vor und erklärt, weshalb man von seiner eigenen kreativen Leistung am Ende oft nichts hat...

Der Titel ist Teil des Pop-Splits "Rock Bizz - 21 Geschichten zu Geld und Ruhm".

When it comes to Mariah Carey, star power is never in doubt. She has sold hundreds of millions of albums and cut more chart-topping hits than any other solo artist—ever. And she has that extraordinary five-octave vocal range. But there is more to her legacy than eye-popping numbers. Why Mariah Carey Matters examines the creative evolution and complicated biography of a true diva, making the case that, despite her celebrity, Carey’s musicianship and influence are insufficiently appreciated.

La música está en todas partes: en las conversaciones cotidianas, en el ruido de la ciudad, en el bullicio de las calles y en los momentos de descanso. Es el lenguaje que nos conecta sin necesidad de palabras, nos emociona, nos moviliza y nos transforma. Desde los cantos de los esclavos africanos hasta la revolución del K-pop, pasando por la transgresión de Rosalía y la pureza matemática de Bach, la música ha sido el motor de historias, celebraciones y tragedias.

From one of the world's most beloved and respected public intellectuals comes a sweeping work of musical criticism, examining the distance between the performer and their audience "Not since Virgil Thomson have we had a music critic with as wide ranging a view as Edward Said."—Studs Terkel...