Showing titles in Theatre

Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.

Sanford Meisner was one of the best known and beloved teachers of acting in the country. This audiobook follows one of his acting classes for 15 months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential listening for beginning and professional actors alike. Throughout this audiobooks, Meisner is a delight - always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges.

Come From Away: Welcome to the Rock - a fully illustrated companion volume to the hit Tony Award-winning Broadway musical, featuring the book and lyrics for the first time in print, backstage stories and the real history behind the show's events, character design sketches, and songs that ended up on the cutting room floor.

After a betrayal at work costs Song Kuan her job, she retreats to her friend Lucy’s idyllic family cabin on a lake in Minnesota to lick her wounds. She devotes herself to recording Ice Cold Cases, a true-crime podcast that she and Lucy cohost with the gleeful energy of obsessed fans—until an anonymous tip about a missing-person case disrupts their equilibrium. Then Lucy disappears, leaving Song alone in an unfriendly and unfamiliar town where locals don’t take kindly to strangers asking questions.

This book charts the personal and professional journey of Greg Doran, Artistic Director of the Royal Shakespeare Company, from 2012 until 2022. My Shakespeare uniquely captures the excitement, energy, surprises, joys and agonies of working on the greatest of plays; sheds new light on these plays through Doran’s own research and discoveries made in the rehearsal room; and gives unprecedented access into the craft, life and loves of this exceptional director.

On March 17, 2005, Spamalot debuted on Broadway to rapturous reviews for its star-studded creative team, including creators Eric Idle and John Du Prez, director Mike Nichols, and stars Hank Azaria, David Hyde Pierce, Sara Ramirez, Tim Curry, and more. But long before the show was the toast of Broadway and the winner of three Tony Awards, it was an idea threatening to fizzle before it could find its way into existence. Now, Eric Idle shares original journal entries and raw email exchanges, revealing the sometimes bumpy, always entertaining, path to the show’s unforgettable run.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form.

Padua holds many suitors for the hand of fair Bianca, but Bianca may not be married until her spinster sister, Kate, is wed. Could any man be rash enough to take on Kate? The witty adventurer Petruchio undertakes the task. While he sets about transforming Kate from foul-tempered termagant to loving wife, young Lucentio and his clever servant, Tranio, plot to win Bianca.

In Tinder Box, Tony Hatch, former CBS reporter and Emmy Award winner, tells the Iroquois story as it has never been told before. In a rush to open the theater on time, corners were cut, and the Iroquois lacked the most basic fire-fighting equipment: sprinklers, fire alarm boxes, backstage telephone, exit signs, and functioning asbestos curtain. Some exits, for aesthetic reasons, were hidden behind heavy draperies, doors opened inward, and exterior fire escapes were unfinished.

When Mia mysteriously disappears from her college campus, her mother Joyce fears the worst — and a warning from Mia’s ex-boyfriend reveals she may have left the country to join a cult. Joyce impulsively launches a cross-continental trip to rescue her, gradually learning more about the seductive cult leader via audio tapes her daughter left behind.

This comprehensive course is designed for actors aiming to master the diverse range of accents found across the United Kingdom and Ireland, offering an extensive foundation in both technical and cultural aspects of accent work, while maintaining accessibility for the novice learner. With an emphasis on authentic performance, the program provides step-by-step guidance on dialect production, using a wide variety of oral posture guidance, pronunciation exercises, and practical lexicon that actors can apply directly to their work.

Six hilarious satires from the ingenious Molière, France’s original master of comedies: "The Imaginary Cuckold", "The School for Husbands", "The School for Wives", "Tartuffe" and "The Misanthrope".

As a casting director for 23 years, Holly Powell witnessed the casting world from three different points of view: as an independent casting director, as head of casting for a studio, and as a network casting executive. From this unique perspective she formed Holly Powell Studios, with her mission being to demystify the audition process for actors.

Whether you’re just starting out or leveling up, this book unlocks your inner instructor and helps you deliver memorable, effective, and fun improv classes. Discover the essential tools and insider tips that will take your improv teaching from unsure to unforgettable!

Theatrical agent Michael Whitehall spent a career pushing others into the spotlight. He had been involved behind the scenes with the careers of many prominent actors, including Colin Firth, Richard Griffiths, Daniel Day-Lewis, Tom Courtenay, Ian Ogilvy, Judi Dench, Edward Fox, Michael Fassbender, Angela Thorne and Nigel Havers.

Do you want to know more about the fascinating history of Broadway musicals, the stars of yesterday and today, and what goes on behind the curtain of a musical production? In Musical Theatre For Dummies, Broadway insider Seth Rudetsky takes you backstage and reveals everything you want to know about life in the theatre.

In this program, listeners will find glamour and gaffes on and off the stage, clarifying snippets of queer theory, terrifyingly selfish bosses, sex, quick sex, KFC binges, group sex, the kind of honesty that banishes shame, glimmers of hope, blazes of ambition, tender sex, mad dashes in last night's heels plus a full face of make-up, and a rom-com love story for the ages. This is where the unspeakable becomes the celebrated. This is the diary of a drag queen - one dazzling, hilarious, true performance of a real, flawed, extraordinary life.

On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season” by The Wall Street Journal and “Sumptuous. Gorgeous. As good as it gets” by The New York Times, the show was a breakout hit, with its poignant social commentary and spellbinding music and lyrics. In this audiobook, Anaïs Mitchell takes listeners inside her more than decades-long process of building the musical from the ground up.

For almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in actors and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical?

Distressed by his father's death and his mother's over-hasty remarriage, Hamlet, Prince of Denmark, is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet's beloved, the innocent Ophelia, are swept up in his tragedy.