Showing titles in Romantic Comedy

Since her mother's death, Madeline "Gwen" Hathaway has been determined that nothing in her life will change ever again. That's why she keeps extensive lists in journals, has had only one friend since childhood, and looks forward to the monotony of working the ren faire circuit with her father. Until she arrives at her mother's favorite end-of-tour stop to find the faire is under new management and completely changed.

Shaadi preparations are in full swing, which means lehenga shopping, taste testing, dance rehearsals, and best of all, Arya’s sister Alina is home. The Khannas are together again, finally, and Arya wants to enjoy it. So she stifles her lingering resentment towards Alina, plays mediator during her sister’s fights with their mother, and welcomes her future brother-in-law with open arms. (Okay, maybe enjoy isn't exactly right.) Meanwhile at school, Arya’s senior year dreams are unraveling.

Mia cree que su vida no puede ir a peor: es la más alta de la clase, plana como una tabla de planchar, no para de suspender álgebra, su madre tiene una cita con uno de sus profesores (¡y para más inri, con el de álgebra!), el chico que le gusta no le hace ni caso… No hay nada emocionante en su día a día. O eso piensa, hasta que de un día para otro le anuncian que es la heredera al trono de Genovia, un diminuto país europeo. Y de repente se le cae el mundo encima.

Ein Sommer, zwei junge Lords, rätselhafte Geheimnisse und ein unheimlicher Fluch – in diesem englischen Herrenhaus ist die Zeit stehen geblieben! Endlich! Kurz nach ihrem Abi reist die 19-jährige Juno zu einem englischen Adelssitz, wo sie ein Jahr Gesellschafterin einer alten Dame sein wird. Dort ist alles altmodisch: Es gibt unbequeme Kleider, Kerzenlicht und kein Internet – aber auch zwei junge Lords, die Juno schon bald nicht mehr aus dem Kopf gehen. Doch alles wird immer merkwürdiger, es scheint, als wäre auf dem Anwesen die Zeit stehen geblieben.

Natalie is living proof that love is a scam. She's traumatised by her parents' failed marriage and overwhelmed by her grandmother's expectations of good Lebanese girls—marriage, motherhood and exceptional tabouli-making skills. When her best friend decides to get hitched to a guy in the motherland, Nat's not exactly thrilled by the mammoth task before her: juggling cultural traditions, extra bridesmaid dresses and super-judgemental relatives. And to top it off there's the annoyingly good-looking best man and his constant need to mansplain all of the things.