Résultats lu par "Adriel Brandt" dans Toutes les catégories

Sharing his analysis of the phrase ‘go and possess the land’, Horatius Bonar reads deeply into the meaning of ownership. In some ways this entails a reflection on the biblical sense of nationalism. The Israelis, first wanderers and to some extend forced nomads, are told to settle and identify with this one place, one land, one city.

One of the first biblical stories we are told as children is the one of David and Goliath. We learn about the small, weak man slaying the giant with nothing but a rock. In this, Bonar compares the carnal weapons, Goliath being great of stature and physically superior, to the spiritual cloak David wears by being on the side of God.

The way of Cain, Horatius Bonar explains, leads to a barren world marked by the way of blood. Bonar details the haunted life lead by Cain once he had poisoned it with the murder of his brother. How despair, banishment, and fruitfulness would enter the lives of those who reject the right choices, as defined by the Bible, first given to them.

Horatius Bonar shows himself as a very passionate hymnist in this sermon focusing on the Fig-Leaves Adam and Eve use to cover themselves after acquiring the knowledge of shame. He shares his views on how a fig-leaf, a pure and beautiful form of vegetation, can’t possibly shield Man from his loss of innocence. In Bonar’s mind, the one thing that can save us from the anger and wrath of God, is the rituals we now associate closely with the Catholic faith.

Horatius Bonar allows us to learn more about his interpretations of God as a father to all the people. The phrase ‘Oh that they were wise’ laments humanity and its inability to choose a path of constructiveness and righteousness. Bonar reflects further on these characteristics that shapes human nature in a manner that is, in his mind, unteachable.

Cthulhu lovers take note, this early story of the sea god Dagon is considered to be part of the Cthulhu mythos. In Dagon, the protagonist is lost at sea for days, wading through dead fish and other foulness, until he comes to an island with a monolith on a rocky hillside. After reading the pictographs, his eyes land on the terrible image of a monster rising from the sea. When he wakes up in a San Francisco hospital he thinks the ordeal is over - that is, until the sea god comes to haunt his waking and sleeping life.

Basil Elton is a lighthouse keeper prone to fantasies - especially one recurring fantasy of a man in white robes on a white ship that only appears on a full moon. During this fantasy, Elton goes with the man on his ship, following an azure bird. Despite the man’s warnings that no man has ever returned from one of these realms, Elton asks that he take him to legendary land of hope. Their journey takes them to the end of the world, and instead of toppling over the side and dying, Elton wakes up on the rocks of his lighthouse next to the first shipwreck in his time as lightkeeper.

Lovecraftian themes abound in the tales of an intern at a madhouse and an illiterate madman. Slater, the madman whose unspeakable crimes led him to the madhouse, is continuously awakened in this story by surprisingly literate hallucinations of a glowing entity seeking revenge. Inspired by Slater’s uneducated background and the telepathic machine that he had made in his yesteryear, the intern delves deep into Joe Slater - who is receiving telepathic messages from a being of light.

Revenge, death, and destruction abound in this early short story by H.P. Lovecraft. The story follows Antoine, a count who is last in line to die at the age of 32 due to a curse put on his family hundreds of years prior. His ancestor, being responsible for the death, brought about the curse, and Antoine was left to watch all his family, including his manservant, die an early death. But when his time comes and he is exploring the castle in wait, he manages to successfully end the curse by deflecting the fatal blow of Charles - the son of the man who was killed so many years ago.

Cat haters beware. This piece by H.P. Lovecraft is largely memoirish, whereby the narrator is compelled to tell the listener about Ulthar after petting his own cat. When a travelling caravan passes through, a young orphan named Menes finds his beloved black kitten has gone missing and fears the worst - that his kitten had suffered a torturous end at the hands of the town cat killers. Annoyed by the lack of action on the part of the townspeople, Menes invokes a prayer that results in the cats of the town rising and slaying the cat-killing couple.

Nyarlathotep: descendent of ancient Egyptian pharaohs and bringer of bad dreams. When the story’s namesake begins his travels to showcase his once dormant supernatural powers, he runs into a particularly tough crowd. When Nyarlathotep becomes angry, he sends the crowd in different directions - which brings a seeming horror about the city. By the end of it, the maddened crowd is the least of the world’s worries. Doom, it would seem, was here to stay with Nyarlathotep.

The tomb is the story of Jervas, a little boy whose whole life begins to revolve around the tomb of the Hyde family. A childhood spent sneaking out to sleep beside the tomb eventually turns into a young adulthood of sleeping in a tomb with his name on it. After a stormy night and after heading for the tomb, he turns back and sees the Hyde mansion, which had been burnt down in previous years, aglow with splendor. Once Jervas went inside, the spectral mansion sets ablaze, and his vision is broken by his father. Jervas comes to find out he had never been inside the tomb at all.

When the narrator accompanies a withered old Yankee back to his house, he is intrigued by the many old curiosities he finds around it - including precolonial furniture. One of these curiosities, an engraving, brings the old man on a terrifying reminisce about eating things that he was not allowed to have, and the narrator realizes that he could next on the plate. As blood drips from the ceiling onto the book, the narrator narrowly escapes when a bolt of lightning strikes the house, finally ending his streak of immortality.

The narrator introduces himself as being 228 years old and goes on to document his interactions with Dr. Samuel Johnson. Being older and in a time when respect for elders was everything, the narrator expects Dr. Johnson to appreciate his writing, which the man does not. While the tale goes on to document other awkward meetings with Dr. Johnson, he ultimately dies younger than the narrator - who goes on to continue writing and living an unfulfilled life.

Randolph Carter begins the story telling the harrowing tale to those who found him stumbling through the swamp. Carter and his friend, the occultist Harley Warren, went to investigate the location of a supposed portal to the underworld - near Big Cypress Swamp in Florida. Upon discovery of a tomb with stairs going deep into the earth, Warren decides to descend them. Only after waiting for what seems an eternity does Carter call down into the tomb, only to be returned with a voice that does not belong to Warren telling him that his friend was dead.

In this sermon, English preacher Charles Spurgeon uses candles to illustrate spiritual concepts. He delves into the history and use of lanterns to draw memorable parallels between candles and the Christian life. “Many people use their Bibles as lights to be hung up at a Chinese feast of lanterns,” he says, “for amusement, or for show.” The word of God should not be a prop, however, but rather the light that guides us through life.

In this speech, a young Theodore Roosevelt describes what he believes are the key principles to good citizenship. In addition to emphasizing ethical behavior, Roosevelt takes a firm stance on the necessity of engaging in politics and voting. He states unflinchingly, “The people who say that they have not time to attend to politics are simply saying that they are unfit to live in a free community.” To be “a good American citizen”, Roosevelt says one must boldly engage with the issues our nation faces today, and in doing so, shape its future.

President Andrew Jackson bid farewell to the nation at the inauguration of Martin Van Buren, his friend and former vice president. Jackson talked of the nation’s successes in the past several years and warned against sectionalism that threatened the nation’s unity.

Thomas Jefferson beat out Aaron Burr in the 1800 presidential election after Alexander Hamilton cast the tie-breaking vote. Jefferson gave this address to a packed Senate chamber on March 4, 1801. He emphasized the US as a single nation working together and avoided mentioning party politics. In this way, he departed from the speeches of his two predecessors and established a new formula for inaugural addresses that was used by many presidents who came after him.

With this address, US President James Monroe set a precedent for the nation’s foreign policy. In it, he stated that “The American continents...are henceforth not to be considered as subjects for future colonization by any European powers.” Monroe established this doctrine in a time where most of Spain and Portugal’s colonies in Latin America had gained independence. From then on, the Old World and the New World would operate in separate political spheres, and any European interference in North or South America would be considered a threat against the US.