Résultats lu par "Christine Rendel" dans Toutes les catégories

A gothic tale set in a rambling house by the sea in which a maid cares for a mute old woman with a mysterious past, alongside her superstitious staff--from the author of The Silent Companions. A perfect spooky read! Consumption has ravaged Louise Pinecroft's family, leaving her and her father...

Mary MacLeod's mother died in childbirth when Mary was five, an event that marked for the child a "before time" - a lost joyful time - and after. She was shunted from one relative to another while her father coped with his grief. He married again only nine months later, perhaps to have a mother for his child, but her new mum, harsh and withholding of her love, quickly exerted complete control over her thoughts and deeds, with her father oblivious.

Pursuing the family name as the finest silk producer in Lyon, the young Huguenot Rachelle Dushane-Macquinet is thrilled to accompany her famous couturier Grandmere to Paris, there to create a silk trousseau for the Royal Princess Marguerite Valois.The Court is magnificent; its regent, Catherine...

An outsider at her first English ball, Jewel is fascinated with the beautiful dresses and the lovely dancing, but she's vowed to save the Earl of Winchcombe from her cousin's marriage trap. When she first glimpses the handsome lord, her heart beats faster. As they plan to thwart her cousin's machinations, she discovers a kindred spirit in Oliver - even if he's a peer and she's a lowly colonist. Caught kissing the earl, the ball ends in disaster and Jewel's displeased uncle whisks her away to Scotland....

Every fortune-hunting female in London is after the newly titled Earl of Drake, but he's intent on finding a wife whose heart is true. So, while drunkenly jesting with his friends in a pub one night, he has an idea - what if the ladies of the ton didn't know he was a wealthy earl? All he has to do is pose as a servant at his friend's summer country house party and make sure the guest list is full of beautiful, eligible debutantes. What could possibly go wrong?

Alice, Lady Charlton, is finally free of her dominating husband, but on the verge of her new life, she is trapped when a blackmailer threatens to publish letters that could ruin her. To protect the secrets of her past Alice must find a lord for his daughter, Lucy, to marry. Alice reluctantly agrees to find the girl a noble husband but when Lucy arrives, she's difficult and uncooperative and has no interest in her father's scheme. A lord, she says, will only look down his nose at her-and she's having none of that! Desperate, Alice enlists the aid of her handsome young nephew.

Lady Molly of Scotland Yard is a collection of short stories about Molly Robertson-Kirk, an early fictional female detective. First published in 1910, Orczy's female detective was the precursor of the lay sleuth who relies on brains rather than brawn. As well as being one of the first novels to feature a female detective as the main character, Orczy's outstandingly successful and brilliant police officer preceded her real-life female counterparts by a decade.

After being forced out of his childhood home, Jack Warwick lets Mrs. Irwin's house, happy to be away from his family and their many squabbles. Haunted by his past, he drowns his loneliness in drink, and with it, his better judgment. When a letter arrives at his new house, addressed to the previous occupant, Mrs. Irwin, from her niece, Jack writes an incoherent reply, inviting the young lady to come stay . . . an event which his drinking causes him to forget.

When faced with an unwanted marriage, Alice Rosemeyer accepts an invitation to the estate of Larkhall. Determined to earn her future security without a husband, she begins operating as the anonymous Ace of Hearts, writing letters and offering advice on behalf of the men eager to secure a match at the close of the London season. If she can manage to keep her identity secret, her reputation intact, and avoid the arrogant house guest, Mr. Thomas Herring, she might just call herself successful.

Heiress Clarissa Studley yearns to be loved for more than her fortune. Warmhearted, but plain and shy, she wishes to marry, but has two firm rules: no rakes and no fortune-hunters—her father was both, and she'll never forget the misery he caused.

Abandoned by her family because of a well-kept secret, Miss Charity Oakley plans to live out her spinsterhood alone in her family's country house. But when her mysterious illness begins to worsen, she wonders just how long she will live at all. When Mr. Sidney Delamar, a presumed madman and mischief-maker, finds his way to town, Charity does all she can to avoid him. What she didn't expect, however, was to find him begging for refuge at her door. Striking a bargain with a madman is a dangerous task, but so is refusing one, especially since Mr. Delamar offers something she needs in return.

The way in which organizations manage their people has always been pivotal to their performance, long before formal human resource management coalesced into a definable and somewhat fashionable discipline in the mid-1980s.

Recently returned to England, Leo, the new Earl of Salcott, discovers he's been thrust into the role of guardian to an heiress, the daughter of a notorious rake. Even worse, his wealthy ward has brought her half-sister, the beautiful but penniless Isobel, with her. Leo must find Clarissa a suitable husband, but her illegitimate half sister, Izzy, is quite another matter. Her lowly birth makes her quite unacceptable in London's aristocratic circles. However, the girls are devoted to each other and refuse to be separated. Even worse, sparks fly every time Leo and Izzy interact.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

The House of Arden is a timeless tale of adventure, fantasy, and mystery for children (and adults) of all ages.

This is the story of Joan de Geneville, wife to one of England's most infamous traitors: Roger Mortimer. After the death of her father in 1292, Joan becomes one of the greatest English heiresses of her generation. In a time when women are subservient, she is raised by her mother to command. Educated by her tutors, she becomes a formidable woman in her own right. When Joan is married her husband's lust for power knows no bounds. She is forced to choose between her duty to her King and her loyalty to her husband.

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

Known for the wit of her writing, Catherine Cookson was the UK's most widely read novelist during her lifetime. When her Estate discovered this never-before-published memoir in the attic of her home, it was an astonishing find. Before I Go is the definitive story of her life, in the author's own candid words.

Margaret Lovell tries her best to love everyone. But when it comes to Lord Blackwell, she doesn't care to succeed. After the young Earl of Blackwell accused her father of cheating and tricked him out of his fortune, she has despised him for causing their disgrace and lack of security. So when she learns that Lord Blackwell is on his deathbed, she cannot help but feel a lack of sympathy. With her family's financial situation worsening, she doesn't have time to think of anything else, especially the man who caused it.

This "provocative study" looks at hundreds of autobiographies penned between 1760 and 1900 to offer an intimate firsthand account of how the Industrial Revolution was experienced by the working class (the New Yorker). The era didn't just bring about misery and poverty. On the contrary, Emma Griffin shows how it raised incomes, improved literacy, and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom.