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When Howard makes a surprise cross-country trip to visit his college-aged, TikTok-loving daughter, he’s forced to confront the realities of their relationship and the rift between them—a rift caused by Howard’s refusal to face memories of his life as a young man in China.

In My Holiday in North Korea: The Funniest/Worst Place on Earth, Wendy shares a glimpse of North Korea as it's never been seen before. Even though it's the scariest place on Earth, somehow Wendy forgot to check her sense of humor at the border. But Wendy's initial amusement and bewilderment soon turned to frustration and growing paranoia.

Ro is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at the aquarium, and her nights are spent drinking sharktinis (Mountain Dew and copious amounts of gin, plus a hint of jalapeño). With her best friend pulling away to focus on her upcoming wedding, Ro's only companion is Dolores, a giant Pacific octopus who also happens to be Ro's last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.

When Cricket Black is purposely exposed to Bad Sam, she must choose: fight New Caelum's stranglehold on its citizens' freedom or succumb to the hopelessness of the lethal virus. A dear friend's death at the hands of New Caelum forces Cricket on a path to confront her past, which holds the secret to a permanent cure but also opens old wounds over the loss of her parents.

Once, Xhea's wants were simple: enough to eat, safety in the underground, and the hit of bright payment to transform her gray-cast world into color. But in the aftermath of her rescue of the Radiant ghost Shai, she realizes the life she had known is gone forever. In the two months since her fall from the City, Xhea has hidden in skyscraper Edren, sheltered and attempting to heal. But soon even she must face the troubling truth that she might never walk again.

Twelve science fiction stories about the oncoming future, each of them representing a possible glimpse of what could be just around the corner... or much further down the corridor. These stories previously appeared in places like Clarkesworld Magazine, The Year's Best SF, Subterranean Magazine, and in various anthologies. They deal with the future of war, our climate, and technology's effect on our lives.

Six years ago, a highly contagious virus wiped out more than 99 percent of the country's population. The only person to contract the virus and survive, Cricket fled her identity and the safety of New Caelum, an airtight city. Now 18, she watches the city where the wealthy cocooned from the devastating outbreak. When the city's rumbling incinerator wakes her one night while she and her friends are camping just beyond the city walls, she alone knows what the fiery machine means: the lethal virus is back.

When a rich City man comes to her with a young woman's ghost tethered to his chest, Xhea has no idea that this ghost will change everything. The ghost, Shai, is a Radiant, a rare person who generates so much power that the Towers use it to fuel their magic, heedless of the pain such use causes. Shai's home Tower is desperate to get the ghost back and force her into a body, any body, so that it can regain its position, while the Tower's rivals seek the ghost to use her magic for their own ends.

New Caelum is virus-free, and its citizens are eager to venture outside for the first time in nearly seven years. But when an outsider shows up with a near-fatal dog bite along with a harsh message from Governor Jackson, it becomes clear: the elite people of New Caelum are not welcome outside the gates of New Caelum and new dangers lurk in the outside world.

This short story is from the anthology Mitigated Futures. Twelve science fiction stories about the oncoming future, each of them representing a possible glimpse of what could be just around the corner... or much further down the corridor. These stories previously appeared in places like Clarkesworld Magazine, The Year's Best SF, Subterranean Magazine, and in various anthologies. They deal with the future of war, our climate, and technology's effect on our lives.

Saigon has fallen, and two Vietnamese refugees meet in an Arkansas relocation camp before setting out on a rip-roaring road trip across America. Qui Nguyen tells the hilarious and only slightly not-true version of how his parents met and built a life for themselves in a new land. Recorded before a live audience at the UCLA James Bridges Theater in February 2020.

Dayeon wants to be a haenyeo just like Grandma. The haenyeo dive off the coast of Jeju Island to pluck treasures from the sea - generations of Korean women have done so for centuries. To Dayeon, the haenyeo are as strong and graceful as mermaids. To give her strength, Dayeon eats Grandma's abalone porridge. She practices holding her breath while they do the dishes. And when Grandma suits up for her next dive, Dayeon grabs her suit, flippers, and goggles. Tina Cho's The Ocean Calls is a classic in the making.

The electric, unsettling, and often surreal stories in Let's Go Let's Go Let's Go explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes.

Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death—and true to life—a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death—the stories in this collection are hopeful and heartbreaking, full of danger and full of joy.