Résultats lu par "Joanna Stephens" dans Toutes les catégories

Walter Atherton, Viscount Birtwell, has drifted through his charmed life without a care in the world. As the eldest son and heir to an earl, he has never had to make his way in the world. His days are filled with pleasure, and to set the seal on it, he will shortly be married to a vastly wealthy heiress. His future is set fair for happiness. But the brutal murder of the family chaplain reveals a dreadful secret, and Walter finds his whole future upended. What on earth is he to do now?

Hours of listening in one collection—books 1-3 of the Mercer’s House series, a collection of traditional Regency romances, drawing room rather than bedroom.

When Mr. Edmund Winterton of Woodside dies, his daughters find themselves penniless and homeless. What can they do? Unless they wish to live on charity, they will have to find genteel employment for themselves. This is an audiobook collection containing books 1-3 of the five-book series Sisters of Woodside Mysteries. Each audiobook is a complete story with a happy-ever-after ending, but listen to them all to find out all the secrets of Winterton family.

Caroline Milburn and her younger sisters live in two cramped rooms, struggling to survive by their skills in lace making and weaving. When their previously unknown grandfather drowns on the Brig Minerva and bequeaths them a cottage in the country, their lives seem set to improve. But where will the daughters of a linen draper fit into rural life, now that they are better off? How will Caroline find husbands for her younger sisters? Why have purses of money been buried in the garden? And why are the neighbours so interested in them?

A traditional Regency romance, drawing room rather than bedroom. Nell Caldicott awaits the return of her violent sailor husband with trepidation, but for once her fears are not realised. Her husband’s ship, the Brig Minerva, has sunk off the Cornish coast. Nell is free, but her husband has left her with little money and many questions about his past. Gradually, as his secrets are laid bare, she realises she didn’t know her husband at all. Can she uncover the truth? And can she ever learn to trust a man with her heart again?

Lord Randolph Litherholm has spent a year coming to terms with the death of his twin brother Gervase, the 7th Duke of Falconbury. Now it’s time to set aside his mourning and accept his role as the 8th Duke of Falconbury. It’s not the management of the vast Litherholm wealth that bothers him, for he’s been running the estate for years. No, his reluctance is all due to the marriage that was arranged for his brother, and the expectation that Ran will take on his brother’s bride as well as his title.

Hope has no wish to marry, but it’s almost five years since her father died, and the final peculiar clause of his will is about to come into effect: If Hope’s brothers can’t be found, then the whole estate will be bequeathed to the church, and Hope must move to the Dower House with her mother. There’s just one way out: Her cousin Hugo can inherit Allamont Hall, but only if he marries Hope. Can she bear to give up the chance of finding a man who loves her, even if it means saving her home?

The dramatic conclusion to the series! Ten years have passed since the sisters of Woodside found happiness. Their grief for their young brother, Jeremy, tragically drowned at the age of 12, has faded. The sadness of losing their home, Woodside, to strangers is but a memory. They no longer wonder just what became of their mother’s fabulous jewels, which should have guaranteed their dowries. They are looking forwards, not back into the past. But the past is not always willing to be left behind.

Margaret is the quiet one of the Winterton family, happy only in her own home with her sisters protectively gathered around her. But her father’s death and mountain of debts tear the sisters apart and uproot them from Woodside. As a poor relation, Margaret must become a lowly paid companion to two elderly aunts she has never met. There is no welcome for Margaret at their gloomy house, Pendarreth, but the surrounding woods bring her solace - and unexpected danger.

Toby Stephens stars in this BBC Radio 4 full-cast dramatisation of Raymond Chandler’s second Philip Marlowe mystery.Fast-talking, trouble-seeking private eye Philip Marlowe is a different kind of detective: a moral man in an amoral world. California in the ’40s and ’50s is as beautiful as a ripe fruit and rotten to the core, and Marlowe must struggle to retain his integrity amidst the corruption he encounters daily.In ‘Farewell My Lovely’, Marlowe has a chance encounter with a not-so-gentle giant outside Florian’s nightclub.

Poor and widowed, Lucy finds a post as chaperon to two young ladies...It sounds like easy work, well suited to her sociable nature, but the sisters squabble over their suitors, and there are tensions below the surface of the seemingly happy family. Then there is the charming Mr Audley, who is more interested in flirting with Lucy than in discovering where his sisters have disappeared to. And as for Lucy’s uncle, she’s quite convinced he is hiding something. Curiosity is Lucy’s abiding sin, and one day it will get her into trouble.

When Mr. Edmund Winterton of Woodside dies, his daughters find themselves penniless and homeless. What can they do? Unless they wish to live on charity, they will have to find genteel employment for themselves. Annabelle becomes governess to the daughters of the recently bereaved Earl of Brackenwood. She has no idea how to teach, but her pupils can learn all they need from books, so how difficult can it be?

Lord Gilbert Marford is in disgrace. He joined the Hussars to stay out of trouble. Instead, he quarrelled with half his fellow officers, seduced the wives of three of them, got himself shot in a duel, and sustained an injury that might end his career. Now he’s being sent home like a naughty schoolboy, and he’s not happy about it. So when an opportunity arises to run away, he’s not about to let a little snow stop him.

Grace’s four older sisters have married and moved away, and life is very quiet and boring. It’s so stifling being female, occupying herself with her tapestry or painting, when she’d much rather have been a soldier, galloping about with a sword in her hand. She wouldn’t mind marrying because who wants to be an old maid? But all her suitors are dullards are only interested in her dowry. If only something exciting would happen!

Dulcie’s sharp tongue has got her into trouble many times and set her at odds even with her own sisters, but when she falls out with a neighbor, he challenges her to swap places with his ailing sister - she will go to Allamont Hall to recover in luxury, while Dulcie must manage the chores of a small cottage. As she learns to milk the goat and cook meat without burning it, she also learns a great deal about humility and honesty - and about love.

Miss Fanny Winterton has only one wish in her romantic heart: to surrender to overwhelming love. She will accept nothing less than to be struck by the thunderbolt of everlasting passion. Real life isn’t quite so obliging, however. So, while she waits for the fires of love to ignite, she is content to ply her needle as a lowly seamstress for her noble patroness. The honorable Ferdinand Makenham has no wish at all to marry, until one glimpse of Fanny’s sweet expression convinces him that he has found the love of his life.

Madge Paton has been the mainstay of the Fletcher household for a quarter of a century, and even though her role managing the household and raising the children has been usurped by Harry Fletcher’s new wife, there’s still work to be done for a spinster aunt. She misses their Yorkshire life, but things aren’t so bad in the south of England. If only she didn’t have to put up with that irritating Morgan Plummer and his argumentative ways.

Angie Fletcher is the lively, mischievous daughter of the family. All she wants in her life is music and dancing, plenty of pretty new bonnets, and perhaps just the occasional trick played on her tolerant family. She’s been unusually well-behaved during the season in London, in dread of the least transgression curtailing all those glorious balls.

A trilogy of contemporary plays inspired by tales from The Arabian Nights: Arabian Afternoons includes The Casper Logue Affair by Sebastian Baczkiewicz, The Porter and the Three Ladies by Rachel Joyce and A Dish of Pomegranates by Peter Jukes.

Will Fletcher is the eldest son and heir to the family fortune, and although his father is reluctant to relinquish his roots in trade, Will is more than happy to become a gentleman.