Résultats lu par "Marisa Blake" dans Toutes les catégories

Lynda Lopez's AOC investigates the many meanings of this remarkable young woman. Contributors span a wide range of voices and ages, from media to the arts and politics. Published on the one-year anniversary of her leap to power, this audiobook will be a must-have collector's item for her many fans.

When Lola comes home to her parents' house to find a horde of relatives mourning her death, no one is more surprised than she is. The news had reported that one Lola Cruz, private investigator, was found murdered in an alley, causing great alarm in the Cruz family. Before Lola can say, "boo", a cop comes to the house. It turns out the dead woman had a driver's license with Lola's information.

Meet Lola Cruz. After paying her dues as an intern, she's now a full-fledged detective at Camacho and Associates. Her boss is Manny Camacho, a muy caliente former cop with a mysterious ex-wife, a Lara Croft look-alike girlfriend, and a sudden personal interest in Lola. Her first big case? A missing mother who may not want to be found. And to make her already busy life even more complicated, Lola's helping her cousin plan her quinceañera and battling her family and their old-fashioned views on women and careers.

Undercover on a cruise ship with her K-9 dog, Alaska State Trooper Maya Rodriguez uses herself as bait to catch a murderer. And security officer David Garrison is the only person she can trust with the truth. But with a possible serial killer dead-set on taking out anyone who stands in the way, will Maya and David make it off the ship alive?

At 17, I left Isaac Donoghue behind to become a professional ballerina. When I return home to dance in the Nutcracker, I never expect to run into him. Let alone on my first day in town. I can’t help but admire him in a crisp suit with his toned soccer body, chiseled jaw line, and all too familiar piercing green eyes. I thought nothing could surprise me more. Until his five year old daughter runs out of the ballet studio. I’m only in town for a month. I shouldn’t get involved with anyone, especially the ex I’ve been pining after for years.

Every morning, Abuelo walks Sofia to school...until the day that Abuelo hurts his ankle at a local landfill and he can no longer do so. Sofia misses her Abuelo and wonders what she can do about the dangerous Mount Trashmore. Then she gets an idea - the town can turn the slimy mess into a park! She brainstorms and plans and finally works up the courage to go to City Hall - only to be told by a clerk that she can’t build a park because she’s just a kid! Sofia is down but not out, and she sets out to prove what one kid can do.

Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter’s health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care.

Renata Stone thought she was having a regular end to her work day at the salon, when a thunderstorm and a broken mirror open a Gateway in time. Traveling through the mirror, Renata emerges in an Amaranthine Loop—another dimension comprised of a time paradox that erases eons of memory.

Cut off from their Cuban roots, yet still feeling the island’s ineluctable pull, Ivanito and his extended family try to reimagine where—and with whom—they belong. Over the course of a momentous year, each will grapple with their histories as they are pulled to Berlin for a final, explosive reunion.

Journalist Rebecca Grant provides us with a never-before-seen look at the changing landscape of pregnancy and childbirth in America—and the rise of midwifery—told through the eyes of three women who all pass through the doors of the same birth center in Portland, Oregon. In remarkable detail and with great compassion, Grant recounts the ups downs, fears, joys, and everyday moments of each woman’s pregnancy and postpartum journey, offering a rare look into their inner lives, perspectives, and choices in real time.

Over 150 years is plenty of time for traditions to bake into the campus’s bricks and ivy. Ceremonies. Athletic rivalries. Secret societies. Pranks taken too far. But navigating it all will make Charlotte (perfect, straight-A student), Max (scholarship kid and STEM whiz), and Quinn (artist, dreamer, Lycroft legacy) question all they thought they knew about themselves…and the school.

Leila Wayward is a little witch who excels at everything she does. She’s the fastest flier, the most cunning conjuror, and the most superb shape-shifter. She has won trophies for potions, herbology, and alchemy—and now she dreams of winning the Magnificent Witchy Cake-off! As the youngest in a long line of masters of the Dark Arts of Patisserie, Leila wants her entry to be perfect. But even with the most bewitching of recipes, she realizes a terrible truth: she’s a disaster in the kitchen.

Leila Wayward es una brujita extraordinaria. Es la más veloz voladora, la más encantadora hechicera, la más capaz cambiaformas y la más talentosa talladora en su aquelarre. Por todos sus encantos, ha ganado todo tipo de trofeos, pero su más grande sueño es ganar el Magnífico Brujiconcurso de Repostería. Como la más joven en una larga línea de expertas en las Oscuras Artes de la Pastelería, Leila espera que ganar sea pan comido. Pero incluso con la más fantástica receta, Leila se da cuenta de la terrible verdad: ella es un desastre en la cocina.

Bienvenidos [Welcome] to Lucía’s home. Lucía lives in her casa [home] with her big, loud, beautiful familia, and she’s going to show you around! From la puerta [the door], where Abuela likes to wave to the neighbors and wait for packages from Puerto Rico or Spain, to la cocina [the kitchen], where Lucía watches her Mamá turn empty pots into soups and arroces, to el patio [the backyard], where Lucía and her cousins (and her cousin’s cousins!) put on magic shows, Lucía loves her busy and cozy casa [home].

Rocio has grown up in Central America, but now she and her family are moving to the United States. Rocio does her best to adjust to a new way of living, but there are many things she misses from her old life—Abuela’s cooking, Abuela’s pinata creations, Abuela’s warm hugs, and of course, Abuela herself most of all. But Abuela finds a way to send Rocio something special just in time for her birthday—a gift wrapped with lots of love—and that fills Rocio to the brim.

In visceral, embodied prose, Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them.

This hybrid collection of short crónicas, journalism, and personal essays on systemic violence in contemporary Mexico and along the US-Mexico border draws together literary theory and historical analysis to outline how neoliberalism, corruption, and drug trafficking - culminating in the misnamed “war on drugs” - has shaped Mexico. Working from and against this political context, Cristina Rivera Garza posits that collective grief is an act of resistance against state violence and that writing is a powerful mode of seeking social justice and embodying resilience.

A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today.

Conoce a Gustavo. Él es un fantasma y como a cualquier ser paranormal le encanta hacer lo que le es normal: atravesar paredes, hacer volar objetos y brillar en la oscuridad. También le encanta tocar el violín. Pero Gustavo tiene un problema. Él es muy, muy tímido; y aunque su deseo más grande es tener amigos, nunca se ha atrevido a hablarle a ninguno de los monstruos en su pueblito. Con el Día de Muertos cerca, ¿se atreverá Gustavo a dejar que lo vean?

Gustavo is good at doing all sorts of ghostly things: walking through walls, making objects fly, and glowing in the dark. And he loves almost nothing more than playing beautiful music on his violin. But Gustavo is shy, and some things are harder for him to do, like getting in a line to buy eye scream or making friends with other monsters. Whenever he tries getting close to them, he realizes they just can’t see him. Now that the Day of the Dead is fast approaching, what can he do to make them notice him and to share with them something he loves?