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These classic Sherlock Holmes performances by Gielgud, Richardson and Welles were first broadcast in the 1950s.

This 1937 radio dramatization was written, produced, and performed by none other than the incomparable Orson Welles of War of the Worlds fame. The story of the book is faithfully retold (with questionable subjects carefully camouflaged) and is suitable for students aged 10 and older. This live recording, masterfully performed by an incredible professional cast, includes sound effects, music, and an unforgettable story.

Travel with Phileas Fogg, as he races against the clock to win the bet with his friends to circle the globe with his faithful manservant Passepartout!! Many people try to stop Phileas in his adventure, so listen in and enjoy the fun!! One of the classic Radio Theatre Productions you will want to listen to over and over again!

Enjoy sixteen of the greatest programs from radio’s golden age and the Hollywood celebrities that starred in them.

He's a con man, a manipulator, and a master of every form of deception. He'll look you right in the eye and rob you blind...but you won't care, because he's one of the most fascinating men you'll ever meet! He's Harry Lime - and before he met a memorable end in The Third Man, he cut a broad swath across most of the inhabited globe!

Treasure Island, here starring Orson Welles, is the classic tale of pirates, treasure maps, danger, and buried treasure chests! Join young Jim Hawkins on his adventures on the high sea as he searches for the gold of the evil Captain Flint. Pieces of eight!! Pieces of eight!! This is one of the Classic Radio Theatre productions you will want to listen to over and over again!

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, Actor, Genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went Indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice; perfect for radio. Here, in the Black Museum he sets the scene as true life crime is retold. Mr Welles we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Here are legendary director, producer, screenwriter, author, and actor Orson Welles' historic interpretations of excerpts from classic literature. Includes selections from Oscar Wilde's "The Happy Prince', H.G. Wells' "The Red Room", Saki's "Shredni Vashtar", Joseph Conrad's "The Secret Sharer", Rudyard Kipling's "Riki-Tikii-Tavi", Nathaniel Hawthorne's "Wakefield", Edgar Allan Poe's "The Tell Tale Heart", and Robert Louis Stevenson's "Letter to the Reverend Dr. Hyde".

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Les Miserables (1937) was Orson Welles' first radio series. He served as actor, director, producer, and adaptor, developing narrative and audio techniques that would later be used for The Mercury Theatre on the Air.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.