Résultats lu par "Robert Greenberg" dans Toutes les catégories

A revolutionary man living in a revolutionary time, Beethoven used the piano as his personal musical laboratory. The piano sonata became, more than any other genre of music, a place where he could experiment with harmony, motivic development, the contextual use of form, and, most important, his developing view of music as a self-expressive art.Beethoven's 32 piano sonatas include some of his most popular works as well as some of his most experimental.

Have you ever thought about the creative process that boiled inside geniuses like Mozart, Beethoven, Dvorák, Strauss, Brahms, Mendelssohn, or Liszt-or any composer, for that matter?What goes through a composer's mind when a musical composition is being set to paper? Are those magical weeks or months spent in an agonizing creative blur of ideas first tried and then discarded, or it a matter of pure inspiration?

Have you ever wondered how the lives of great composers-especially when set against the social, political, and cultural context of their world-influences their music?After listening to this perceptive series of eight lectures on the life and music of Ludwig van Beethoven, you will likely find that you hear his work in an entirely different way, your insight informed by new knowledge of how Beethoven was able to create masterpieces from the crises of his life.You'll learn about the years of progressive hearing loss-ultimately to produce total deafness-and the understandable agony and rage such a fate would bring upon a composer. About his deep depression over the end of his relationship with the woman he calls his Immortal Beloved. About his pathological hatred of authority, his persecution complex, even delusional behaviors.But you'll also learn how each of these crises, and many others, served to drive Beethoven inward, to reinvent himself and redeem his suffering through art, creating disruptive works of profound passion and beauty that reinvented the nature of musical expression in the Western world.

Johannes Brahms was a man of contrasts. His serious Teutonic music was balanced by joyful dance music. His kindness to working people with a biting, malicious wit reserved for those he encountered in artistic and aristocratic circles. Yet you can know this enigmatic genius though this 8-lecture series, which uses biographical information and musical commentary to link the complexities of Brahms the man with the electrifying music of Brahms the composer.

Almost from the moment it was first set to paper, the music of Franz Joseph Haydn (1732-1809) - technically superb, rich in quality, and widely imitated - has exemplified the Classical style, creating not only the Classical-era symphony but setting the standard, through his own 68 string quartets, against which that form has ever after been judged. And yet Haydn, despite the influence left by more than 1000 works, seems to no longer get his due, Now, in a series of eight vivid lectures, you can learn to understand and appreciate the music of one of the most original and influential composers of all time.

Nowhere is Mozart's maturity and mastery more apparent than in the chamber music he wrote during the last 10 years of his life. These 16 lectures take you deep inside the structure of Mozart's chamber masterworks to reveal his hand at work. This is an amazing opportunity to hear, study, and enjoy a selection of immortal musical compositions that Professor Greenberg calls "a blessing of inconceivable richness". You will learn the basic "language" that all 18th-century composers used to write Classical music. You'll also explore the subtleties of Mozart's technique as a composer: his ability to make art "artless".

The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama-the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra.In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century and beyond.

More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world of overwhelming alienation and loneliness. You'll learn, through both lectures and musical excerpts, how his symphonies are vast repositories of his intellectual, emotional, and spiritual expression that made him the first exponent of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality - but explored by Mahler using the musical language of the century just ended.