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Almustafa, the chosen and beloved, must leave the port of Orphalese upon the ship he has waited upon for 12 years. As he descends to the waterfront, the people of Orphalese gather to question him and hear his wisdom on important topics of their daily lives. Kahlil Gibran's masterpiece is a series of enlightening, philosophical answers to those questions. The inspirational and spiritual words of The Prophet, written in an almost Biblical, poetic style, reveal deep insights into each of the subjects in question.

In this sweeping and provocative work, political economist William Davies draws on a 400-year history of ideas to reframe our understanding of the contemporary world. He argues that global trends decades and even centuries in the making have reduced a world of logic and fact into one driven by emotions - particularly fear and anxiety. This has ushered in an age of "nervous states", both in our individual bodies and our body politic.

This quintessentially English novel is considered by many to be a masterpiece of storytelling. Set for the most part on a riverbank in rural England, against a backdrop of social, agricultural, and industrial change typical of the early 20th century, Kenneth Grahame's portrayal of the anthropomorphic characters (which include Mole, Ratty, Badger, Otter, and, of course, the incorrigible Mr. Toad) is imaginative, lyrical, and without doubt uniquely humorous.

Five decades ago, The Limits to Growth shocked the world by showing that population and industrial growth were pushing humanity toward a cliff. Today the world recognizes that we are now at the cliff edge: Earth has crossed multiple planetary boundaries while widespread inequality is causing deep instabilities in societies. There seems to be no way out. Earth for All is both an antidote to despair and a road map to a better future.

Whip-smart 13-year-old Julian Costello Proctor - better known as Jules - has an eidetic memory. For as long as he can remember, he has remembered everything. "My mind is always on," he explains. But when an unexpected death throws his life into turmoil, Jules begins to experience something strange. For the first time, there are holes in his memory. But that's not the strangest part. What's really weird isn't what he's forgotten; it's what he remembers. Memories of another life, not his own.

From colonial empire-building in the 19th century to the postcolonial culture wars of the 21st century, attempts at "comparison" have defined the international agenda of literature. But what is comparative literature? That is discussed in this audiobook....

The novel is the story of a scientist who, through the study of optics finds a way to make things invisible. In a desire for recognition, fame, and the advantages of being invisible, he subjects himself to the process. But being unseen isn't as positive as he had hoped, and he soon finds himself regretting his condition, and his mind also becomes warped. He becomes mentally unhinged. Later, he embraces his invisibility and begins to spiral into a lust for power and control, and he reveals a plan he has hatched to unleash his personal "terror" on the world.

In 1966, two columnists joined Newsweek magazine. Their assignment: Debate the world of business and economics. Paul Samuelson was a towering figure in Keynesian economics. Milton Friedman championed "monetarism" and insisted the Federal Reserve maintain tight control over the amount of money circulating in the economy.

This is Charles Dickens’s second novel and regarded as one of his best. It was originally published as a serial from 1837 to 1839, and titled; Oliver Twist, or; A Parish Boys Progress. As a book, it first appeared in 1838 in three volumes. The story follows the title character Oliver Twist, who, being born and raised in a workhouse for the first ten years of his life, runs away to nearby London. Here, he falls in with a gang of young thieves and pickpockets controlled by Fagin, an elderly criminal.

For countless years, Moth has been frozen still, one half drenched in eternal daylight, the other cloaked in endless night. For countless years, the soldiers of sunlight and the dwellers of darkness have lived in isolation. We are the children of Moth. We were born in sunlight or in shadow. We can stop the fire, or we can watch our world burn. This is our story.

We are in darkness. We are alone. They came from the lands of light. They came with torches, with lanterns, with the banners of the sun. The children of endless day-they came to banish the darkness. And they came to kill. We are the children of never-ending night. We are the dwellers of shadow. In the light of our enemy, we are dying. We were born in darkness. We must cast out the light. This is our story.

Our world burns with war. In the west, the people of eternal sunlight invade the darkness, armed with swords, arrows, and torches. In the east, the children of endless night fight from the shadows. Soldiers of sunlight and dwellers of darkness. Their war flares across the world of Moth.

Our world has fallen still. One half lies drenched in eternal daylight, the other cloaked in endless night. Our people are divided, some living under the sun, the others hidden in shadow. All is light or darkness. All is the sun or the moon. All but me. My father was born in the never-ending sunlight of the West. My mother is a daughter of darkness. I am split in two. Like the moth of our forests, one wing white and the other black, I am torn.

The sun no longer rises. Evening no longer falls. In the lands of endless sunlight, we fear the darkness, we forge swords, we march to war. In the shadows of eternal night, we hide, we pray, we die. Soldiers of sunlight and children of darkness - we were once one. We were torn apart. We must be one again.

During the summer of 1940, Hitler's Germany appeared unstoppable. The Nazis were masters of mainland Europe, in alliance with Stalin's Russia, and only the English Channel prevented an immediate invasion. Britain stood alone. Operation Sealion examines just how realistic the German threat of invasion was. The author studies the plans, the available capability and resources, and the Germans' record in Norway and, later, Crete. The author weighs these against the state of Britain's defenses and the relative strengths of the land, air, and naval forces.

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.

R. D. Blackmore’s enduring masterpiece Lorna Doone: A Romance of Exmoor is renowned for its beautifully descriptive writing, the cleverly woven plot, and the powerfully drawn portrait of true love. Set in Devon in the late 17th century, it is an enduring masterpiece. First published in 1869, the novel revolves around the story of Devonshire farmer, John Ridd, his family, friends, and community. John tells the story in the first person beginning when he is just a boy and his father is murdered by the Doones.

The protagonist, Pip, lives with his sister “Mrs Joe Gargery” and her husband, Joe, in a secluded rural village in the marshlands of Kent. Both his parents are dead. Pip has always had a burning desire to become a Gentleman. The story follows how Pip, through circumstances not of his own making, rises to great wealth, becomes part of the London elite and is considered to have “Great Expectations”. However, as the story develops, he betrays or deserts his true friends and becomes eventually humbled by his own arrogance and pride.

Set in rural Victorian England, Far from the Madding Crowd describes the life and relationships of a woman Farmer, Bathsheba Everdene. First with the faithful shepherd Gabriel Oak, then her lonely neighbor William Boldwood, and finally, the prodigal soldier Sergeant Frank Troy.

This powerful and moving 1860 novel is believed to be George Eliot’s most autobiographical novel. She was certainly referencing personal experience when she wrote the character of Maggie Tulliver.