Résultats lu par "Chris Macdonnell" dans Toutes les catégories

Although her marriage to George Waddley has been passionless, the beautiful widow Cecilia Haukstrom Waddley vows to unmask the man responsible for her husband's murder. Suspecting the culprit traveled in society circles, she diverts attention from eavesdropping and prying with constant and tiresome complaints of illness.

Almustafa, the chosen and beloved, must leave the port of Orphalese upon the ship he has waited upon for 12 years. As he descends to the waterfront, the people of Orphalese gather to question him and hear his wisdom on important topics of their daily lives. Kahlil Gibran's masterpiece is a series of enlightening, philosophical answers to those questions. The inspirational and spiritual words of The Prophet, written in an almost Biblical, poetic style, reveal deep insights into each of the subjects in question.

Ex-detective superintendent Brandt has turned against society. The first kill was a stab in the dark, but now he's got a real taste for it. But his pursuer, DCI Stella Johnson, has rankled him. She has leaked to the press the idea he is impotent, and it has taken hold. Brandt wants to prove himself. Who better a victim than the woman who has embarrassed him? Johnson's strategy backfires, and she is in trouble with her superiors. Yet she now has a very personal reason to hunt down Brandt. Will going solo put her at even greater risk than before? And just what has he in mind for her?

Denied citizenship by the Roman Empire, a soldier named Alaric changed history by unleashing a surprise attack on the capital city of an unjust empire. Stigmatized and relegated to the margins of Roman society, the Goths were violent "barbarians" who destroyed "civilization," at least in the conventional story of Rome's collapse. But a slight shift of perspective brings their history, and ours, shockingly alive.

In this sweeping and provocative work, political economist William Davies draws on a 400-year history of ideas to reframe our understanding of the contemporary world. He argues that global trends decades and even centuries in the making have reduced a world of logic and fact into one driven by emotions - particularly fear and anxiety. This has ushered in an age of "nervous states", both in our individual bodies and our body politic.

In 1994, after many years of movies and television portraying the evil side of the human psyche, Dr. David Canter published Criminal Shadows. Two decades on, its revolutionary descriptions of psychological profiling still helps to explain the actions of serial killers and psychopaths. These techniques can help police precisely identify and locate murderers and rapists, even those who have alluded capture for years.

This is Dickens’s third novel and was originally published as a serial from 1838 to 1839. It’s a wonderful example of Dickens’s ability to weave plots within plots and portray the most glorious characters. Both theatrical and prosaic, Dickens magnetically and majestically pulls the reader (or listener!) into his unique and inimitable world. The Life and Adventures of Nicholas Nickleby tells the story of a young man who must support his mother and sister after his father dies leaving the family impoverished.

Whip-smart 13-year-old Julian Costello Proctor - better known as Jules - has an eidetic memory. For as long as he can remember, he has remembered everything. "My mind is always on," he explains. But when an unexpected death throws his life into turmoil, Jules begins to experience something strange. For the first time, there are holes in his memory. But that's not the strangest part. What's really weird isn't what he's forgotten; it's what he remembers. Memories of another life, not his own.

The novel is the story of a scientist who, through the study of optics finds a way to make things invisible. In a desire for recognition, fame, and the advantages of being invisible, he subjects himself to the process. But being unseen isn't as positive as he had hoped, and he soon finds himself regretting his condition, and his mind also becomes warped. He becomes mentally unhinged. Later, he embraces his invisibility and begins to spiral into a lust for power and control, and he reveals a plan he has hatched to unleash his personal "terror" on the world.

For countless years, Moth has been frozen still, one half drenched in eternal daylight, the other cloaked in endless night. For countless years, the soldiers of sunlight and the dwellers of darkness have lived in isolation. We are the children of Moth. We were born in sunlight or in shadow. We can stop the fire, or we can watch our world burn. This is our story.

We are in darkness. We are alone. They came from the lands of light. They came with torches, with lanterns, with the banners of the sun. The children of endless day-they came to banish the darkness. And they came to kill. We are the children of never-ending night. We are the dwellers of shadow. In the light of our enemy, we are dying. We were born in darkness. We must cast out the light. This is our story.

Our world burns with war. In the west, the people of eternal sunlight invade the darkness, armed with swords, arrows, and torches. In the east, the children of endless night fight from the shadows. Soldiers of sunlight and dwellers of darkness. Their war flares across the world of Moth.

Our world has fallen still. One half lies drenched in eternal daylight, the other cloaked in endless night. Our people are divided, some living under the sun, the others hidden in shadow. All is light or darkness. All is the sun or the moon. All but me. My father was born in the never-ending sunlight of the West. My mother is a daughter of darkness. I am split in two. Like the moth of our forests, one wing white and the other black, I am torn.

The sun no longer rises. Evening no longer falls. In the lands of endless sunlight, we fear the darkness, we forge swords, we march to war. In the shadows of eternal night, we hide, we pray, we die. Soldiers of sunlight and children of darkness - we were once one. We were torn apart. We must be one again.

During the summer of 1940, Hitler's Germany appeared unstoppable. The Nazis were masters of mainland Europe, in alliance with Stalin's Russia, and only the English Channel prevented an immediate invasion. Britain stood alone. Operation Sealion examines just how realistic the German threat of invasion was. The author studies the plans, the available capability and resources, and the Germans' record in Norway and, later, Crete. The author weighs these against the state of Britain's defenses and the relative strengths of the land, air, and naval forces.

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.

Retired policeman turned killer Jeffrey Brandt has gone underground. He is even living something like a normal life in North Wales. He killed to make society stand up and take notice. It did. His crimes are notorious. So infamous, in fact, that someone wants to emulate him. How will Brandt react to a copycat killer? Will he be flattered, or disturbed that someone wants to steal his limelight? Crucially, for investigating officer DSI Stella Johnson, the new spate of murders might offer an opportunity to finally bring Brandt to justice.

In 1966, two columnists joined Newsweek magazine. Their assignment: Debate the world of business and economics. Paul Samuelson was a towering figure in Keynesian economics. Milton Friedman championed "monetarism" and insisted the Federal Reserve maintain tight control over the amount of money circulating in the economy.

Charles Dickens's Hard Times (1854) is a satirical novel, as well as a romantic one. It is a commentary on social issues of the Industrial Revolution. He sets the tale in his imaginary northern location of Coketown. Gradgrind, father of Tom and Louisa, as the superintendent of schools wants education and life to be founded on facts alone. Bounderby, a Banker, and Industrialist is a boastful, bullying, self-proclaimed vagabond made good

Jim Hawkins (who narrates the tale) discovers the long-lost Treasure Map, on which X marks the spot, in the belongings of a dead pirate. He takes it to the local Doctor and Squire who determine to buy a ship, set sail, and recover the treasure from the Island. In a masterstroke of plot, Stevenson has the excited but gullible Squire recruit a crew made up, mostly, of the very crew of Buccaneers and Pirates who plundered this treasure in the first place, under the Captaincy of Flint! They are now led by the one-legged, cunning, and charismatic, Long John Silver.